Category Archives: Highly Anticipated

Highly Anticipated: New Album From The Technicolors

Phoenix-based band the Technicolors’ forthcoming album Metaphysical (out July 7) focuses on “a void”—the one between where its frontman, Brennan Smiley, is, and where he’d like to go. Today we are pleased to premiere “Impostor!,” a single from that very LP, which seems to encapsulate this concept. “The song is about everyone’s constant need of explanation for everything,” says Smiley. “Everyone wants you to explain yourself, tell why you did something a certain way, as opposed to just feelin’ it and letting it move you, or maybe challenge you to think differently.”

Fittingly for summer, “Impostor!” is a roll-your-windows-down tune. The guitar intro has a ’90s rock grittiness and bite that sets the tone, and next comes Smiley’s Julian Casablancas-esque voice—a softer swoon that creates a needed contrast for the song to flow (and makes it ideal to leave on repeat). Smiley says the track started simply with a guitar riff, courtesy of guitarist and vocalist Sean Silverman. The lyrics came later when Smiley was sitting in a unair-conditioned room in the thick of an Arizona summer. He watched an early-2000s “Magic Tricks Revealed” documentary in the guest room of the studio the where the band was recording and realized he would have to sing “Impostor!” the next morning. He didn’t have any lyrics—yet. “I started literally sweating out the most ridiculous lines ever,” recalls Smiley. “The last line of the second verse is about making an elephant disappear.”

Smiley wrote the lyrics in about five minutes, and the track’s guitar riffs ultimately powered Metaphysical as a whole. “We plugged the acoustic guitars straight into this old Neve console that mixed some pretty legendary records, and cranked it till it sounded like what you would imagine if Raiden started a band with Johnny Cage,” says Smiley. “I think we stumbled on some wild guitar sounds that have since inspired us to go even further down those roads.” – Interview Magazine

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Highly Anticipated: Sleepy Sun’s New Album

Photo Cred: Amy Harrity

Sleepy Sun have shared the video for their first single “Seaquest” on Relix. Prior to this video, Sleepy Sun also released the single “Crave”. Both tracks will be featured on the forthcoming album Private Tales out 6/9 via Dine Alone Records. In anticipation for the upcoming album, be sure to get in contact with Sleepy Sun and tell them your secrets… your stories… your private tales at +1 415-646-6705. The band also recently had their promo photos taken by Amy Harrity. You can watch a video montage below:

 

When talking about the video for “Seaquest,” Sleepy Sun guitarist Matt Holliman states:

‘Seaquest’ brought the band together with longtime media collaborator Brandon Moore. As with most of our videos, we pretty much give the director free reign and encourage their interpretation of the song. It was a bit of struggle to get the sailboat in the Bay, as bad weather canceled one date, and nearly threatened another. But we held out on the 2nd attempt, and Brandon was able to capture some incredible footage of the Golden Gate, with the Bay nearly completely clear of activity. Secondary shooting would find us nearly freezing to capture the underwater shots. Also: swimming with sunglasses takes a little practice.

Sleepy Sun Tour Dates:
5/25/2017 Santa Cruz, CA @The Catalyst
5/26/2017 San Francisco, CA @ Great American Music Hall
5/27/2017 Los Angeles, CA @The Hi Hat
7/21/2017 – Visalia, CA @ Cellar Door
7/22/2017 – Las Vegas, NV @ Bunkhouse w/ Mr. Elevator
7/23/2017 – Tucson, AZ @ Congress
7/25/2017 – Dallas, TX @ Club DaDa
7/26/2017 – Austin, TX @ Barracuda
7/27/2017 – El Paso, TX @ Lowbrow
7/28/2017 – Albuquerque, NM @ Sister Bar w/ Froth
7/30/2017 – Salt Lake City, UT @ Urban Lounge
8/1/2017 – Boise, ID @ Nuerolux
8/2/2017 – Portland, OR @ Liquor Store
8/3/2017 – Vancouver, BC @ Cobalt
8/4/2017 – Seattle, WA @ Nectar Lounge
8/5/2017 – Klamath Falls, OR @ Gino’s

If there’s one thing we can all agree on in these dark, deeply uncertain days, it’s humanity’s latent desire to unplug from it all—to put our smartphones down, survey our immediate surroundings, and let the sweeter things in life rise to the surface.

