Category Archives: Highly Anticipated

Highly Anticipated: New Album From Magic Wands

Magic Wands are a dream pop duo from Los Angeles, California. They are known for their melodic, catchy songs “Black Magic” and “Teenage Love.” Chris and Dexy Valentine create music that centers on their main influence— the love of all things “magic” “love,” and “dreams”. They have recently expanded to a five-piece for live shows. Magic Wands Abracadabra Tour begins this fall in anticipation of their third album ABRAKADABRA due out early spring 2018. 

Check out their new single, from the upcoming new album, “Loveline”. 

Magic Wands have been remixed by The XX and Crystal Fighters (featured #1 in NME) as well as have toured and shared bills with The Horrors, The Black Keys, The Jesus and Mary Chain, The Wombats and The Kills. In 2012 they released their debut album, Aloha Moon, & performed live on BBC1 Radio and XFM followed by Jupiter in 2016. 

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New Music From Walter Martin (of The Walkmen)

Walter Martin (co-writer/multi-instrumentalist of The Walkmen) will release his new album Reminisce Bar & Grill on February 16th via Ile Flottante Music. His fourth solo record since The Walkmen’s hiatus in 2013, Reminisce Bar & Grill was announced earlier this month with a surprise appearance on NPR Music’s Tiny Desk in which he performed two of his new songs with a full band and a barbershop quartet. Today, he unveiled another new song from the record titled “I Can Run Now From The Hellhounds But I Can’t Hide” which premiered on Consequence of Sound.

“Jaunty guitars, whistling flutes, and rippling cymbals evoke a sunlit, slightly scuzzy beachside dive. There, Martin recalls an ’emotional run’ (despite only running ‘about once a month these days’) that served to remind him ‘we’ve only got one body,'” described Consequence of Sound. “All told, the song is likely to be one of the more upbeat musings you’ll hear about the fear of impending death.”

Reminisce Bar & Grill is one that might throw fans of his two award-winning kids’ records (2014’s We’re All Young Together and 2017’s My Kinda Music) for a loop. Listeners will still recognize the same affable narrator and quirky musical style as his previous solo work, but here the subject matter is shifted dramatically. With frankness and poignancy, Martin, now a 43-year-old married man with two young children, squarely tackles the subject of adulthood – specifically, his own.

“I think this is my mid-life crisis album,” said Walter. “These days my friends and I all seem to be thinking the same dark thoughts – ‘What the hell am I doing? What the hell’s going on? I’m lost. I’m running out of time and I’m doing everything wrong. And I’m probably dying.’ This is definitely an insane period,” he continues, “but most of the time I kind of love it.”

While Martin approaches these subject matters with candor and sincerity, he clearly also enjoys mining them for humor. “I wanted this album to be an entertaining discussion of marriage, fatherhood, work, fear, and weakness,” he explained. “I’m definitely influenced by Woody Allen movies. No matter how serious or romantic or dark his story may be, there’s always a strong undercurrent of comedy.”

Reminisce Bar & Grill was recorded at various studios in Brooklyn and at Richard Swift’s National Freedom Studio in Cottage Grove Oregon. The songs were mixed by D. James Goodwin (Bob Weir, Craig Finn), Richard Swift (The Shins, Foxygen) and Phil Ek (Fleet Foxes, Band of Horses). A nimble multi-instrumentalist, Martin handled guitar, piano, organ, bass and percussion duties, but he also relied on the services of a coterie of crafty players and singers: Brian Kantor (Fruit Bats) on drums, Josh Kaufman (Craig Finn, Josh Ritter) on guitar, and Jamie Krents (French Kicks) on bass. The soaring harmony vocals woven throughout the album are delivered by Clap Your Hands Say Yeah singer Alec Ounsworth.

Track List:
01) Me & McAlevey
02) Too Cold To Waterski
03) I Went Alone On A Solo Australian Tour
04) I Can Run Now From The Hellhounds But I Can’t Hide
05) I’m A Puppy
06) The Drummer
07) Ride Down The Avenue
08) I Wanna Be A Country Singer
09) Pink Piano
10) Colorado Lonesome
11) I Dreamed I Was Lana Del Rey’s Older Brother

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Listen: VHS Collection – “Sign”

VHS Collection has shared their latest single “Sign“, which has been featured on Spotify’s New Music Friday Playlist upon it’s release. The band is currently gearing up the release their debut LP, which is due for release in 2018. Stay tuned for more new music and info coming soon.

