Tag Archives: Fever

Highly Anticipated: Sleepy Sun’s New Album

Photo Cred: Amy Harrity

Sleepy Sun have shared the video for their first single “Seaquest” on Relix. Prior to this video, Sleepy Sun also released the single “Crave”. Both tracks will be featured on the forthcoming album Private Tales out 6/9 via Dine Alone Records. In anticipation for the upcoming album, be sure to get in contact with Sleepy Sun and tell them your secrets… your stories… your private tales at +1 415-646-6705. The band also recently had their promo photos taken by Amy Harrity. You can watch a video montage below:

 

When talking about the video for “Seaquest,” Sleepy Sun guitarist Matt Holliman states:

‘Seaquest’ brought the band together with longtime media collaborator Brandon Moore. As with most of our videos, we pretty much give the director free reign and encourage their interpretation of the song. It was a bit of struggle to get the sailboat in the Bay, as bad weather canceled one date, and nearly threatened another. But we held out on the 2nd attempt, and Brandon was able to capture some incredible footage of the Golden Gate, with the Bay nearly completely clear of activity. Secondary shooting would find us nearly freezing to capture the underwater shots. Also: swimming with sunglasses takes a little practice.

Sleepy Sun Tour Dates:
5/25/2017 Santa Cruz, CA @The Catalyst
5/26/2017 San Francisco, CA @ Great American Music Hall
5/27/2017 Los Angeles, CA @The Hi Hat
7/21/2017 – Visalia, CA @ Cellar Door
7/22/2017 – Las Vegas, NV @ Bunkhouse w/ Mr. Elevator
7/23/2017 – Tucson, AZ @ Congress
7/25/2017 – Dallas, TX @ Club DaDa
7/26/2017 – Austin, TX @ Barracuda
7/27/2017 – El Paso, TX @ Lowbrow
7/28/2017 – Albuquerque, NM @ Sister Bar w/ Froth
7/30/2017 – Salt Lake City, UT @ Urban Lounge
8/1/2017 – Boise, ID @ Nuerolux
8/2/2017 – Portland, OR @ Liquor Store
8/3/2017 – Vancouver, BC @ Cobalt
8/4/2017 – Seattle, WA @ Nectar Lounge
8/5/2017 – Klamath Falls, OR @ Gino’s

If there’s one thing we can all agree on in these dark, deeply uncertain days, it’s humanity’s latent desire to unplug from it all—to put our smartphones down, survey our immediate surroundings, and let the sweeter things in life rise to the surface.

Sleepy Sun gets it. Now five albums and more than a decade into making their own elusive brand of bold rock music, the Bay Area band isn’t interested in flooding our synapses with far too many ideas on their new LP, Private Tales. They’d rather let a grander vision unfold over time, rewarding anyone with the willingness to wait it out, to actually listen.

“When I hear Private Tales,” says guitarist Evan Reiss, “I appreciate the spaciousness that is left for the listener. I like music that gives them an opportunity to breathe, as opposed to jamming ideas into someone’s ears at all times.”

That approach is clear from the very beginning, a sustained drone casting a spell of clean synth tones, monk-like melodies, muted flutes, and riffs that ring out in the distance. It’s as if Sleepy Sun’s core quartet (Reiss, fellow guitarist Matt Holliman, frontman Bret Constantino, and drummer Brian Tice) decided to apply the album’s brakes before they even got out of the driveway.

If only things were that simple. The glassy psych grooves of “Prodigal Vampire” eventually give way to the life aquatic licks of “Seaquest,” a song that actually sounds like it’s sailing straight towards the sun. Meanwhile, “When the Morning Comes” and “Crave” take the group down an entirely different path—one that’s lined with thorny hooks and chaotic thunderclaps, as influenced by Swans as it is by Thin Lizzy.

Confused yet? Good.

“I always, always loved how no one knew what to make of us,” says Tice.

“That means we’re doing our job!” adds Reiss.

Or as Constantino puts it, “Creating original work is the most difficult part of writing anything. Often during the process, you think, ‘Oh man, that sounds like The Stones,’ or ‘that lyric is way too literal or cliche’. I’ve found the less you pay attention to that critical voice and concentrate on what you’re hearing in your head, you end up subconsciously reinterpreting everything you’ve ever heard or seen.”

It helps to have a strong supporting cast, of course, including bassists Jack Allen and Owen Kelley, who held the low end down on this LP. The boys were also backed by two incredible singers throughout the album’s two recording sessions: the New Pornographers’ Kathryn Calder and Whitehorn Singers’ Hannah Moriah. Colin Stewart also reprised the producer/engineering role he played on Sleepy Sun’s breakthrough records, Embrace and Fever.

“Colin is our main man,” says Reiss. “He ate more than 20 burritos while we were recording Private Tales, and believed in us throughout this two-year process. I cannot thank him enough.”

“I am certain this record could not have been made without his support and sacrifices,” adds Constantino. “There were times where he was the only person who believed we had it in us. He has a wonderful ability to bring out the honest truth in the musicians he works with. There’s no one I’d rather record with.”

Well, no one except the rest of Sleepy Sun, a tight-knit crew that kept its creative process going despite Constantino’s decision to move to Texas during the making of Private Tales. (The band exchanged home recordings over email and fleshed songs out in the studio over the course of two trying years.)

“This is the longest relationship I’ve had outside of my family,” says Constantino. “We’ve grown an incredible amount individually over the last 10 years, as has the ‘Sleepy Sun sound’. This record, in particular, was the most difficult to make, by far, mainly for logistical reasons.”

“Playing music with this group is second nature to me,” adds Reiss. “Being in a band for more than a decade allows for an almost telepathic creative relationship. The hard part is finding the time to ‘get in and let go’.”

Mission = accomplished.

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Telepopmusik – “Fever”

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“…it’s been a long freaking time since Télépopmusik dropped their last full-length, and we can finally rejoice in their comeback.” – Death and Taxes

“…a calming, warm wash of water that seduces with its surprising showcase of New York-based singer, Betty Black.”– Baeble Music

Télépopmusik posted a video for their new track “Fever”, featuring New York vocalist Betty Black from their upcoming full-length, due in early 2014.

The first “official” video, directed by Lou Chaussalet, captures a near death experience on a beach in the Southwest of France. 

On the remix front, Télépopmusik is also releasing a new remix of “Fever” by Tulip. Formerly known as Play Paul and Ryskee, releasing tracks on labels such as Roulé, Kitsune and Gigolo Records, Tulip’s “cold wave” vibe works nicely with the original moody, deep and hypnotic flavor of the original track, adding a bit more tension and dance floor beats.

It’s been over a decade since Télépopmusik’s first release, Genetic World, and more specifically the slinky, Grammy-nominated track “Breathe” featuring Scottish vocalist Angela McCluskey, which nearly defined an era of sophisticated, down-tempo French music (along with compatriots Air, Les Rythmes Digitales and Dimitri from Paris) in the mid 2000s.

Comprised of 2Square and Antipop, French electronic act Télépopmusik revealed the first 2 tracks from their third studio album (due in 2014) this past summer: a 2-song EP remix bundle, Fever/Try Me Anyway, featuring NY-based vocalist Betty Black and remixes from Dirty Channels, Zombie Disco Squad, Populette, Pit Spector & Pino Rastovitch. Télépopmusik’s new album will continue a long-standing collaborative tradition, featuring the vocal talents of New York’s own Betty Black (aka Sylvia Gordon of KUDU) & Swedish singer Johanna Wedin, as well as the return of the now US-based (and ever iconic) Angela McCluskey and some other surprise guests.

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