Category Archives: Highly Anticipated

Obsessed: VHS Collection

NYC-based VHS Collection shares their new track “Fire“. The track, recorded in London with Chris Zane (Passion Pit, St. Lucia), is from their forthcoming debut LP, more details to be announced soon. “We all have a devil on one shoulder and ‘Fire’ is dedicated to him,” explains the band’s Conor Cook, “The song celebrates our evil ways. It sonically blends synths and guitars in a way that is both nostalgic and modern. The groove of this tune is one that you don’t typically hear these days, which sets his track apart.” The band’s James Bohannon explains that “’Fire’ paints a descriptive vision of rebellion, religious confines, and pent up desire. It’s a seedy jam that has elements of classic southern rock, evolved into our signature synth/guitar soundscape.”

VHS Collection is a rock band from New York City that has gained a reputation for high energy live performances and a unique blend of rock, electronic, and disco influences.

VHS Collection’s songs have been streamed over 20 million times on Spotify and the band has seen festival performances at Lollapalooza, Austin City Limits, Bunbury Festival, and Okeechobee Festival in the last year.  VHS also sold out a headline show at Bowery Ballroom in February and Music Hall of Williamsburg in June, in addition to sold out club dates throughout the mid-west and throughout the west coast.  The band has released two EP’s to date and will release its first full-length record late this fall.

“Lean” the single off the band’s first EP hit #8 on the Spotify Viral Charts last January.  “Waiting on the Summer” the single off of the band’s 2nd EP Stereo Hype hit #14 on the Spotify Viral Charts and has been streamed over 12mm times to date.  The “Waiting on the Summer Dave Edwards Remix” was also #1 on Hype Machine in April.

VHS Collection got their start in the winter of 2014 but the three members, James Bohannon, Conor Cook, and Nils Vanderlip have been playing music in one form or another together since they were kids.  Conor and James grew up across the street from each other in NYC and attended the same grade school where they began jamming on acoustic guitars; Nils and James met in high school, where they started their first band together and recorded an album.

Years later, with all three members back in NYC, VHS pulled together a collection of electronic rock-influenced bedroom recordings and posted them on Soundcloud.  Encouraged by the volume of hits the tracks received, VHS began performing a live set at friends’ parties and around NYC’s small clubs.  2015 saw multiple sold out nights for VHS at the Lower East Side’s indie-rock launching pad, the Mercury Lounge.

2016 saw the band’s first major festival performances at Lollapalooza and Austin City Limits, in addition to sold out club dates on both coasts in addition support dates with Bloc Party and Powers.

VHS has remained independent and is self-managed. They are able to reach a growing audience via Spotify and other social media outlets without a label and have also built a live following by word of mouth.  The band sold out Bowery Ballroom and NYC’s 700 cap Music Hall of Williamsburg in the last 6 months and also played several major West Coast headline dates, including LA’s famous Troubadour.

VHS has created a writing process which is unique and serves them well.  It starts primarily with each member individually writing and producing dozens of bits and pieces of songs on their laptops.  The band spends months working on these initial song ideas virtually, sending each other files and collaborating via Dropbox.  Every few months, the band heads to a cabin in upstate New York where they lock themselves in for 7 days at a time to complete the songs during intense writing sessions.  During these sessions, the three members collaborate on every element of the song, with each member playing various instruments on the tracks.  The band then weeds out the best of these home produced tracks to bring into the studio.  For their upcoming record, VHS is working with producer Chris Zane who has also produced albums for Passion Pit, St. Lucia, and Friendly Fires.

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Still Obsessed: NVDES

Photo Credit: Neil Favila

Los Angeles-based creative collective NVDES announce the La NVDITÉ, Vol. 1 EP slated for an August 11th release on Maison Nvdité/Kobalt Music Recordings. An intriguing introduction to the laptop-punk of de-facto frontman Josh Ocean, he emerges with a five-track collection brimming with his signature frenetic guitars and punk energy, honing his prowess for crafting compulsive summery jams.

NVDES shares newest singles “Do You Think About Me” and “Do Ya” highlighted by a tropical groove and released tomorrow on all digital retailers. About the track/s, Ocean comments, “This song is about the modern saga of exploring love on the internet. We wrote it shortly after I started a long distance relationship with someone in Paris via Facebook messenger. It’s about the constant wondering “is this real?” and the melancholy that comes along with that.”