“I’m halfway out of New York / Half of me I left behind / If we’ve got something to save / Then now’s the time / Just give me a sign”

VHS Collection is a rock band from New York City that has gained a reputation for high energy live performances and a unique blend of rock, electronic, and disco influences.

VHS Collection’s songs have been streamed over 25 million times on Spotify and the band has seen festival performances at Lollapalooza, Austin City Limits, Bunbury Festival, and Okeechobee Festival in the last year.  VHS also sold out a headline show at Bowery Ballroom in February and Music Hall of Williamsburg in June, as well as LA’s Troubadour, in addition to sold-out club dates throughout the mid-west and throughout the west coast.  The band has released two EP’s to date and will release its first full-length record late this fall.

“Lean” the single off the band’s first EP hit #8 on the Spotify Viral Charts last January.  “Waiting on the Summer” the single off of the band’s 2nd EP Stereo Hype hit #14 on the Spotify Viral Charts and has been streamed over 12mm times to date.  The “Waiting on the Summer Dave Edwards Remix” was also #1 on Hype Machine in April.

VHS Collection got their start in the winter of 2014 but the three members, James Bohannon, Conor Cook, and Nils Vanderlip have been playing music in one form or another together since they were kids.  Conor and James grew up across the street from each other in NYC and attended the same grade school where they began jamming on acoustic guitars; Nils and James met in high school, where they started their first band together and recorded an album.

Years later, with all three members back in NYC, VHS pulled together a collection of electronic-leaning rock-influenced bedroom recordings and posted them on Soundcloud.  Encouraged by the volume of hits the tracks received, VHS began performing a live set at friends’ parties and around NYC’s small clubs.  2015 saw multiple sold-out nights for VHS at the Lower East Side’s indie-rock launching pad, the Mercury Lounge.

2016 saw the band’s first major festival performances at Lollapalooza and Austin City Limits, in addition to sold-out club dates on both coasts in addition support dates with Bloc Party and Powers.

VHS has remained independent and is self-managed. They are able to reach a growing audience via Spotify and other social media outlets without a label and have also built a live following by word of mouth.  The band sold out Bowery Ballroom and NYC’s 700 cap Music Hall of Williamsburg in the last 6 months and also played several major West Coast headline dates, including LA’s famous Troubadour.

VHS has created a writing process which is unique and serves them well.  It starts primarily with each member individually writing and producing dozens of bits and pieces of songs on their laptops.  The band spends months working on these initial song ideas virtually, sending each other files and collaborating via Dropbox.  Every few months, the band heads to a cabin in upstate New York where they lock themselves in for 7 days at a time to complete the songs during intense writing sessions.  During these sessions, the three members collaborate on every element of the song, with each member playing various instruments on the tracks.  The band then weeds out the best of these home produced tracks to bring into the studio.

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New Music From Typhoon

Check out the latest single “Rorschach” from Typhoon.

The video concept is a play on “the idea of being stuck inside your subconscious, fixated on one memory, while questioning it over and over again.”

“Rorschach” is the first single taken off of “Floodplains“, the opening 4-track movement (released last month) from Typhoon’s forthcoming LP, Offerings. Following the critically-acclaimed White LighterOfferings will be the band’s first full-length release in over four years and will be out on Jan 12, 2018.

The band have also just announced their upcoming North American and UK/EU tours for Winter 2018.
NORTH AMERICAN DATES
January 10: Salt Lake City, UT @ Urban Lounge
January 12: Denver, CO @ Gothic Theater
January 14: Omaha, NE @ The Waiting Room
January 17: St. Paul, MN @ Turf Club
January 18: Madison, WI @ Majestic Theatre
January 19: Chicago, IL @ Metro
January 20: Ann Arbor, MI @ El Cub
January 23: Toronto, ON @ Lee’s Palace
January 25: Boston, MA @ Paradise
January 26: Philadelphia, PA @ Union Transfer
January 27: Brooklyn, NY @ Music Hall of Williamsburg
January 31: Washington, DC @ 9:30 Club
February 1: Carrboro, NC @ Cat’s Cradle
February 2: Atlanta, GA @ Terminal West
February 3: Nashville, TN @ Exit In
February 6: Austin, TX @ Mohawk
February 8: Phoenix, AZ @ The Crescent
February 10: San Diego, CA @ Music Box
February 11: Los Angeles, CA @ Teragram Ballroom
February 13: San Francisco, CA @ The Independent
February 16: Seattle, WA @ The Crocodile
February 23: Portland, OR @ The Crystal Ballroom
February 24: Vancouver, BC @ Rickshaw Theatre