Sleepy Sun gets it. Now five albums and more than a decade into making their own elusive brand of bold rock music, the Bay Area band isn’t interested in flooding our synapses with far too many ideas on their new LP, Private Tales. They’d rather let a grander vision unfold over time, rewarding anyone with the willingness to wait it out, to actually listen.

“When I hear Private Tales,” says guitarist Evan Reiss, “I appreciate the spaciousness that is left for the listener. I like music that gives them an opportunity to breathe, as opposed to jamming ideas into someone’s ears at all times.”

That approach is clear from the very beginning, a sustained drone casting a spell of clean synth tones, monk-like melodies, muted flutes, and riffs that ring out in the distance. It’s as if Sleepy Sun’s core quartet (Reiss, fellow guitarist Matt Holliman, frontman Bret Constantino, and drummer Brian Tice) decided to apply the album’s brakes before they even got out of the driveway.

If only things were that simple. The glassy psych grooves of “Prodigal Vampire” eventually give way to the life aquatic licks of “Seaquest,” a song that actually sounds like it’s sailing straight towards the sun. Meanwhile, “When the Morning Comes” and “Crave” take the group down an entirely different path—one that’s lined with thorny hooks and chaotic thunderclaps, as influenced by Swans as it is by Thin Lizzy.

Confused yet? Good.

“I always, always loved how no one knew what to make of us,” says Tice.

“That means we’re doing our job!” adds Reiss.

Or as Constantino puts it, “Creating original work is the most difficult part of writing anything. Often during the process, you think, ‘Oh man, that sounds like The Stones,’ or ‘that lyric is way too literal or cliche’. I’ve found the less you pay attention to that critical voice and concentrate on what you’re hearing in your head, you end up subconsciously reinterpreting everything you’ve ever heard or seen.”

It helps to have a strong supporting cast, of course, including bassists Jack Allen and Owen Kelley, who held the low end down on this LP. The boys were also backed by two incredible singers throughout the album’s two recording sessions: the New Pornographers’ Kathryn Calder and Whitehorn Singers’ Hannah Moriah. Colin Stewart also reprised the producer/engineering role he played on Sleepy Sun’s breakthrough records, Embrace and Fever.

“Colin is our main man,” says Reiss. “He ate more than 20 burritos while we were recording Private Tales, and believed in us throughout this two-year process. I cannot thank him enough.”

“I am certain this record could not have been made without his support and sacrifices,” adds Constantino. “There were times where he was the only person who believed we had it in us. He has a wonderful ability to bring out the honest truth in the musicians he works with. There’s no one I’d rather record with.”

Well, no one except the rest of Sleepy Sun, a tight-knit crew that kept its creative process going despite Constantino’s decision to move to Texas during the making of Private Tales. (The band exchanged home recordings over email and fleshed songs out in the studio over the course of two trying years.)

“This is the longest relationship I’ve had outside of my family,” says Constantino. “We’ve grown an incredible amount individually over the last 10 years, as has the ‘Sleepy Sun sound’. This record, in particular, was the most difficult to make, by far, mainly for logistical reasons.”

“Playing music with this group is second nature to me,” adds Reiss. “Being in a band for more than a decade allows for an almost telepathic creative relationship. The hard part is finding the time to ‘get in and let go’.”

Mission = accomplished.

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Lineup Revealed for 2017 Thrival!

The Thrival Innovation + Music Festival has announced its music lineup, featuring a blend of 19 national and local artists. Headliners Wiz Khalifa, Logic, Carnage, GRiZ, and Two Door Cinema Club and over a dozen more acts will perform at the historic Carrie Furnaces on September 29-30.