Ocean continues, “Inspired by this theme of love on the internet, I teamed up with Jenna Josepher and Giulia Marsico to direct the lyric video. Their personal styles could be considered opposites, with Jenna’s affinity for inanity and patterns, and Giulia’s exploration in sexuality and the human figure, yet their interests in analogy and absurdity are what bring them together. For this video, they utilized the stark juxtaposition of two similar yet highly contrasting images as an interpretation of what love on the internet can feel like; when you’re receiving one signal but interpreting another, subsequently causing your reality to distort.”

Following the release of his glitchy 2016 debut EP Life With Lobsters, NVDES garnered over 10 million streams across platforms, charted on Spotify’s Global Viral Chart, and received acclaim from the likes of FADER, NYLON, and many more, including Musically Amusing. The four-track collection spins through an array of kaleidoscopic sounds that are both levitating and melodic, yet wholly original.

In anticipation of the release, NVDES has also announced a series of live dates in Chicago and New York.

8/24: Chicago, IL @ Schubas Tavern
8/26: New York, NY @ Mercury Lounge

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The Darkness Is Back With New Track “All The Pretty Girls”

England’s most distinctive, multiple award-winning, platinum-selling, hugely entertaining rock gods – and one-time saviors of rock’n’roll turned national pleasures – The Darkness are back with their fifth album Pinewood Smile, due for release October 6th through Cooking Vinyl.

Marking the announcement, the band has today unveiled the spectacular album opener “All The Pretty Girls” across all streaming platforms. It’s also available for download with pre-orders of the album for the instant gratification of fans.

“All The Pretty Girls” is a glorious, hard-rockin’, autobiographical anthem intellectually examining the fact that when you’re a rock star you get a lot of attention from ladies and discussing the ethical conundrums that come with that.

As Justin Hawkins so eloquently sings with trouser-splitting vocal magnificence; “All the pretty girls, like me for who I am / All the pretty girls, when the record goes platinum / Plenty of action, massive attraction, when you’re selling out stadiums / All the pretty girls… and their mums”. 

Addressing the forthcoming album and The Darkness’ undoubted relevance in 2017, Justin asks, somewhat rhetorically of the world at large, “Why should anybody care? Because if you don’t, we’re fucked!! History will remember us as the apathetic generation who negligently ushered in a dreadful dystopian age that may or may not come to be known as ‘The Rise of the Arseclowns’. We cannot allow this to continue! You may not give a shit about Brexit or Trump, but PLEASE… give a shit about The Darkness otherwise the last bastion of cultural sensibility will fall and our airwaves will be polluted by meaningless pop purveyed by arseholes and morons… Oh wait!”

In addition to the cerebral treatise of “All The Pretty Girls”, the album boasts the swashbuckling “Buccaneers Of Hispaniola”, the expletive-strewn howl of frustration that is “Southern Trains”, the hugely emotional “Why Don’t The Beautiful Cry?”, the globally anthemic “Japanese Prisoner Of Love”, and the ode to pumping out smash hit after smash hit “Solid Gold”, which finds The Darkness addressing the turbulent nature of the music industry and how they have enjoyed its flamboyant highs and spectacular lows.

Written in Putney, recorded in Cornwall and produced by Grammy Award-winning producer Adrian Bushby (Foo Fighters, Muse), the compositions have all the crucial elements of classic Darkness fare, but with added layers for the ears to peel away at… like a sonic onion but a lot tastier. It also features the drumming and vocal talents of gorgeous new band member Rufus Tiger Taylor, son of Queen legend Roger Taylor, who shares vocal duties with Justin on two of the tracks.