UK/EU DATES
February 28: Manchester, UK @ Deaf Institute
March 1: Glasgow, UK @ Broadcast
March 2: London, UK @ Lexington
March 7: Paris, FR @ Le Petits Bain
March 8: Brussels, BE @ Botanique
March 9: Amsterdam, NE @ Paradiso
March 10: Hamburg, DE @ Knust
March 13: Copenhagen, DK @ Vega
March 14: Berlin, DE @ Musik & Frieden
March 15: Vienna, AU @ Fluc
March 16: Wil, CH @ Gar De Lion
March 18: Baden, CH @ Royal
March 20: Cologne, DE @ Artheater

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Highly Anticipated: Typhoon’s New LP, Offerings

Typhoon officially makes their return with “Floodplains” — the first 21-minute movement from their newly-announced fourth LP, Offerings, out January 12th, 2018.

Following 2013’s critically-acclaimed & cult favorite White LighterOfferings is made up of 14 hauntingly beautiful tracks divided into three movements and an epilogue: FloodplainsFloodReckoning, and Afterparty. The 70-minute album centers on a fictional man who is losing his memory, and in turn, his sense of self.

Offerings is available for pre-order now as limited edition (1000), web-exclusive signed CDs + blood red double LPs, as well as digital download — wearetyphoon.store

 

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Groove With This Supermoon

“Ikebe Shakedown re–creates the kind of vibrant vintage funk that sends crate–digging DJs into spasms of joy…” – TimeOut New York

“Ikebe Shakedown has a sound that is undeniably all their own” – KEXP, Seattle

Over the past ten years, Ikebe Shakedown has refined a sound that defies genre. Their tracks bring the primal elements of ’70s soul, raw funk, and cinematic Western soundtracks together with a relentless groove and soaring melodies. Each release has successively pushed their explosive instrumental style further, wowing audiences in the U.S. and around the world. Now, after considerable time building their own analog studio, Hive Mind Recording, hitting the road with some of the most revered acts in the Brooklyn soul scene, and soaking in the wisdom that comes from day-in, day-out living in NYC, Ikebe is back with their third LP, The Way Home, (Colemine Records), an album that takes these sensibilities to new heights.

While the band has always been known for danceable grooves, The Way Home delves deeper into what it means to move people. As they put it, “We live in a city with a relentless pace. Sometimes, that demands music that gets you up and shaking, but it’s just as much about getting ourselves up every day to take on this massive life in just a few square miles.” It’s that joyful struggle that keeps the record from being just another love letter to New York. Says the band, “We set out to tell NYC that our feelings are a little more, well, complicated.”

Perhaps that’s why each song tells its own story, from the get-off-your-ass snare hits of “Penny the Snitch” to “She’s Knocking,” with its quiet-morning start that transitions to a glorious call to arms. Or “Blue Giant,” which boxes like Ali, floating until it stings you with full-band jabs. And though there may be more subdued moments, no song ever goes completely still – because NYC never stops. As the band says, “We wanted some tracks to be for those predawn hours, when someone’s still out there, keeping the city humming.”

The album’s first 45, “Supermoon” b/w “The Ally,” is a powerful assertion of the band’s place amidst the top of the instrumental scene. With “Supermoon,” premiering on The Big Takeover, the band aimed to make “A tune that expresses all the energy and excitement we feel moving through the city. From the opening wash of reverb to the last pummeling drum hits, we gave it an air of mystery, since we live somewhere where anything’s possible at any time, day or night.” For “The Ally” on the B-Side, the band sees it as the perfect complement to “Supermoon” — “We want to take the listeners on a journey from a barebones opening to an ending that rouses them from the stupor we sometimes find ourselves in, so they feel like they can take on the world.”

If you think you know Ikebe Shakedown, check out The Way Home and prepare to be awakened. And if you’ve never listened, welcome to a sound that’s richly familiar but unlike anything you’ve heard before.

