Tre Coast, an 18 year old North Carolina native, has been playing the piano since the age of seven, and recording music in his own bedroom since he was 13. He’s known for combining elements of pop, R&B and electronic music with well-told stories that capture the feelings anyone and everyone can relate to. Tre Coast found early success online, garnering over 25 million of views and streams of his music.
Of this song, he says:
I wrote “I Can’t Let You Go” about an on again, off again relationship I was in for three years. She would lie, cheat and make things difficult at all times, but I continued to go back to her. That’s what “I Can’t Let You Go” is truly about. Being so attached to someone that you can’t move on from. You can’t let them go. I’ve been able to move on since writing this song, but it’s still a reminder to never go back to that relationship.
Check out the track below:
Check out this sparkly new disco collab track from DJ’s Equal + LEFTI (at the bottom of post).
About Equal and LEFTI:
Equal is a New York City DJ and music producer originally from Asheville, NC. He’s previously spent his nights wooing crowds all over the world, from New York City’s hottest parties for the downtown-club kids and fashion elite, to large scale events and festivals such as Bonnaroo. As a lifetime drummer from a musically inclined family, his transition to production from solely DJ’ing was a natural one. He first garnered attention as a producer with the release of his single, “Lost in the Evening (ft. Gary Jules),” and his recent hit “Shakedown” has garnered worldwide DJ support alongside placement in outlets such as Vogue UK and a collaborative ad-campaign from Ciroc for Zoolander 2. Equal will continue to release exciting collaborations featuring indie music’s elite as the year continues.
LEFTI is a Brooklyn based Producer / DJ / Musician and Songwriter by way of Florida. Mainly known for his thrilling remixes for artists such as Anoraak, Gallant, CID, Big Data, ASTR, French Horn Rebellion and Solid Disco, LEFTI has been titled “a disco-house hero” by Dancing Astronaut and has “richly layered productions that tread the line between house, funk and indie dance” by Billboard. With only a handful of original material released (Big Beat, Atlas Chair and Mix Mash) LEFTI has already been supported by top tier DJ’s (Don Diablo, Laid Back Luke, Martin Solveig..) as well as placement in digital marketing synchronization through the likes of Hulu and Vanity Fair. LEFTI is currently set to release a string of singles in the months ahead.
Of the song:
“Collaborating on this song was a fun lil’ journey. Initially we were hanging out working on an edit which turned into a fun sample based disco track that ignited the idea to reach out to Adeline as a feature. Writing together was a blast and once we got her vocals in a great place, we realized we needed to change the instrument bed into something with a little more bite.” — Equal + LEFTI
“Full of psych-guitar jangle and swaggering percussion”
West Of The Sun are an indie rock band formed in Derby, 2013. Their story began in a flat above a pub in Derby when lead singer Luke met fellow university student and guitarist/songwriter Michael, the pair bonding almost instantly over everything from bands such as the Doors and Interpol to supporting championship football teams.
It was while working in that local music pub that Luke then met rhythm guitarist and Derby local lad Joe and the 3 of them would write together. With the addition of bassist Kieran and drummer Stevie, the band soon kicked up a groove and West Of The Sun was born.
The band’s name is taken from the Haruki Murakami novel ‘South Of The Border, West Of The Sun’ which describes a farmer on the brink of insanity who embarks on a quest to chase whatever it is that may lie ‘west of the sun’. The name appealed to the band because of it’s oxymoronic nature, seemingly whimsical with a dark underbelly – in keeping with the band’s blend of melancholic lyrical content and tuneful delivery. A theme that influenced the band from repeated exposure to the work of their musical heroes Joy Division and The Smiths.
Recent singles “Siberian Hysteria” and “Trip On A Turntable” were greeted with positive acclaim and the band are currently recording songs for their debut LP, set for release later this year.
Julietta has a wistful vibe that is reminiscent of alterna-pop acts like BANKS, with nostalgic sensibilities like Lana Del Rey. “Beach Break” was written while she was spending time in Nicaragua. In fact, the opening sounds in this song are actual field recordings of the jungle surroundings. You don’t wanna skip over this tune — check it out below:
While you’re at it, check out Norway beauty Emma Jensen, too. Signed with Majestic Casual, she produces her own music (high fives)! Emma says, “‘Closer’ is about the feeling when you know you’re about to drift away from or lose someone, but you really want to hold on and let the person know that you’ll give it all to make things work.”
Following the release of a string of stunning songs last year, New Portals were championed in a number of high profile end of year lists and tips for 2017, including The Guardian who listed their single “Stay Here Tonight” in their ‘Top Tracks Of 2016’ critic’s choice selection. They’ve made a host of playlists at Spotify, receive regular in-store rotation at a number of leading UK high street brands and recently featured in the soundtrack for feature film She Has A Name. New Portals have developed into one of the most promising and highly acclaimed new acts to come from Ireland today. With the forthcoming release of their debut EP Stereo, the band are set to cement themselves as one of the Emerald Island’s most cherished exports.
“Stereo” is the title track and lead single from New Portals’ debut EP, due out on March 10th — check out the video below.
This spring Cymbals Eat Guitars will be heading on the road for a handful of dates, opening for legendary rock band Pixies. The list of dates are below. Their most recent album Pretty Years
was released in September and it was met with favorable reviews. Pitchfork
gave it an 8.0 and SPIN ranked it #29 on their best albums of 2016. Stereogum
, Brooklyn Vegan
, & Noisey
also did in-depth interviews around the time of the album’s release.