To celebrate the release of their comeback album Pinewood Smile, The Darkness will be touring extensively at the end of this year playing 17 dates in the UK throughout November and December including a headline show at London’s Hammersmith Eventim Apollo on December 10th (see dates below). The shows are part of a wider European tour, full dates can be found at http://www.thedarknesslive.com/tour-dates/

The Darkness has returned revitalized, re-energized and ready to take the world by the balls once again with Pinewood Smile.
PINEWOOD SMILE TRACKLIST

  1. All The Pretty Girls
  2. Buccaneers Of Hispaniola
  3. Solid Gold
  4. Southern Trains
  5. Why Don’t The Beautiful Cry?
  6. Japanese Prisoner Of Love
  7. Lay Down With Me, Barbara
  8. I Wish I Was In Heaven
  9. Happiness
  10. Stampede Of Love

The album will be released on CD, limited edition Deluxe CD (featuring four bonus tracks), Gatefold Heavyweight Vinyl, cassette and in both Standard and Deluxe digital versions.

THE DARKNESS UK TOUR DATES
NOVEMBER 
11/23 – Southampton, O2 Guildhall
11/24 – Manchester, Academy
11/25 – Blackburn, King George’s Hall
11/27 – Leeds, O2 Academy
11/28 – Newcastle, O2 Academy
11/29 – Glasgow, O2 Academy

DECEMBER
12/1 – Stoke-On-Trent, Victoria Hall
12/2 – Nottingham, Rock City
12/3  – Norwich, UEA
12/5 – Guildford, G Live
12/6 – Margate, Winter Gardens
12/7 – Southend-On-Sea, Cliffs Pavilion
12/9 – Birmingham, O2 Academy
12/10 – London, Eventim Apollo
12/11 – Brighton, Dome
12/13 – Cardiff, St David’s Hall
12/14 – Bristol, Colston Hall

2003 gave birth to one of the most extraordinary and best-loved bands in the UK. The Darkness released their debut album Permission To Land to overnight success, topping the UK charts, going 5x Platinum and selling over 1.5 MILLION copies in the UK alone. It spawned a series of hit singles including “I Believe In A Thing Called Love”, “Growing On Me”, “Get Your Hands Off My Woman” and “Love Is Only A Feeling”. It clocked up a series of awards including three BRIT Awards, two Kerrang Awards and an Ivor Novello for ‘Songwriters Of The Year’ amongst many others.

The Darkness played a number of landmark shows, including a headline set at the 2004 Reading & Leeds Festivals, as part of a whirlwind career of global touring as international sensations. The band then built upon the success of their debut with their 2005 follow up One Way Ticket To Hell… And Back, which produced the Top 10 hit “One Way Ticket”.

In 2006 Justin Hawkins left the band, checking into rehab and The Darkness fell apart. Following successful treatment, the band reformed in 2011 touring Europe and South America in 2012 with Lady Gaga. They released their comeback album Hot Cakes that year and Last Of Our Kind in 2015.

The band have now returned in 2017 with Pinewood Smile, their first album to come through Cooking Vinyl. Ahead of the album’s announcement, The Darkness toured Europe in support of Guns N’ Roses and are playing a number of festivals in the UK and Europe during the summer.

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Are You In or Are You Out? Of Course You’re In

“…like what might happen if Beck produced a track for LCD Soundsystem.” – Stereogum

“Think of this new track as the nonchalant older kid that just embodies cool. It doesn’t have to try very hard… Try to get this one out of your head.” – Earmilk

Black Kids, who have announced their new track “Obligatory Drugs”, have released the first of some new music since their 2008 debut album Partie Traumatic. The single appears on their forthcoming sophomore album Rookie, out September 15.

 

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Highly Anticipated: New Album From The Technicolors

Phoenix-based band the Technicolors’ forthcoming album Metaphysical (out July 7) focuses on “a void”—the one between where its frontman, Brennan Smiley, is, and where he’d like to go. Today we are pleased to premiere “Impostor!,” a single from that very LP, which seems to encapsulate this concept. “The song is about everyone’s constant need of explanation for everything,” says Smiley. “Everyone wants you to explain yourself, tell why you did something a certain way, as opposed to just feelin’ it and letting it move you, or maybe challenge you to think differently.”