Tour Dates
Oct. 19th in Philadelphia, PA at World Cafe Live
Oct. 21st in Brooklyn, NY at Union Pool
Oct. 26th in  Kingston, NY at BSP Hall

The Way Home is out on October 20th, 2017

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New Track From Wolf Alice: “Beautifully Unconventional”

London-based rock band Wolf Alice released the music video for their new track “Beautifully Unconventional”.  The video, which was directed by Stephen Agnew, premiered on The FADER. “This song is a celebration of all your non-conforming friends,” Ellie Rowsell explained to The FADER. A celebration of individuality and the adventures that come with embracing that. For me personally, I imagined me and my mate Hannah as Christian Slater and Winona Rider in Heathers albeit looking nothing like them. The video has nothing to do with the song  I just didn’t want to have a mullet anymore, seeing as lots of people tore me to pieces in our last video, so it was an excuse to wear a wig!”
 
“Beautifully Unconventional” will be included on the band’s upcoming sophomore album entitled, Visions Of A Life, which is set for release September 29th, 2017 via Dirty Hit/RCA Records and is available for pre-order now.

Wolf Alice also revealed the track listing for Visions Of A Life

1. Heavenward
2. Yuk Foo
3. Beautifully Unconventional
4. Don’t Delete The Kisses
5. Planet Hunter
6. Sky Musings
7. Formidable Cool
8. Space & Time
9. Sadboy
10. St. Purple & Green
11. After The Zero Hour
12. Visions Of A Life

Additionally, the foursome will be hitting the road throughout the month of December for a short North American tour. The tour will be kicking off in Toronto and will be hitting cities like Brooklyn, Washington D.C., and Philadelphia.  Tickets are on sale now and can be purchased here. See full list of tour dates below.

FRI
12/1
Danforth Music Hall
Toronto, ON
SAT
12/2
L’Astral
Montreal, QB
MON
12/4
Brooklyn Steel
Brooklyn, NY
THU
12/7
The Met
Pawtucket, RI
FRI
12/8
9:30 Club
Washington, D.C.
SAT
12/9
Trocadero Theatre
Philadelphia, PA
MON
12/11
Terminal West
Atlanta, GA

 

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Obsessed: VHS Collection

NYC-based VHS Collection shares their new track “Fire“. The track, recorded in London with Chris Zane (Passion Pit, St. Lucia), is from their forthcoming debut LP, more details to be announced soon. “We all have a devil on one shoulder and ‘Fire’ is dedicated to him,” explains the band’s Conor Cook, “The song celebrates our evil ways. It sonically blends synths and guitars in a way that is both nostalgic and modern. The groove of this tune is one that you don’t typically hear these days, which sets his track apart.” The band’s James Bohannon explains that “’Fire’ paints a descriptive vision of rebellion, religious confines, and pent up desire. It’s a seedy jam that has elements of classic southern rock, evolved into our signature synth/guitar soundscape.”

VHS Collection is a rock band from New York City that has gained a reputation for high energy live performances and a unique blend of rock, electronic, and disco influences.

VHS Collection’s songs have been streamed over 20 million times on Spotify and the band has seen festival performances at Lollapalooza, Austin City Limits, Bunbury Festival, and Okeechobee Festival in the last year.  VHS also sold out a headline show at Bowery Ballroom in February and Music Hall of Williamsburg in June, in addition to sold out club dates throughout the mid-west and throughout the west coast.  The band has released two EP’s to date and will release its first full-length record late this fall.

“Lean” the single off the band’s first EP hit #8 on the Spotify Viral Charts last January.  “Waiting on the Summer” the single off of the band’s 2nd EP Stereo Hype hit #14 on the Spotify Viral Charts and has been streamed over 12mm times to date.  The “Waiting on the Summer Dave Edwards Remix” was also #1 on Hype Machine in April.

VHS Collection got their start in the winter of 2014 but the three members, James Bohannon, Conor Cook, and Nils Vanderlip have been playing music in one form or another together since they were kids.  Conor and James grew up across the street from each other in NYC and attended the same grade school where they began jamming on acoustic guitars; Nils and James met in high school, where they started their first band together and recorded an album.

Years later, with all three members back in NYC, VHS pulled together a collection of electronic rock-influenced bedroom recordings and posted them on Soundcloud.  Encouraged by the volume of hits the tracks received, VHS began performing a live set at friends’ parties and around NYC’s small clubs.  2015 saw multiple sold out nights for VHS at the Lower East Side’s indie-rock launching pad, the Mercury Lounge.

