Taking their cues from a wide set of influences — the rhythmic world music of Tinariwen and Lijadu Sisters; the production of Air, Damon Albarn, and Fiona Apple’s The Idler Wheel; the tenor vocal range of Big Star’s Alex Chilton and Fleetwood Mac’s Lindsey Buckingham, with the occasional pop crooner delivery of Harry Nilsson — the two unveil their new direction with Airpark’s debut EP, Early Works, Volume 1.
It’s a sound that targets the feet and the head. It’s pop music for thinkers. It’s dance music for wallflowers. And with the brothers pulling triple-duty as songwriters, multi-instrumentalists, and co-producers, Early Works, Volume 1 is their most forward-thinking project to date, pairing the band’s growing ambition with musical chops to match.
Introducing your next obsession, LINES – a brand new Stockholm-based four-piece who are coming out swinging.
LINES debut song, “Weekends,” is the first taste of their beautifully twisted music, comprised of chaotic synths placed perfectly over pounding bass lines and melodies that rise but never seem to set. To kick things off, they’ve released the ultimate weekend anthem that channels an intensity that will bring dance parties to its knees.
“can go toe to toe with some of the classic early punk of the 70’s” – Impose
“a collection of icy post-punk dissonance… agitates and alarms while clinging to the inscrutable beauty of the genre. ” – Buzzbands LA
“Their moody, glimmering sound is evident on their new single… an exciting song that showcases their vast talents” – PureVolume
“Recover, the debut single and lead-off track from Second Still‘s upcoming self-titled LP, leaps straight for the throat and doesn’t let go for nearly five minutes.” – Post-Punk.com
“Second Still offers the menacing sound of bands like Wire or early Cure, modernized through a guitar tone that occasionally borrows from shoegaze, and sweetened by Suki’s Siouxie-esque airy vocals.” – The Deli NYC
Second Still is a three piece band from Los Angeles. Though strongly influenced by No Wave and French Cold Wave, their electronic drum sounds, unconventional bass and guitar lines, and strange vocal melodies still set them apart from any traditional categorization.
Bassist Alex Hughes and guitarist Ryan Walker met in 2007 and spent years combing through 80s underground records, the most memorable being Xmal Deutschland, Asylum Party, Garlands-era Cocteau Twin, and Opera De Nuit. It wasn’t until after moving to New York and meeting Suki San, (a classically trained violinist and former shoegaze vocalist), in late 2014 that they finally became a band.
Early Forms, the band’s debut EP, was released in March 2016 as a limited edition cassette. They recorded those four songs while snowed in, in a barn in upstate New York over three days in the dead of winter. Before re-locating to Los Angeles in January 2016, Second Still hunkered down in the studio and recorded their entire self-titled debut album in just two days.
The album is out now on Paris-based label Manic Depression Records, and in support of the release, the band is hitting the road for their first US tour.
04.16 – Part Time Punks @ The Echo – Los Angeles
05.14 – The Chapel – San Francisco, CA
After spending three years as a lead vocalist in a funk-rock band, Julie Elody is excited to find her sound as a solo artist, working with several renowned producers. Check out her first solo track, “Sirens”. The indie-electro track is accompanied by Julie’s captivating voice and a subtle yet soothing sound of sirens in the background.
“I don’t like to write about frivolous things, and ‘Sirens’ is no exception,” Julie explains of her new track. “It is about the all-too-often times that we ignore problems in our lives instead of dealing with them head-on, and all of the ways that this affects us.”
With soulful vocals and meaningful lyrics, Julie promises to use her voice to make a statement. She has been the featured vocalist on a few electro-pop tracks, all which gained high success on both Soundcloud and Spotify. She embodies the style of popular music without singing about meaningless partying and how much she wants to be your baby. Conversely, Julie writes songs about issues that are important to her. In her song, “Mountain Lion”, she talks about her struggle with anxiety. “Pennies” is about how the over-commodified society we live in can be detrimental.
“channeling gothy ‘80s rock…has the ‘80s influence coming in loud and clear” — BrooklynVegan
“There’s darkness in INVSN that is seemingly spawned by the barren Scandinavian landscapes of their rural base.” – Clash Music
“… the bursts of noise and bits of electronica provided by the band give INVSN a punchy edge that keeps us from becoming too comfortable.” – Pop Matters
INVSN releases the newest track for “I Dreamt Music,” a post-punk gem for the band’s forthcoming LP, The Beautiful Stories.