Fittingly for summer, “Impostor!” is a roll-your-windows-down tune. The guitar intro has a ’90s rock grittiness and bite that sets the tone, and next comes Smiley’s Julian Casablancas-esque voice—a softer swoon that creates a needed contrast for the song to flow (and makes it ideal to leave on repeat). Smiley says the track started simply with a guitar riff, courtesy of guitarist and vocalist Sean Silverman. The lyrics came later when Smiley was sitting in a unair-conditioned room in the thick of an Arizona summer. He watched an early-2000s “Magic Tricks Revealed” documentary in the guest room of the studio the where the band was recording and realized he would have to sing “Impostor!” the next morning. He didn’t have any lyrics—yet. “I started literally sweating out the most ridiculous lines ever,” recalls Smiley. “The last line of the second verse is about making an elephant disappear.”

Smiley wrote the lyrics in about five minutes, and the track’s guitar riffs ultimately powered Metaphysical as a whole. “We plugged the acoustic guitars straight into this old Neve console that mixed some pretty legendary records, and cranked it till it sounded like what you would imagine if Raiden started a band with Johnny Cage,” says Smiley. “I think we stumbled on some wild guitar sounds that have since inspired us to go even further down those roads.” – Interview Magazine

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Highly Anticipated: Sleepy Sun’s New Album

Photo Cred: Amy Harrity

Sleepy Sun have shared the video for their first single “Seaquest” on Relix. Prior to this video, Sleepy Sun also released the single “Crave”. Both tracks will be featured on the forthcoming album Private Tales out 6/9 via Dine Alone Records. In anticipation for the upcoming album, be sure to get in contact with Sleepy Sun and tell them your secrets… your stories… your private tales at +1 415-646-6705. The band also recently had their promo photos taken by Amy Harrity. You can watch a video montage below:

 

When talking about the video for “Seaquest,” Sleepy Sun guitarist Matt Holliman states:

‘Seaquest’ brought the band together with longtime media collaborator Brandon Moore. As with most of our videos, we pretty much give the director free reign and encourage their interpretation of the song. It was a bit of struggle to get the sailboat in the Bay, as bad weather canceled one date, and nearly threatened another. But we held out on the 2nd attempt, and Brandon was able to capture some incredible footage of the Golden Gate, with the Bay nearly completely clear of activity. Secondary shooting would find us nearly freezing to capture the underwater shots. Also: swimming with sunglasses takes a little practice.

Sleepy Sun Tour Dates:
5/25/2017 Santa Cruz, CA @The Catalyst
5/26/2017 San Francisco, CA @ Great American Music Hall
5/27/2017 Los Angeles, CA @The Hi Hat
7/21/2017 – Visalia, CA @ Cellar Door
7/22/2017 – Las Vegas, NV @ Bunkhouse w/ Mr. Elevator
7/23/2017 – Tucson, AZ @ Congress
7/25/2017 – Dallas, TX @ Club DaDa
7/26/2017 – Austin, TX @ Barracuda
7/27/2017 – El Paso, TX @ Lowbrow
7/28/2017 – Albuquerque, NM @ Sister Bar w/ Froth
7/30/2017 – Salt Lake City, UT @ Urban Lounge
8/1/2017 – Boise, ID @ Nuerolux
8/2/2017 – Portland, OR @ Liquor Store
8/3/2017 – Vancouver, BC @ Cobalt
8/4/2017 – Seattle, WA @ Nectar Lounge
8/5/2017 – Klamath Falls, OR @ Gino’s

If there’s one thing we can all agree on in these dark, deeply uncertain days, it’s humanity’s latent desire to unplug from it all—to put our smartphones down, survey our immediate surroundings, and let the sweeter things in life rise to the surface.

Sleepy Sun gets it. Now five albums and more than a decade into making their own elusive brand of bold rock music, the Bay Area band isn’t interested in flooding our synapses with far too many ideas on their new LP, Private Tales. They’d rather let a grander vision unfold over time, rewarding anyone with the willingness to wait it out, to actually listen.

“When I hear Private Tales,” says guitarist Evan Reiss, “I appreciate the spaciousness that is left for the listener. I like music that gives them an opportunity to breathe, as opposed to jamming ideas into someone’s ears at all times.”

That approach is clear from the very beginning, a sustained drone casting a spell of clean synth tones, monk-like melodies, muted flutes, and riffs that ring out in the distance. It’s as if Sleepy Sun’s core quartet (Reiss, fellow guitarist Matt Holliman, frontman Bret Constantino, and drummer Brian Tice) decided to apply the album’s brakes before they even got out of the driveway.