05-09 Richmond, VA – The National
05-11 Durham, NC – Durham PAC
05-12-14 Atlanta, GA – Shaky Knees Music Festival
05-16 Washington, D.C. – Lincoln Theatre
05-19-20 Boston, MA – House of Blues
05-21 Boston, MA – Paradise
05-23 Philadelphia, PA – Electric Factory
05-24 New York, NY – Webster Hall
05-26 Brooklyn, NY – Brooklyn Steel
Pretty Years – TRACKLISTING
02. Have a Heart
05. Dancing Days
06. 4th of July, Philadelphia (SANDY)
“Overflow” marks the first official release of Rondo Mo, the pseudonym of South-Londoner Robbie Redway. With his distinctive blend of dark, soulful electronica, this is unmistakably the sound of a promising new artist. The vocalist, producer and instrumentalist excels in creating a mood that can appeal to both dance lovers and a more indie audience, with even a nod to a darker R&B form. Reminiscent of acts such as Caribou, LCD Soundsystem and Bob Moses, this style of connecting electronic and acoustic sensibilities is having somewhat of a renaissance period and Rondo Mo reveals himself to be a very welcome addition to the fold. He manages to channel the sound, rather than imitate, and completely envelopes the listener in his world of shadowy synths and melodies.
The track begins with a deep bass pulse heard far in the distance, before Redway’s voice creates a light for the listener to use to navigate. The sultry vocals and growing instrumentals build on a track that begins in darkness, while maintaining a sense of danger with lyrics of going in “way above my head”. The spacious washes and lone piano keys add a level of anticipation before the listener is hit with the beat. “Overflow” offers an eclectic mixture of sounds throughout, juxtaposing a darker subject matter with a groovy bassline and snaps. There are also moments where Redway’s driven production is punctuated with more emotive breakdowns, the airy textures giving space for the vocals to take control, and the track ultimately ending with the appropriate emotional climax.
The story of Rondo Mo begins in Cornwall rather than his native London. After a wide range of collaborative work, from releasing an album with house don Midland to touring as a session member of alt-folk band To Kill A King, Redway found himself in a ‘stylistic bewilderment’ and took to the reclusive Bodmin Moor in Cornwall. Setting up in a remote barn, with no human contact and only the bleak moorland landscape for company for six weeks, he began working to reign in on a sound influenced by the limited vinyl collection he brought with him. Redway integrated the best elements of seventies’ soul and contemporary house music with a more cyncial vibe of eighties electronica, culminating in a sound delicately positioned between a confident dance sound and a moody underlay of indie music. “Overflow” is a striking introduction to Rondo Mo, and a piece of music that affirms the intrigue surrounding this artist.
The face and voice of The Gold Setting is Liza Colby. Channeling sensual 1960s soul, 1990s R&B, and Tina Turner-esque swagger, The Gold Setting boasts a fluid cast of all-stars including multi-instrumentalist/composer/arranger Todd Simon (Ghostface Killah, Sharon Jones, Lily Allen), Grammy-nominated Adam Berg (Decoders), and songwriter/producer/musician Richard Rudolph (Stevie Wonder, Minnie Riperton, A Tribe Called Quest, 2Pac, Chaka Kahn, En Vogue).
The Gold Setting has announced their debut Volume and Tone EP set for release on April 7th and have revealed the infectious first single “Being Without You”.
In 2015, Liza was presented with a “golden moment” – a perfect pocket of time where she had a chance to head to Los Angeles and collaborate with Todd Simon who then enlisted Adam Berg. Despite having no songs and never having worked together, Liza impulsively popped the question to do a show, and Todd and Adam signed on for the adventure. The trio had 12 days to spin yarns into gold. Immediately, sessions began at Manifest Music (Adam Berg’s studio) in Santa Monica. Liza soon found herself creating with a full house of iconic collaborators and musicians spanning genres and generations.
The result manifested in the form of the Volume and Tone EP – a four track collection that melds vintage instrumentation, bold electro-pop textures, and rugged beats with timeless Motown-tinged songcraft. Organic yet electrified, the tracks were recorded using a blend of old school 50s/60s techniques and modern technology, bringing out the authentic tones of the instruments yet delivering an explosive sound.
Joyful Noise Recordings has announced its 2017 White Label Series, a new monthly subscription series that aims to shine a light on undiscovered and under-appreciated bands. Each month will feature a new album hand-picked by one of twelve influential artists and packaged in a screen-printed jacket, along with an insert that features a statement from its curator. All White Label Series releases are limited to 500 hand-numbered copies (pressed on black vinyl) and come with a digital download.
2017’s curators are Devendra Banhart, Lou Barlow (Dinosaur Jr., Sebadoh), Rob Crow (Pinback, Goblin Cock), Kelley Deal (The Breeders), Toshi Kasai, Tim Kinsella (Joan of Arc, Cap’n Jazz), Doug Martsch (Built to Spill), Mirah, Greg Saunier (Deerhoof), Chris Schlarb, Janet Weiss (Sleater-Kinney, Quasi) and Yoni Wolf (WHY?).
Joyful Noise launched the series in an effort to save great music from obscurity and to combat the trend of meaningful music being overlooked and “doomed to the remote regions of the Internet.” Click here to become a subscriber.
2017 White Label Series