The song’s cadenced groove and dark tones are the perfect balance to the underlying message concerning consumerism and politics. Frontman Dennis Lyxzén is no stranger to incorporating political themes into his work, from his days fronting Refused to (international) Noise Conspiracy to INVSN.
Lyxzén shares his thoughts on how music is being exploited these days. “ Music always meant more to me then just entertainment. It has had a profound impact on everything that I am as a person and I see music as art and art as life. We live in a world devoid of meaning where we serve the lowest common denominator at all times. Where politics as an idea has failed us and where art is being reduced to consumerism and clickbait.”
I wanted to write about the longing for resistance to the cultural/political/musical landscape that holds us imprisoned. I wanted to write about the naive, romantic and pretentious notion that music and art should be about ideas that can change and transform and maybe even be the beacon of hope in these dismal times.”
“I Dreamt Music” serves as the fifth track for the band’s sophomore album The Beautiful Stories, set to be released June 9th via Dine Alone Records.
Of The Beautiful Stories, Dennis Lyxzén says,
“Music is in many ways a young person’s game. That first debut record. The youthful exuberance and violence. But there are other things that might matter as much. Experience and hard work. Putting in the miles. The collective effort of this band is beyond anything I’ve witnessed before.
I can’t even begin to fathom the hours we spent record music, playing live and just living this life. Somehow it feels like it lead to this; this glorious piece of music that I have to say is one of the most exciting and experimental and genuine works of art I ever been a part of.
The process of writing and creating is often harder than we would like to admit and it doesn’t really get easier with age. But when the end result comes out as thrilling as this all those hours spent rehearsing and playing, all those hours on the road and all those records that came before, are totally worth it!”
Paloma have shared their new track “Touch.” “It’s about a diamond in the rough,” the band explains, “Somewhat of a tramp. A certain someone who didn’t quite know how to believe in them self. Until he meets this princess of sorts that did. When they both turn to real life, he’s banking on the idea that we’re only half way through the film. That the story isn’t finished yet.” It’s the first song released from their upcoming debut EP, Luna, out this April 28th.
Paloma was born of the struggle to navigate the harrowing societal construct typical of suburban Los Angeles. It is the answer for learning to balance the need to make ends meet while expressing the irrepressible creativity brooding inside. The band officially began in a small bedroom studio with several ideas being deconstructed over and over again as every artist can relate to. It wasn’t until Nick and Victor invited the masterful keyboardist and local legend Steven Doman to the studio that the band finally grasped the scope of their newly created sound. In a place where one’s inherent value is often picked apart according to attributes of wealth and beauty, Paloma is truly an escapist’s musical paradise.
Luna – TRACKLISTING
04. Thick Of It All
Luna is a (Tim Burton meets the Future of the Malibu) five track EP. The second release from Paloma is a Gothic blend consisting of psychedelic dance grooves with swampy, sad and warm melodies. It’s perfectly confused. The record was deeply influenced by various sounds born in Southern California as well as around the world. Paloma draws inspiration from artists such as: Beach House, Daft Punk, The Weeknd, Tame Impala, Pond, Gum, Dumbo Gets Mad, Fleetwood Mac, Michael Jackson, The Beatles & Earth Wind and Fire.
“We wanted the record to fully express the feeling of living in California,” the band says of the EP, “From the mountains of Malibu driving on Mulholland to the Tents surrounding 6 the street in Downtown LA. Hell, even all the people living in their vans on Lankershim Blvd in North Hollywood. We have love for them all. We (Paloma) produced Luna alongside Bob Curtin who engineered, mixed and mastered the record in Simi Valley, CA.”
Gold Coast Producer Daily Holla, AKA Harry Deadman, has today released a brand new track with a complementing video. “Waves” is an emotionally charged piece of work with layers of dynamic production contrasts.
What started out as a chilled synth-based track, has now become somewhat of an identifier for Daily Holla, and a beautiful mistake.