If only things were that simple. The glassy psych grooves of “Prodigal Vampire” eventually give way to the life aquatic licks of “Seaquest,” a song that actually sounds like it’s sailing straight towards the sun. Meanwhile, “When the Morning Comes” and “Crave” take the group down an entirely different path—one that’s lined with thorny hooks and chaotic thunderclaps, as influenced by Swans as it is by Thin Lizzy.

Confused yet? Good.

“I always, always loved how no one knew what to make of us,” says Tice.

“That means we’re doing our job!” adds Reiss.

Or as Constantino puts it, “Creating original work is the most difficult part of writing anything. Often during the process, you think, ‘Oh man, that sounds like The Stones,’ or ‘that lyric is way too literal or cliche’. I’ve found the less you pay attention to that critical voice and concentrate on what you’re hearing in your head, you end up subconsciously reinterpreting everything you’ve ever heard or seen.”

It helps to have a strong supporting cast, of course, including bassists Jack Allen and Owen Kelley, who held the low end down on this LP. The boys were also backed by two incredible singers throughout the album’s two recording sessions: the New Pornographers’ Kathryn Calder and Whitehorn Singers’ Hannah Moriah. Colin Stewart also reprised the producer/engineering role he played on Sleepy Sun’s breakthrough records, Embrace and Fever.

“Colin is our main man,” says Reiss. “He ate more than 20 burritos while we were recording Private Tales, and believed in us throughout this two-year process. I cannot thank him enough.”

“I am certain this record could not have been made without his support and sacrifices,” adds Constantino. “There were times where he was the only person who believed we had it in us. He has a wonderful ability to bring out the honest truth in the musicians he works with. There’s no one I’d rather record with.”

Well, no one except the rest of Sleepy Sun, a tight-knit crew that kept its creative process going despite Constantino’s decision to move to Texas during the making of Private Tales. (The band exchanged home recordings over email and fleshed songs out in the studio over the course of two trying years.)

“This is the longest relationship I’ve had outside of my family,” says Constantino. “We’ve grown an incredible amount individually over the last 10 years, as has the ‘Sleepy Sun sound’. This record, in particular, was the most difficult to make, by far, mainly for logistical reasons.”

“Playing music with this group is second nature to me,” adds Reiss. “Being in a band for more than a decade allows for an almost telepathic creative relationship. The hard part is finding the time to ‘get in and let go’.”

Mission = accomplished.

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Lineup Revealed for 2017 Thrival!

The Thrival Innovation + Music Festival has announced its music lineup, featuring a blend of 19 national and local artists. Headliners Wiz Khalifa, Logic, Carnage, GRiZ, and Two Door Cinema Club and over a dozen more acts will perform at the historic Carrie Furnaces on September 29-30.

Two-day general admission and VIP festival passes go on sale Friday, May 19 at 10:00 AM EST.

Capping an extensive 2017 festival touring season — including performances at Lollapalooza and Okeechobee Music Festival — multi-platinum selling and Grammy-nominated recording artist, Wiz Khalifa, will make his only appearance in Pittsburgh in 2017 as one of Thrival’s headliners.

Logic, the 27-year-old Maryland-based rapper, will also headline Thrival, building off of a packed 28-date U.S. summer tour. His critically acclaimed, “Everybody,” sold 247,000 equivalent album units last week, earning Logic his first #1 album. The album touches on an array of societal issues that affect us all on a daily basis.

Irish alt-indie darlings, Two Door Cinema Club, are also touring the U.S., having just announced dozens of new dates across the country.

Detroit electronic funk outfit, GRiZ, and Los Angeles-based Guatemalan American DJ, Carnage, will both headline their own stages.

SuperDuperKyle will make his first-ever Pittsburgh performance after the release of his Billboard Top 10 hit, “iSpy” (currently #8). Chart-topper and multi-platinum artist, Kiiara, veteran DJ, TokiMonsta, Sirius Alt Nation mainstays, Missio, and Grammy-nominated DJ, Steve James, are all first-time Thrival artists, joined by Harts, Echos, Circa Waves, Welshly Arms, Michigander, The Garment District, Byron Nash & Plan B, Rachel B., and JRod.

