Category Archives: Holy Freaking Crap!

Andrew W.K Tour Dates

Photo Credit: Nina Ottolino

Party God Andrew W.K. is thrilled to announce his first new full-length album in over a decade. The LP showcases Andrew’s signature style of blasting triumphant rock music, with an ever more epic expanse of energizing emotional ecstasy. “I’m going for the sound of pure, unadulterated power; every emotion, every thought, every experience, every sensation, every fear, every joy, every clarity, every confusion, every up, every down… all extruded and concentrated into one thick syrup of super life-force feeling, and then psychically amplified by the celebratory spirit of glorious partying,” explains Andrew. The new release is out March 2, 2018 via Sony Music worldwide. 

Andrew W.K. has officially began his first full-band concert outing in five years with “The Party Never Dies Tour“. Andrew brings his party-centric positivity across America and the previously announced UK tour dates are now moving from November to April, 2018. All tickets bought for the November tour will still be honored at the new dates, or can be refunded at the point of purchase. A full list of all dates can be found below.

A one-man music machine possessed by a single-minded, monomaniacal focus on euphoric joy, Andrew lives to spread a singular message: That to party is to exist, and to exist is to party. Andrew continues to passionately deliver his extremely high-energy brand of uplifting entertainment, with an unrelenting commitment to continuing the mission he first embarked upon in 2001, with the release of his debut single and signature tune “Party Hard”, and has never swerved from since. Despite taking on a dizzying array of additional roles that took him into virgin territory for a rock ‘n’ roll musician (ie: advice columnist for the Village Voice and Vice, host of a Cartoon Network kid’s game show, lecturer at Yale, Harvard, Carnegie Mellon and the UK’s Oxford University), Andrew has always remained true to his positive-partying cause. It’s safe to say, Andrew’s hard-partying spirit is showing no signs of softening.


Andrew W.K. Tour Dates
North America 

Sep 28 – San Francisco, CA – Independent – On Sale Now (NEW)
Sep 29 – Los Angeles, CA – The Regent 
– On Sale Now
Sep 30 – Las Vegas, NV – Brooklyn Bowl – On Sale Now (NEW)
Oct 01 – Phoenix, AZ – Crescent Ballroom 
– On Sale Now
Oct 03 – Austin, TX – Mohawk – On Sale Now
Oct 04 – Dallas, TX – House of Blues – On Sale Now
Oct 05 – Houston, TX – House of Blues – On Sale Now
Oct 07 – St. Louis, MO – Ready Room – On Sale Now
Oct 08 – Cincinnati, OH – Bogart’s – On Sale Now
Oct 09 – Pittsburgh, PA – Mr Smalls – On Sale Now
Oct 11 – Philadelphia, PA – Theater of Living Arts – On Sale Now
Oct 12 – Washington, DC – Rock & Roll Hotel – On Sale Now
Oct 13 – Brooklyn, NY – Warsaw – On Sale Now
Oct 14 – Boston, MA – Brighton Music Hall – On Sale Now
Oct 15 – Boston, MA – Brighton Music Hall – On Sale Now (NEW)
Oct 17 – Toronto, ON – Opera House 
– On Sale Now
Oct 18 – Detroit, MI – St. Andrew’s Hall – On Sale Now
Oct 19 – Columbus, OH – A&R Bar – On Sale Now
Oct 20 – Milwaukee, WI – The Rave – On Sale Now
Oct 21 – Chicago, IL – The Vic – Pre-Sale Wed @ 10am (NEW)
Oct 23 – Atlanta, GA – Terminal West – (RESCHEDULED from 9/14, all tix honored)
Mexico
Nov 18 – Mexico City, MEX – Corona Capital – 
On Sale Now

UK (MOVED FROM NOVEMBER – All Tix Honored or Available for Refund)

Apr 13 – Cardiff, Wales – Great Hall
Apr 14 – London, UK – Kentish Town Forum
Apr 15 – Birmingham, UK – Academy 2
Apr 18 – Norwich, UK – Waterfront
Apr 19 – Portsmouth, UK – Wedgewood Rooms
Apr 20 – Manchester, UK – 02 Ritz
Apr 21 – Glasgow, SCO – Garage
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New Music From OMD!