2016 saw the band’s first major festival performances at Lollapalooza and Austin City Limits, in addition to sold out club dates on both coasts in addition support dates with Bloc Party and Powers.

VHS has remained independent and is self-managed. They are able to reach a growing audience via Spotify and other social media outlets without a label and have also built a live following by word of mouth.  The band sold out Bowery Ballroom and NYC’s 700 cap Music Hall of Williamsburg in the last 6 months and also played several major West Coast headline dates, including LA’s famous Troubadour.

VHS has created a writing process which is unique and serves them well.  It starts primarily with each member individually writing and producing dozens of bits and pieces of songs on their laptops.  The band spends months working on these initial song ideas virtually, sending each other files and collaborating via Dropbox.  Every few months, the band heads to a cabin in upstate New York where they lock themselves in for 7 days at a time to complete the songs during intense writing sessions.  During these sessions, the three members collaborate on every element of the song, with each member playing various instruments on the tracks.  The band then weeds out the best of these home produced tracks to bring into the studio.  For their upcoming record, VHS is working with producer Chris Zane who has also produced albums for Passion Pit, St. Lucia, and Friendly Fires.

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Still Obsessed: NVDES

Photo Credit: Neil Favila

Los Angeles-based creative collective NVDES announce the La NVDITÉ, Vol. 1 EP slated for an August 11th release on Maison Nvdité/Kobalt Music Recordings. An intriguing introduction to the laptop-punk of de-facto frontman Josh Ocean, he emerges with a five-track collection brimming with his signature frenetic guitars and punk energy, honing his prowess for crafting compulsive summery jams.

NVDES shares newest singles “Do You Think About Me” and “Do Ya” highlighted by a tropical groove and released tomorrow on all digital retailers. About the track/s, Ocean comments, “This song is about the modern saga of exploring love on the internet. We wrote it shortly after I started a long distance relationship with someone in Paris via Facebook messenger. It’s about the constant wondering “is this real?” and the melancholy that comes along with that.”

Ocean continues, “Inspired by this theme of love on the internet, I teamed up with Jenna Josepher and Giulia Marsico to direct the lyric video. Their personal styles could be considered opposites, with Jenna’s affinity for inanity and patterns, and Giulia’s exploration in sexuality and the human figure, yet their interests in analogy and absurdity are what bring them together. For this video, they utilized the stark juxtaposition of two similar yet highly contrasting images as an interpretation of what love on the internet can feel like; when you’re receiving one signal but interpreting another, subsequently causing your reality to distort.”

Following the release of his glitchy 2016 debut EP Life With Lobsters, NVDES garnered over 10 million streams across platforms, charted on Spotify’s Global Viral Chart, and received acclaim from the likes of FADER, NYLON, and many more, including Musically Amusing. The four-track collection spins through an array of kaleidoscopic sounds that are both levitating and melodic, yet wholly original.

In anticipation of the release, NVDES has also announced a series of live dates in Chicago and New York.

8/24: Chicago, IL @ Schubas Tavern
8/26: New York, NY @ Mercury Lounge

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The Darkness Is Back With New Track “All The Pretty Girls”

England’s most distinctive, multiple award-winning, platinum-selling, hugely entertaining rock gods – and one-time saviors of rock’n’roll turned national pleasures – The Darkness are back with their fifth album Pinewood Smile, due for release October 6th through Cooking Vinyl.

Marking the announcement, the band has today unveiled the spectacular album opener “All The Pretty Girls” across all streaming platforms. It’s also available for download with pre-orders of the album for the instant gratification of fans.

“All The Pretty Girls” is a glorious, hard-rockin’, autobiographical anthem intellectually examining the fact that when you’re a rock star you get a lot of attention from ladies and discussing the ethical conundrums that come with that.

As Justin Hawkins so eloquently sings with trouser-splitting vocal magnificence; “All the pretty girls, like me for who I am / All the pretty girls, when the record goes platinum / Plenty of action, massive attraction, when you’re selling out stadiums / All the pretty girls… and their mums”. 

Addressing the forthcoming album and The Darkness’ undoubted relevance in 2017, Justin asks, somewhat rhetorically of the world at large, “Why should anybody care? Because if you don’t, we’re fucked!! History will remember us as the apathetic generation who negligently ushered in a dreadful dystopian age that may or may not come to be known as ‘The Rise of the Arseclowns’. We cannot allow this to continue! You may not give a shit about Brexit or Trump, but PLEASE… give a shit about The Darkness otherwise the last bastion of cultural sensibility will fall and our airwaves will be polluted by meaningless pop purveyed by arseholes and morons… Oh wait!”