“We started this initiative five years ago. To watch its growth has been pretty remarkable,” says Bobby Zappala, founder of Thrival and CEO of Ascender. “Thrival 2017 is set up to be a special experience. We’re proud to have a Pittsburgh artist headline the bill for the first time in the festival’s history.”

“Thrival Music continues to grow, and this year’s lineup is the biggest and most prolific to date. We welcome an eclectic mix of multi-platinum and chart-topping artists who will compliment a host site that has the potential to be one of the best live music venues in the entire U.S.,” says Dan Law, Director of Thrival and VP of Business Development at Ascender, the nonprofit organization that presents and produces Thrival every year.

The festival kicks off with Thrival Innovation (featuring a new partnership with San Francisco-based event and media company, NewCo) on September 27-28, a conference focused on “Intelligence: Humans X Tech” — a theme that leverages Pittsburgh’s strengths in robotics, artificial intelligence, and machine learning.

After Thrival Innovation, festival-goers will transition from Pittsburgh’s East End to the historic Carrie Furnaces in nearby Swissvale, Pennsylvania for a “one-of-a-kind Pittsburgh venue” that “features a stark contrast of new sound and rustic industrial setting” minutes away from Pittsburgh city limits.

For a unique local flair, Wiz Khalifa filmed the music video for his 2012 double platinum single, “Work Hard, Play Hard” at the Carrie Furnaces.

“With the right vision, leadership, and investment, the Carrie Furnaces are primed to be a premier destination for live music fans. By doing this together, we’re turning a mill back on. But instead of producing steel, we’re producing culture,” says Law. “A show at Carrie is unique. You can’t get it anywhere else.”

The festival is the flagship initiative of Ascender, a Pittsburgh-based 501(c)(3) nonprofit organization dedicated to serving early-stage startups, entrepreneurs, and innovators.

To help manage this growth in 2017, Thrival has partnered with Live Nation Entertainment for venue operations, talent buying, and marketing efforts.

“Ascender’s partnership with Live Nation to deliver Thrival Music allows our core team to both invest more energy in scaling Thrival Innovation and more effectively engage our dynamic local audience, with Live Nation adding significantly to the festival’s expanding national reach. We’re very excited for the opportunities this presents,” says Zappala.

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Highly Anticipated: New Album From British Sea Power

Photo credit: Mayumi Hirata

British Sea Power’s first new material since 2013’s Machineries of Joy, Let The Dancers Inherit The Party is a melodic call to arms, direct and brimming with emotional urgency. It’s an album where rock muscularity joins inseparably with pop immediacy like a crate of bubbly exploding inside a Marshall stack.

“Here be poetry…Their best album for years”  – Mojo – ★★★★
“Fittingly surreal – a breakneck montage of Dada-esque fever dream imagery” – NME
“Another terrific British band is returning “ – WNYC
“A smooth and swaggering album” – Artist Direct
“A triumphant return” –  Spectral Nights
 

Featuring lead singles singles “Bad Bohemian” and  “Keep On Trying (Sechs Freunde)”, this new 12-track collection sees British Sea Power return to the exhilarating, bright-minded guitar music that earned them their breakout nomination for the 2003 Mercury Music Prize as they cover subject matter ranging from the stars in the night sky to the methodology of media manipulation.

The album art, videos, and single art feature typography and imagery influenced by the German Dadaist artist Kurt Schwitters, whose work BSP’s two vocalists, Yan and Hamilton Wilkinson, discovered while growing up on the edge of the English Lake District.

Recorded in Sussex, London and on the Isle of Skye, Let The Dancers Inherit The Party follows the band’s five studio albums for the great Rough Trade Records – a catalog of releases that saw BSP become the longest continually-signed band in the label’s history. Rough Trade remains a vital part of the BSP story and will continue to do so, but the new album is being licensed from the band’s own Golden Chariot label to Caroline International. The entire recording of the album was funded by the band’s remarkably dedicated audience.

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Video: Night Drive – “Rise and Fall”

photo credit: Daniel Cavazos

Like a synesthesia-induced landscape found within the vivid worlds of films a la Tron or The Neon Demon, Austin + Houston duo Night Drive are back with scattered and lo-fi visuals for their track “Rise and Fall“. The group is also thrilled to announce their debut self-titled record, due June 16th via Roll Call Records.