Two-day general admission and VIP festival passes go on sale Friday, May 19 at 10:00 AM EST.

Capping an extensive 2017 festival touring season — including performances at Lollapalooza and Okeechobee Music Festival — multi-platinum selling and Grammy-nominated recording artist, Wiz Khalifa, will make his only appearance in Pittsburgh in 2017 as one of Thrival’s headliners.

Logic, the 27-year-old Maryland-based rapper, will also headline Thrival, building off of a packed 28-date U.S. summer tour. His critically acclaimed, “Everybody,” sold 247,000 equivalent album units last week, earning Logic his first #1 album. The album touches on an array of societal issues that affect us all on a daily basis.

Irish alt-indie darlings, Two Door Cinema Club, are also touring the U.S., having just announced dozens of new dates across the country.

Detroit electronic funk outfit, GRiZ, and Los Angeles-based Guatemalan American DJ, Carnage, will both headline their own stages.

SuperDuperKyle will make his first-ever Pittsburgh performance after the release of his Billboard Top 10 hit, “iSpy” (currently #8). Chart-topper and multi-platinum artist, Kiiara, veteran DJ, TokiMonsta, Sirius Alt Nation mainstays, Missio, and Grammy-nominated DJ, Steve James, are all first-time Thrival artists, joined by Harts, Echos, Circa Waves, Welshly Arms, Michigander, The Garment District, Byron Nash & Plan B, Rachel B., and JRod.

“We started this initiative five years ago. To watch its growth has been pretty remarkable,” says Bobby Zappala, founder of Thrival and CEO of Ascender. “Thrival 2017 is set up to be a special experience. We’re proud to have a Pittsburgh artist headline the bill for the first time in the festival’s history.”

“Thrival Music continues to grow, and this year’s lineup is the biggest and most prolific to date. We welcome an eclectic mix of multi-platinum and chart-topping artists who will compliment a host site that has the potential to be one of the best live music venues in the entire U.S.,” says Dan Law, Director of Thrival and VP of Business Development at Ascender, the nonprofit organization that presents and produces Thrival every year.

The festival kicks off with Thrival Innovation (featuring a new partnership with San Francisco-based event and media company, NewCo) on September 27-28, a conference focused on “Intelligence: Humans X Tech” — a theme that leverages Pittsburgh’s strengths in robotics, artificial intelligence, and machine learning.

After Thrival Innovation, festival-goers will transition from Pittsburgh’s East End to the historic Carrie Furnaces in nearby Swissvale, Pennsylvania for a “one-of-a-kind Pittsburgh venue” that “features a stark contrast of new sound and rustic industrial setting” minutes away from Pittsburgh city limits.

For a unique local flair, Wiz Khalifa filmed the music video for his 2012 double platinum single, “Work Hard, Play Hard” at the Carrie Furnaces.

“With the right vision, leadership, and investment, the Carrie Furnaces are primed to be a premier destination for live music fans. By doing this together, we’re turning a mill back on. But instead of producing steel, we’re producing culture,” says Law. “A show at Carrie is unique. You can’t get it anywhere else.”

The festival is the flagship initiative of Ascender, a Pittsburgh-based 501(c)(3) nonprofit organization dedicated to serving early-stage startups, entrepreneurs, and innovators.

To help manage this growth in 2017, Thrival has partnered with Live Nation Entertainment for venue operations, talent buying, and marketing efforts.

“Ascender’s partnership with Live Nation to deliver Thrival Music allows our core team to both invest more energy in scaling Thrival Innovation and more effectively engage our dynamic local audience, with Live Nation adding significantly to the festival’s expanding national reach. We’re very excited for the opportunities this presents,” says Zappala.

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Highly Anticipated: New Album From British Sea Power

Photo credit: Mayumi Hirata

British Sea Power’s first new material since 2013’s Machineries of Joy, Let The Dancers Inherit The Party is a melodic call to arms, direct and brimming with emotional urgency. It’s an album where rock muscularity joins inseparably with pop immediacy like a crate of bubbly exploding inside a Marshall stack.