“‘Waves’ was the first track I wrote off what eventually became the second Daily Holla EP. I started writing the song back in mid 2015. It all started with a plastic sounding arp loop, which was initially meant to be a placeholder, but it’s still there! I completely forgot about replacing it later on and I both love that silly mistake and hate it.” – Daily Holla
Teaming up with newcomer J Fitz has given this melodic banger a juicy ambiance that really enhances the delay and distortion effects of the overall song. This duo clearly has their mojo in sync, as they continue to create a cohesive vision.
“I’ve never seen someone work like her. She came in and listened to a rough mix of the track, half an hour later the vocals were cut and we were eating some Vietnamese take away. I was so used to doing everything on my own in my bedroom that sitting in a studio in Sydney felt so surreal.” – Daily Holla
Having studied film at university and loving the combination of music and film, Daily Holla brought his two passions together for “Waves”. Enlisting the help of former uni mate, and now film director/cinematographer Mark Desiatov, the video follows the struggles of ballet dancer Jade Moris, as she suffers through injuries and anxiety leading up to a final performance.
This short-film style video is the perfect way to show the strength and willpower it takes on both sides of the spectrum in creating a work that translates to an audience. The imagery is raw and will have you gasping for air, much like J Fitz’s powerful ending.
“I’ve always wanted to mix the fluidity and timeless beauty of ballet with more of a modern and contemporary sound which I thought Harry (Daily Holla) has. The concept revolves around the lyrics and the idea of self-belief through adversity; a common theme that most people can connect with. I believe there’s nothing more breathtaking than a live ballet or dance performance where the artist defies the pain and physical hardships throughout their routine; which is a reflection of the underlying theme of the clip,” – Mark Desiatov
Tre Coast, an 18 year old North Carolina native, has been playing the piano since the age of seven, and recording music in his own bedroom since he was 13. He’s known for combining elements of pop, R&B and electronic music with well-told stories that capture the feelings anyone and everyone can relate to. Tre Coast found early success online, garnering over 25 million of views and streams of his music.
Of this song, he says:
I wrote “I Can’t Let You Go” about an on again, off again relationship I was in for three years. She would lie, cheat and make things difficult at all times, but I continued to go back to her. That’s what “I Can’t Let You Go” is truly about. Being so attached to someone that you can’t move on from. You can’t let them go. I’ve been able to move on since writing this song, but it’s still a reminder to never go back to that relationship.
Check out the track below:
Check out this sparkly new disco collab track from DJ’s Equal + LEFTI (at the bottom of post).
About Equal and LEFTI:
Equal is a New York City DJ and music producer originally from Asheville, NC. He’s previously spent his nights wooing crowds all over the world, from New York City’s hottest parties for the downtown-club kids and fashion elite, to large scale events and festivals such as Bonnaroo. As a lifetime drummer from a musically inclined family, his transition to production from solely DJ’ing was a natural one. He first garnered attention as a producer with the release of his single, “Lost in the Evening (ft. Gary Jules),” and his recent hit “Shakedown” has garnered worldwide DJ support alongside placement in outlets such as Vogue UK and a collaborative ad-campaign from Ciroc for Zoolander 2. Equal will continue to release exciting collaborations featuring indie music’s elite as the year continues.
LEFTI is a Brooklyn based Producer / DJ / Musician and Songwriter by way of Florida. Mainly known for his thrilling remixes for artists such as Anoraak, Gallant, CID, Big Data, ASTR, French Horn Rebellion and Solid Disco, LEFTI has been titled “a disco-house hero” by Dancing Astronaut and has “richly layered productions that tread the line between house, funk and indie dance” by Billboard. With only a handful of original material released (Big Beat, Atlas Chair and Mix Mash) LEFTI has already been supported by top tier DJ’s (Don Diablo, Laid Back Luke, Martin Solveig..) as well as placement in digital marketing synchronization through the likes of Hulu and Vanity Fair. LEFTI is currently set to release a string of singles in the months ahead.
Of the song:
“Collaborating on this song was a fun lil’ journey. Initially we were hanging out working on an edit which turned into a fun sample based disco track that ignited the idea to reach out to Adeline as a feature. Writing together was a blast and once we got her vocals in a great place, we realized we needed to change the instrument bed into something with a little more bite.” — Equal + LEFTI