Synth-pop pioneers OMD return with their dazzling 13th studio album The Punishment of Luxury which sees them combine the wistful nostalgia and idealized romance of their previous work while stepping out of their comfort zone. The LP is out September 1st on White Noise Records.

The follow up to the critically acclaimed English Electric (released in 2013) The Punishment Of Luxury is a daring collection of stylish synth pop and masterful songwriting which will certainly rank alongside their very best.

Written, recorded, produced and mixed by OMD – Andy McCluskey and Paul Humphreys – the album is the sound of a band in their prime. “On this album, we have managed to make beautiful things out of noises and repetitive patterns,” explains Andy. “The trouble is, we just can’t help but write a catchy melody!”

The track and album are named after an 1891 painting by the Italian divisionist Giovanni Segantini that caught Andy’s eye. Andy explains, “Most people in the western world are materially better off than their predecessors ever were and yet we are unhappier. Now we have many possessions that we don’t need because we’ve been persuaded to buy. This is the punishment of luxury.”

Described by The Quietus as “not just one of the best synth bands ever – they are one of the best bands ever,” OMD’s influence has become ubiquitous. The xx, the Killers, and LCD Soundsystem’s James Murphy have cited OMD as an inspiration, and the likes of Future Islands and Chvrches show traces of OMD’s DNA.

Check out three of the tracks from the new album now!

Punishment Of Luxury – Tracklisting
1. The Punishment of Luxury
2. Isotype
3. Robot Man
4. What Have We Done
5. Precision & Decay
6. As We Open, So We Close
7. Art Eats Art
8. Kiss Kiss Kiss Bang Bang Bang
9. One More Time
10. La Mitrailleuse
11. Ghost Star
12.The View From Here

U.S., U.K & EU TOUR DATES:

July 2017
Fri 28th SAN FRANCISCO, Regency Ballroom
Sat 29th LOS ANGELES, Microsoft Theater
Sun 30th TIJUANA, El Foro

August 2017
Wed 2nd MEXICO CITY, Pepsi Centre
Sat 5th DOMINICAN REPUBLIC, Hard Rock Cafe

October 2017
Mon 23rd DUBLIN, Vicar street
Tue 24th BELFAST, Mandella Hall
Sun 29th LIVERPOOL, Empire   
Mon 30th BRISTOL, Colston Hall

  November 2017
Wed 1st SOUTHEND, Cliffs Pavilion   
Thur 2nd IPSWICH, Regent
Fri 3rd CAMBRIDGE, Corn Exchange
Sun 5th LEICESTER, De Montfort Hall
Mon 6th NOTTINGHAM, Royal Concert Hall
Tue 7th SHEFFIELD, City Hall   
Thur 9th READING, Hexagon
Fri 10th SOUTHAMPTON, Guildhall
Sat 11th GUILDFORD, G Live
Mon 13th LONDON, Roundhouse
Wed 15th BEXHILL, De La Warr Pavilion
Fri 17th MANCHESTER, Academy
Sat 18th YORK, Barbican
Sun 19th GLASGOW, Royal Concert Hall   
Tue 21st BIRMINGHAM, Symphony Hall
Wed 22nd GATESHEAD, Sage 1
Sat 25th ERFURT, Traum Hits Festival
Sun 26th HAMBURG, Grosse Freoheit
Tue 28th BERLIN, Huxleys
Wed 29th LEIPZIG, Taus Auenesse
Thur 30th MUNICH, Tonhalle

December 2017
Sat 2nd OFFENBACH, Stadhalle
Sun 3rd DUSSELDORF, Mitsubishi Electric Hall
Tue 5th TILBURG, 013
Wed 6th ANTWERP, De Roma
Fri 8th LAUSANNE, Les Docks

 

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There are bands, there are fans, and then there’s Dennis and Lois

 


Dennis and Lois are legends in the music industry. Having been around since the early days of CBGB, they’ve attended over 10,000 shows. Check out the Kickstarter and help out so their story can come to life!