“Here be poetry…Their best album for years”  – Mojo – ★★★★
“Fittingly surreal – a breakneck montage of Dada-esque fever dream imagery” – NME
“Another terrific British band is returning “ – WNYC
“A smooth and swaggering album” – Artist Direct
“A triumphant return” –  Spectral Nights
 

Featuring lead singles singles “Bad Bohemian” and  “Keep On Trying (Sechs Freunde)”, this new 12-track collection sees British Sea Power return to the exhilarating, bright-minded guitar music that earned them their breakout nomination for the 2003 Mercury Music Prize as they cover subject matter ranging from the stars in the night sky to the methodology of media manipulation.

The album art, videos, and single art feature typography and imagery influenced by the German Dadaist artist Kurt Schwitters, whose work BSP’s two vocalists, Yan and Hamilton Wilkinson, discovered while growing up on the edge of the English Lake District.

Recorded in Sussex, London and on the Isle of Skye, Let The Dancers Inherit The Party follows the band’s five studio albums for the great Rough Trade Records – a catalog of releases that saw BSP become the longest continually-signed band in the label’s history. Rough Trade remains a vital part of the BSP story and will continue to do so, but the new album is being licensed from the band’s own Golden Chariot label to Caroline International. The entire recording of the album was funded by the band’s remarkably dedicated audience.

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Video: Night Drive – “Rise and Fall”

photo credit: Daniel Cavazos

Like a synesthesia-induced landscape found within the vivid worlds of films a la Tron or The Neon Demon, Austin + Houston duo Night Drive are back with scattered and lo-fi visuals for their track “Rise and Fall“. The group is also thrilled to announce their debut self-titled record, due June 16th via Roll Call Records.

The duo – comprised of Rodney Connell and Brandon Duhon noted, “Rise and Fall is about unexpected change as two people find themselves going in different directions. A sudden and untimely break-up. We wanted the overall sound to be a bit dreamy and distant, which relates to that feeling of your life disintegrating and slipping through your hands like smoke, being unable to hold on to it. But we also wanted an energetic intensity to it, which relates more to the feeling of rushing headlong towards an inevitable tragedy and being unable to avert it, no matter what you do or where you turn.”

Inspired by sci-fi cinematic landscapes, the duo’s modern synth-pop seeks to explore the darker currents of abstract emotion. With infectious melodies wrapped in thoughtful lyrics, layered over pulsing dance beats, the group creates an ethereal electronic world drenched in noir aesthetics. With the handful of tracks and remixes they’ve released, the duo’s dreamy songs have already garnered attention from the likes of SPIN as well as causing a stir from tastemakers in the blogosphere, including myself — I LOVE them!

Night Drive’s self-titled debut album brings to mind the aesthetics of acts like Interpol or The Knife and is an effort best consumed in its entirety. From the John Carpenter-esque stylings of hazy album opener, “Hyperion” to the urgent synth of “Strange Telepathy” or the slow-burning and subtle “Ghost Craft,” from start to finish, the LP is a textured soundscape and surreal journey through sound.

Having recently toured with the likes of CHVRCHES, Austra, Yacht, Robert DeLong, and Miami Horror, Night Drive has several dates coming up in Houston, New York, and Austin.

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Another New One From Dragonette: “Body 2 Body”

Photo Credit: Gabe Ayala

Photo Credit: Gabe Ayala

On the heels of 2014’s acclaimed full-length Bodyparts which landed them a captivating performance on Good Morning America as well as collaborations with Kaskade, Galantis, Big Data, Martin Solveig among others, Canadian electro-pop trio Dragonette have made a valiant return with their fourth studio album Royal Blues to be released worldwide on November 11.