In addition to the cerebral treatise of “All The Pretty Girls”, the album boasts the swashbuckling “Buccaneers Of Hispaniola”, the expletive-strewn howl of frustration that is “Southern Trains”, the hugely emotional “Why Don’t The Beautiful Cry?”, the globally anthemic “Japanese Prisoner Of Love”, and the ode to pumping out smash hit after smash hit “Solid Gold”, which finds The Darkness addressing the turbulent nature of the music industry and how they have enjoyed its flamboyant highs and spectacular lows.

Written in Putney, recorded in Cornwall and produced by Grammy Award-winning producer Adrian Bushby (Foo Fighters, Muse), the compositions have all the crucial elements of classic Darkness fare, but with added layers for the ears to peel away at… like a sonic onion but a lot tastier. It also features the drumming and vocal talents of gorgeous new band member Rufus Tiger Taylor, son of Queen legend Roger Taylor, who shares vocal duties with Justin on two of the tracks.

To celebrate the release of their comeback album Pinewood Smile, The Darkness will be touring extensively at the end of this year playing 17 dates in the UK throughout November and December including a headline show at London’s Hammersmith Eventim Apollo on December 10th (see dates below). The shows are part of a wider European tour, full dates can be found at http://www.thedarknesslive.com/tour-dates/

The Darkness has returned revitalized, re-energized and ready to take the world by the balls once again with Pinewood Smile.
PINEWOOD SMILE TRACKLIST

  1. All The Pretty Girls
  2. Buccaneers Of Hispaniola
  3. Solid Gold
  4. Southern Trains
  5. Why Don’t The Beautiful Cry?
  6. Japanese Prisoner Of Love
  7. Lay Down With Me, Barbara
  8. I Wish I Was In Heaven
  9. Happiness
  10. Stampede Of Love

The album will be released on CD, limited edition Deluxe CD (featuring four bonus tracks), Gatefold Heavyweight Vinyl, cassette and in both Standard and Deluxe digital versions.

THE DARKNESS UK TOUR DATES
NOVEMBER 
11/23 – Southampton, O2 Guildhall
11/24 – Manchester, Academy
11/25 – Blackburn, King George’s Hall
11/27 – Leeds, O2 Academy
11/28 – Newcastle, O2 Academy
11/29 – Glasgow, O2 Academy

DECEMBER
12/1 – Stoke-On-Trent, Victoria Hall
12/2 – Nottingham, Rock City
12/3  – Norwich, UEA
12/5 – Guildford, G Live
12/6 – Margate, Winter Gardens
12/7 – Southend-On-Sea, Cliffs Pavilion
12/9 – Birmingham, O2 Academy
12/10 – London, Eventim Apollo
12/11 – Brighton, Dome
12/13 – Cardiff, St David’s Hall
12/14 – Bristol, Colston Hall

2003 gave birth to one of the most extraordinary and best-loved bands in the UK. The Darkness released their debut album Permission To Land to overnight success, topping the UK charts, going 5x Platinum and selling over 1.5 MILLION copies in the UK alone. It spawned a series of hit singles including “I Believe In A Thing Called Love”, “Growing On Me”, “Get Your Hands Off My Woman” and “Love Is Only A Feeling”. It clocked up a series of awards including three BRIT Awards, two Kerrang Awards and an Ivor Novello for ‘Songwriters Of The Year’ amongst many others.

The Darkness played a number of landmark shows, including a headline set at the 2004 Reading & Leeds Festivals, as part of a whirlwind career of global touring as international sensations. The band then built upon the success of their debut with their 2005 follow up One Way Ticket To Hell… And Back, which produced the Top 10 hit “One Way Ticket”.

In 2006 Justin Hawkins left the band, checking into rehab and The Darkness fell apart. Following successful treatment, the band reformed in 2011 touring Europe and South America in 2012 with Lady Gaga. They released their comeback album Hot Cakes that year and Last Of Our Kind in 2015.

The band have now returned in 2017 with Pinewood Smile, their first album to come through Cooking Vinyl. Ahead of the album’s announcement, The Darkness toured Europe in support of Guns N’ Roses and are playing a number of festivals in the UK and Europe during the summer.

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