Visit the Kickstarter Project here 

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The Darkness Is Back With New Track “All The Pretty Girls”

England’s most distinctive, multiple award-winning, platinum-selling, hugely entertaining rock gods – and one-time saviors of rock’n’roll turned national pleasures – The Darkness are back with their fifth album Pinewood Smile, due for release October 6th through Cooking Vinyl.

Marking the announcement, the band has today unveiled the spectacular album opener “All The Pretty Girls” across all streaming platforms. It’s also available for download with pre-orders of the album for the instant gratification of fans.

“All The Pretty Girls” is a glorious, hard-rockin’, autobiographical anthem intellectually examining the fact that when you’re a rock star you get a lot of attention from ladies and discussing the ethical conundrums that come with that.

As Justin Hawkins so eloquently sings with trouser-splitting vocal magnificence; “All the pretty girls, like me for who I am / All the pretty girls, when the record goes platinum / Plenty of action, massive attraction, when you’re selling out stadiums / All the pretty girls… and their mums”. 

Addressing the forthcoming album and The Darkness’ undoubted relevance in 2017, Justin asks, somewhat rhetorically of the world at large, “Why should anybody care? Because if you don’t, we’re fucked!! History will remember us as the apathetic generation who negligently ushered in a dreadful dystopian age that may or may not come to be known as ‘The Rise of the Arseclowns’. We cannot allow this to continue! You may not give a shit about Brexit or Trump, but PLEASE… give a shit about The Darkness otherwise the last bastion of cultural sensibility will fall and our airwaves will be polluted by meaningless pop purveyed by arseholes and morons… Oh wait!”

In addition to the cerebral treatise of “All The Pretty Girls”, the album boasts the swashbuckling “Buccaneers Of Hispaniola”, the expletive-strewn howl of frustration that is “Southern Trains”, the hugely emotional “Why Don’t The Beautiful Cry?”, the globally anthemic “Japanese Prisoner Of Love”, and the ode to pumping out smash hit after smash hit “Solid Gold”, which finds The Darkness addressing the turbulent nature of the music industry and how they have enjoyed its flamboyant highs and spectacular lows.

Written in Putney, recorded in Cornwall and produced by Grammy Award-winning producer Adrian Bushby (Foo Fighters, Muse), the compositions have all the crucial elements of classic Darkness fare, but with added layers for the ears to peel away at… like a sonic onion but a lot tastier. It also features the drumming and vocal talents of gorgeous new band member Rufus Tiger Taylor, son of Queen legend Roger Taylor, who shares vocal duties with Justin on two of the tracks.

To celebrate the release of their comeback album Pinewood Smile, The Darkness will be touring extensively at the end of this year playing 17 dates in the UK throughout November and December including a headline show at London’s Hammersmith Eventim Apollo on December 10th (see dates below). The shows are part of a wider European tour, full dates can be found at http://www.thedarknesslive.com/tour-dates/

The Darkness has returned revitalized, re-energized and ready to take the world by the balls once again with Pinewood Smile.
PINEWOOD SMILE TRACKLIST

  1. All The Pretty Girls
  2. Buccaneers Of Hispaniola
  3. Solid Gold
  4. Southern Trains
  5. Why Don’t The Beautiful Cry?
  6. Japanese Prisoner Of Love
  7. Lay Down With Me, Barbara
  8. I Wish I Was In Heaven
  9. Happiness
  10. Stampede Of Love

The album will be released on CD, limited edition Deluxe CD (featuring four bonus tracks), Gatefold Heavyweight Vinyl, cassette and in both Standard and Deluxe digital versions.