Strapped with a joyous energy yet tinged with melancholy undertones, the record is perfectly timed to keep listeners warm while the winter months creep in. “Body 2 Body” is a bass-driven silky lovesick banger that touches upon the universal struggle of letting go. Directed by Alison Honey Woods with dance and improvised choreography by Alex Crenian and Miles Faber, the “Body 2 Body” lyric video is posted below for you to check out.


Royal Blues is an irresistibly hook-laden, dancefloor-ready celebration of wisdom that only comes from life experience. To celebrate the release, the band will embark on a 22-date North American tour making stops in Boston, LA, Chicago, Portland, Toronto and more. Be sure to catch the powerhouse pop trio live in a city near you!

Tour Dates:
* = w/ Lowell
^ = w/ Gibbz

11/9: Waterloo, ON @ Maxwell’s*
11/10: Toronto, ON @ Phoenix Concert Theatre*
11/11: Montréal, QC @ Théâtre Fairmount*
11/12: Ottawa, ON @ Bronson Centre*
11/16: Winnipeg, MB @ Pyramid Cabaret*
11/17: Saskatoon, SK @ Louis’ Pub*
11/18: Edmonton, AB @ Starlite Room*
11/19: Calgary, AB @ The Gateway at SAIT*
11/22: Kelowna, BC @ Sapphire Nightclub*
11/23: Vancouver, BC @ Imperial*
11/24: Victoria, BC @ Sugar Nightclub*
11/26: Portland, OR @ Doug Fir Lounge ^
11/27: Seattle, WA @ Neumos ^
11/29: San Francisco, CA @ The Independent ^
11/30: West Hollywood, CA @ The Roxy Theatre ^
12/2: Salt Lake City, UT @ Metro Bar ^
12/3: Denver, CO @ Bluebird Theater ^
12/5: Minneapolis, MN @ 7th Street Entry ^
12/6: Chicago, IL @ Lincoln Hall ^
12/8: Columbus, OH @ A&R Music Bar ^
12/10: Brooklyn, NY @ Warsaw ^
12/11: Boston, MA @ Royale Boston ^

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New Music From Dragonette!!!

Photo Credit: Gabe Ayala

Photo Credit: Gabe Ayala

After a period of chart-topping collaborations, Canadian electro-pop trio Dragonette have made a valiant return with their fourth studio album Royal Blues to be released worldwide on November 11. Perfectly timed to keep listeners warm while the winter months creep in, the 13-song collection is an irresistibly hook-laden, dancefloor-ready celebration of wisdom that only comes from life experience.

Sonically strapped with a joyous energy, the record is tinged with melancholy undertones. “Sweet Poison” is a deeply personal album cut about love that you can’t hold onto nor let go of. The purposeful simplicity of the video artistically elevates the emotion of the lyrics.


To celebrate the release, the band will embark on a 22-date North American tour making stops in Boston, LA, Chicago, Portland, Toronto and more.

Tour Dates:
* = w/ Lowell
^ = w/ Gibbz

11/9: Waterloo, ON @ Maxwell’s*
11/10: Toronto, ON @ Phoenix Concert Theatre*
11/11: Montréal, QC @ Théâtre Fairmount*
11/12: Ottawa, ON @ Bronson Centre*
11/16: Winnipeg, MB @ Pyramid Cabaret*
11/17: Saskatoon, SK @ Louis’ Pub*
11/18: Edmonton, AB @ Starlite Room*
11/19: Calgary, AB @ The Gateway at SAIT*
11/22: Kelowna, BC @ Sapphire Nightclub*
11/23: Vancouver, BC @ Imperial*
11/24: Victoria, BC @ Sugar Nightclub*
11/26: Portland, OR @ Doug Fir Lounge ^
11/27: Seattle, WA @ Neumos ^
11/29: San Francisco, CA @ The Independent ^
11/30: West Hollywood, CA @ The Roxy Theatre ^
12/2: Salt Lake City, UT @ Metro Bar ^
12/3: Denver, CO @ Bluebird Theater ^
12/5: Minneapolis, MN @ 7th Street Entry ^
12/6: Chicago, IL @ Lincoln Hall ^
12/8: Columbus, OH @ A&R Music Bar ^
12/10: Brooklyn, NY @ Warsaw ^
12/11: Boston, MA @ Royale Boston ^