The duo – comprised of Rodney Connell and Brandon Duhon noted, “Rise and Fall is about unexpected change as two people find themselves going in different directions. A sudden and untimely break-up. We wanted the overall sound to be a bit dreamy and distant, which relates to that feeling of your life disintegrating and slipping through your hands like smoke, being unable to hold on to it. But we also wanted an energetic intensity to it, which relates more to the feeling of rushing headlong towards an inevitable tragedy and being unable to avert it, no matter what you do or where you turn.”

Inspired by sci-fi cinematic landscapes, the duo’s modern synth-pop seeks to explore the darker currents of abstract emotion. With infectious melodies wrapped in thoughtful lyrics, layered over pulsing dance beats, the group creates an ethereal electronic world drenched in noir aesthetics. With the handful of tracks and remixes they’ve released, the duo’s dreamy songs have already garnered attention from the likes of SPIN as well as causing a stir from tastemakers in the blogosphere, including myself — I LOVE them!

Night Drive’s self-titled debut album brings to mind the aesthetics of acts like Interpol or The Knife and is an effort best consumed in its entirety. From the John Carpenter-esque stylings of hazy album opener, “Hyperion” to the urgent synth of “Strange Telepathy” or the slow-burning and subtle “Ghost Craft,” from start to finish, the LP is a textured soundscape and surreal journey through sound.

Having recently toured with the likes of CHVRCHES, Austra, Yacht, Robert DeLong, and Miami Horror, Night Drive has several dates coming up in Houston, New York, and Austin.

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Another New One From Dragonette: “Body 2 Body”

Photo Credit: Gabe Ayala

Photo Credit: Gabe Ayala

On the heels of 2014’s acclaimed full-length Bodyparts which landed them a captivating performance on Good Morning America as well as collaborations with Kaskade, Galantis, Big Data, Martin Solveig among others, Canadian electro-pop trio Dragonette have made a valiant return with their fourth studio album Royal Blues to be released worldwide on November 11.

Strapped with a joyous energy yet tinged with melancholy undertones, the record is perfectly timed to keep listeners warm while the winter months creep in. “Body 2 Body” is a bass-driven silky lovesick banger that touches upon the universal struggle of letting go. Directed by Alison Honey Woods with dance and improvised choreography by Alex Crenian and Miles Faber, the “Body 2 Body” lyric video is posted below for you to check out.


Royal Blues is an irresistibly hook-laden, dancefloor-ready celebration of wisdom that only comes from life experience. To celebrate the release, the band will embark on a 22-date North American tour making stops in Boston, LA, Chicago, Portland, Toronto and more. Be sure to catch the powerhouse pop trio live in a city near you!

Tour Dates:
* = w/ Lowell
^ = w/ Gibbz

11/9: Waterloo, ON @ Maxwell’s*
11/10: Toronto, ON @ Phoenix Concert Theatre*
11/11: Montréal, QC @ Théâtre Fairmount*
11/12: Ottawa, ON @ Bronson Centre*
11/16: Winnipeg, MB @ Pyramid Cabaret*
11/17: Saskatoon, SK @ Louis’ Pub*
11/18: Edmonton, AB @ Starlite Room*
11/19: Calgary, AB @ The Gateway at SAIT*
11/22: Kelowna, BC @ Sapphire Nightclub*
11/23: Vancouver, BC @ Imperial*
11/24: Victoria, BC @ Sugar Nightclub*
11/26: Portland, OR @ Doug Fir Lounge ^
11/27: Seattle, WA @ Neumos ^
11/29: San Francisco, CA @ The Independent ^
11/30: West Hollywood, CA @ The Roxy Theatre ^
12/2: Salt Lake City, UT @ Metro Bar ^
12/3: Denver, CO @ Bluebird Theater ^
12/5: Minneapolis, MN @ 7th Street Entry ^
12/6: Chicago, IL @ Lincoln Hall ^
12/8: Columbus, OH @ A&R Music Bar ^
12/10: Brooklyn, NY @ Warsaw ^
12/11: Boston, MA @ Royale Boston ^

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