Serving up a feast of funk, disco, electro and soul, Midnight Magic has unleashed banger after banger including their dancefloor smash, “Beam Me Up.” The Drop Me A Line single which features remixes from Holy Ghost, Juan Maclean and more was released last October and today the band has released the “Drop Me A Line” (Holy Ghost Remix) MP3 with RCRD LBL.
Listen/download: Midnight Magic – “Drop Me A Line” (Holy Ghost Remix)
Receiving accolades from Pitchfork to BrooklynVegan, for What The Eyes Can’t See, the nine-piece party powerhouse will perform live at Brooklyn Bowl on March 24th to celebrate the official release of the EP April 3 on Midnight Sounds. The special new package will feature several previously unreleased b-sides.
What The Eyes Can’t See EP Tracklist
1. What The Eyes Can’t See
4. Calling Out
5. Psycho For Your Love (Bonus)
6. Magic Midnight (Bonus)
Since the release of 2009’s The Future Will Come, John “Juan” Maclean has stayed quite busy remixing artists like Chairlift, Matthew Dear, The Tough Alliance and forthcoming remixes for Yoko Ono and Stevie Nicks. He’s also appeared on both the Holy Ghost! Static on the Wire! EP (shredding guitar solo!) and took front man duties on Shit Robot’s “Grim Receiver”. Juan Maclean is now gearing up for the October 25th release of Everybody Get Close on DFA Records. The digital only album features previously released outtakes and re-mastered tracks as well as remixes from some of his most talented colleagues. For an early taste of the record, you can listen where it is streaming on SPIN.com all week.
Stream album: Juan Maclean – Everybody Get Close
Interspersed among the eleven songs are five that originally appeared on Find A Way, an EP only previously available at Juan Maclean live shows. “Find A Way” opens the record with call-and-response vocals from Maclean and bandmate Nancy Whang atop an electronic pop base, followed by “Let’s Talk About Me,” which bounds blissfully throughout. “Deviant Device” is laden with dubby percussion and echo-drenched synths reminiscent of Basic Channel. “X2” offers up wide hall of house and robotized vocals. Short and sweet track “The Robot” is filled with mechanical sounds and extraterrestrial noises. “Feel So Good,” from the DJ-Kicks compilation also features vocals from Whang and is built on a rolling loop and an indefatigable beat provided by late drummer Jerry Fuchs. Japanese bonus track “When I Am With You” leisurely moves along on a relaxing romantic groove. Album closer and title track “Everybody Get Close” has mechanical vocals and funky synth bleats that show faint traces of major influences like Zapp and S.O.S. band, respectively.
Juan Maclean and Nancy Whang have begun work on The Juan Maclean’s 3rd LP for DFA Records. In the meantime the digital compilation Everybody Get Close, serves as a handy compilation and welcome reminder of the music Juan Maclean has contributed to both the dance and indie community. It also can only hint at what might come next from the chameleon-like Juan Maclean.
Download: Juan Maclean – “Find a Way”
Click to watch the video for "Take 'Em Up"
Shit Robot premiered his new video for “Take ‘Em Up” over at Pitchfork on Monday. The video follows LCD Soundsystem’s Nancy Whang on a multi-colored, multiplied psychedelic voyage around Brooklyn.
“Best electronic album coming this year”
“Irish-born Marcus Lambkin (a.k.a. Shit Robot) may be one of the lower-profile members of the DFA crew, but that doesn’t mean the man doesn’t have some serious DJ chops.”
From the Cradle to the Rave (produced by James Murphy) is a near perfect album, and “Take Em Up” is one reason why. The interplay between Marcus “Shit Robot” Lambkin’s synthesizer disco-funk and Nancy Whang’s unflappable vocals is, simply, great. The album also features other DFA family guests such as Hot Chip’s Alexis Taylor and Juan MacLean.
Shit Robot, aka Marcus Lambkin (aka The Godfather of DFA, according to Murphy), is an Irish-born DJ who has been spinning dance music for over two decades. He’s responsible for not only turning Murphy onto dance music in the 90’s, but also literally lending his carpentry skills to build the infamous DFA studio from the ground up.