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Must Listen: Communist Daughter – “Balboa Bridge”

cd

“Together, they present a more down-to-earth Arcade Fire and a more gripping Of Monsters and Men while nicely filling the void left by The Civil Wars’ breakup” – Chicago Sun Times

After songwriting comparisons to Bruce Springsteen (“Hold Back”), Nirvana, and Fleetwood Mac (“Roll a Stone”), Communist Daughter is debuting another single from the upcoming sophomore album: the misleadingly upbeat “Balboa Bridge.” The gorgeous instrumental melodies and vocal harmonies are comforting at first take, but demand another listen to reveal another meaning.

Frontman Johnny Solomon explains the inspiration behind the song: “There’s this gorgeous park in the middle of San Diego, and there’s a bridge right in the middle of it that runs over the highway. My mom told me that when she was younger, they used to call that Suicide Bridge. I remember the times when I was thinking of that option, and how far away that bridge was from me. All I could think about was that it was this place, so far away from that basement in Wisconsin where I was getting high; it was this magical place in my mind where I wouldn’t feel the way I did anymore.”

October 21st will see the release of their highly anticipated sophomore album The Cracks That Built The Wall as well as a string of tour dates through the Midwest supporting the album – see below:

TOUR DATES:
10/12 – Sioux Falls SD – Icon Lounge
10/14 – Omaha NE – O’Leavers
10/15 – Des Moines IA – Vaudeville Mews
10/16 – Lincoln NE – Duffy’s
10/21 – Minneapolis – Electric Fetus In Store
11/3- Nashville TN – Hi Watt
11/4 Dayton OH – Blind Bobs
11/5 Florence AL – 116 E. Mobile
11/7 Lexington KY – The Burl
11/8 Madison – The Frequency
11/9 Iowa City – Yacht Club
11/10 UW Platteville – Platteville, WI
11/11 Minneapolis – First Avenue

PRE-ORDER THE ALBUM HERE

PRE-ORDER THE ALBUM HERE

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Cut Copy Releases ‘January Tape’

jt

Fans have been anticipating new music from Cut Copy since 2013’s critically acclaimed Free Your Mind. While they enter the final stages of finishing the follow-up, the band has surprise-dropped January Tape, a 44-minute ambient, instrumental piece of sonic art available as a 400-cassette limited edition run. A sample of the January Tape cassette can be heard at the Cut Copy website. Cut Copy grew from a bedroom project to an international festival staple and today’s collection reinforces that they are a rare combination of technical virtuosity and exceptional, eclectic artistry.

‎Dan Whitford shares, “Having worked for much of the previous 12 months on a new Cut Copy album, we decided this January it was time to give ourselves a well earned break. But instead of retreating to the wilderness or decompressing on a beach somewhere, we spent ten days in the studio making a collection of ambient instrumental works. We wanted to share outtakes from these sessions in all their unedited glory with you, and put them out as an extremely limited edition cassette, available mainly through our webstores (though you may see a copy or two floating around in the wild).”

Photo Credit: Michael Muller

Photo Credit: Michael Muller

National DJ Tour Kicks Off October 20

10/20: Chicago, IL @ The Mid
10/21: San Francisco, CA @ 1015 Folsom
10/22: Zapopan, Mexico @ Coordenada Festival
10/26: Washington, DC @ U Street Music Hall
10/27: New York, NY @ Good Room
10/28: Denver, CO @ Bar Standard

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Broad City Soundtrack Track List

sndtrk

“There are 8 million stories in the naked city.” The ones about two irreverent best friends from Brooklyn are soundtracked by just as many beats. Curated by music supervisor, Matt FX Feldman, the official soundtrack for Comedy Central’s acclaimed series “Broad City” captures the show’s (and New York’s) wild style with such precision to the point where the songs become truly instrumental to the storytelling. As The New York Times quoted Matt on working with the show’s creators and stars, Ilana Glazer and Abbi Jacobson: “Our tastes are a Venn diagram, and that middle circle is really, really big.”

Broad City’s Original Series Soundtrack, released via Milan Records in association with Comedy Central Records, is executive produced by Jacobson and Glazer alongside Matt FX. The trio selected from a stellar roster of under-the-radar artists as diverse as New York itself and include Chile’s DJ Raffand Ana Tijoux, Toronto’s Tasha The Amazon, Baltimore’s Normaling and Rye Rye, Rick Owens & Mad Decent-affiliated queer hip-hop sensation Zebra Katz, and beatmaster RJD2 who famously provided the theme to AMC’s hit “Mad Men” himself.

Both the tropical flavored banger “Tigre” by emerging Dominican/Canadian artist Jarina De Marco, as well as “Dat Gyal” by prolific producer Tony Quattro were previously show favorites, and are available for sale for the first time exclusively on the soundtrack. The release of both tracks will come as a welcome of relief to devoted fans. As one noted on Reddit regarding “Tigre”: “Can’t seem to find it and it’s driving me crazy!” When asked about the tune, Feldman had this to say, “Tigre came to me originally as a demo that Jarina wasn’t even sure she’d ever release! Luckily, the song hit like hot fire when the episode aired and people are still hitting Jarina and I up to this day asking where they can find the track! Happy to be able to get it out there finally.” For his part, LA-based Tony Quattro has contributed over 10 cues in 3 seasons to “Broad City” so far, including many composed bespoke for the show.

Of his inclusion of “Latino & Proud” as Broad City’s theme, DJ Raff has said, “When I saw the ‘Broad City’ clip I felt that it fit very well in terms of the graphics, the storyline, and the characters. Everything went well together and the song felt perfect on the show… I’ve seen a lot of positive comments on SoundCloud, YouTube, and other social networks saying, ‘Broad City’ got me here.”

”The colorful international vibe reverbs through all the featured artists’ aesthetics, from Zebra Katz’s ode to “Marijuana,” to the album’s artwork and packaging featuring an insert with spliff-rolling instructions (printed physically on green paper!) designed by artist Mike Perry.

roll

A verified tastemaker (and foodie), Matt FX approaches the show’s music as a master chef, slicing and dicing and mixing together indie, hip-hop, and electronic vibes into a vibrant compilation befitting the lead characters’ larger-than-life personas and city they call home. When 24-year-old Matt isn’t music supervising shows like “Broad City” or Hulu comedy “Difficult People” (both executive produced by Amy Poehler), he is an in-demand DJ and producer in his own right.

A show like “Broad City,” that trades on the city’s transitive energy and ephemeral connections, necessitates a soundtrack that can keep pace. For the last five years of his young and prolific career, Matt FX has proven to be that ear to the ground, absorbing a dizzying sonic zeitgeist with uncanny accuracy and zeal.

Broad City’s Original Series Soundtrack Tracklist 
1.     Latino & Proud – DJ Raff (Intro)
2.     Tigre – Jarina De Marco (Soundtrack Exclusive)
3.     Marijuana – Zebra Katz & Kashaka
4.     La Nueva Condena – Ana Tijoux
5.     #NOTYOURS – Scooter Island Ft. Junglepussy
6.     YES Bitch – K Rizz
7.     Steady Now – Tasha The Amazon (Cubby x Karman Remix)
8.     Let ‘Em Say – Lizzo & Caroline Smith
9.     Dat Gyal – Tony Quattro (Soundtrack Exclusive)
10.   Low Drop – Normaling (Ft. Rye Rye & TT The Artist)
11.   See You Leave – RJD2 (Ft. STS & Khari Mateen)
12.   Latino & Proud – DJ Raff

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