THE DARKNESS UK TOUR DATES
NOVEMBER 
11/23 – Southampton, O2 Guildhall
11/24 – Manchester, Academy
11/25 – Blackburn, King George’s Hall
11/27 – Leeds, O2 Academy
11/28 – Newcastle, O2 Academy
11/29 – Glasgow, O2 Academy

DECEMBER
12/1 – Stoke-On-Trent, Victoria Hall
12/2 – Nottingham, Rock City
12/3  – Norwich, UEA
12/5 – Guildford, G Live
12/6 – Margate, Winter Gardens
12/7 – Southend-On-Sea, Cliffs Pavilion
12/9 – Birmingham, O2 Academy
12/10 – London, Eventim Apollo
12/11 – Brighton, Dome
12/13 – Cardiff, St David’s Hall
12/14 – Bristol, Colston Hall

2003 gave birth to one of the most extraordinary and best-loved bands in the UK. The Darkness released their debut album Permission To Land to overnight success, topping the UK charts, going 5x Platinum and selling over 1.5 MILLION copies in the UK alone. It spawned a series of hit singles including “I Believe In A Thing Called Love”, “Growing On Me”, “Get Your Hands Off My Woman” and “Love Is Only A Feeling”. It clocked up a series of awards including three BRIT Awards, two Kerrang Awards and an Ivor Novello for ‘Songwriters Of The Year’ amongst many others.

The Darkness played a number of landmark shows, including a headline set at the 2004 Reading & Leeds Festivals, as part of a whirlwind career of global touring as international sensations. The band then built upon the success of their debut with their 2005 follow up One Way Ticket To Hell… And Back, which produced the Top 10 hit “One Way Ticket”.

In 2006 Justin Hawkins left the band, checking into rehab and The Darkness fell apart. Following successful treatment, the band reformed in 2011 touring Europe and South America in 2012 with Lady Gaga. They released their comeback album Hot Cakes that year and Last Of Our Kind in 2015.

The band have now returned in 2017 with Pinewood Smile, their first album to come through Cooking Vinyl. Ahead of the album’s announcement, The Darkness toured Europe in support of Guns N’ Roses and are playing a number of festivals in the UK and Europe during the summer.

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FINALLY!!!!!!!!!! The Debut Album From Night Drive Is Heeeeeeeere!

I can’t even tell you how LONG I’ve been waiting for this! It feels like YEARS! Rodney Connell and Brandon Duhon make up the duo that is Night Drive.

Fun Facts:

Both of the guys started as frontmen for the bands MoTel Aviv and Glasnost (!!!YASS! I remember loving Glasnost).

They previously supported acts such as Yelle and Digitalism — again YASSSS!!!!

Night Drive is the type of music you would hear on a car stereo if Giorgio Moroder and Ray Bradbury were driving late at night through a buzzing metropolis. Inspired by the bygone era of glamour and excess, kaleidoscopic neon lights, Studio 54 and Tony Wilson’s Hacienda, the band pulls influence from acts such as Brian Eno, New Order, OMD, The Drums and LCD Soundsystem to name a few. Night Drive rides a nu-wave of fast-tempo, synth-based electronic sounds driven by rich guitar melodies and arresting vocal hooks.

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New Album From The Cranberries!

The Cranberries are set to release Something Else, a new album featuring re-worked renditions of their major hits, as well as brand new material. The album is due out April 28 via BMG on digital and CD formats, and includes seminal Cranberries songs like “Linger,” “Zombie,” “Dreams,” and “Ode To My Family”… re-recorded in orchestral and acoustic arrangements.

Something Else celebrates the 25th anniversary of the band. Their first major U.S. hit “Linger” has been re-done acoustically, and just premiered on Rolling Stone! On the album concept and choice of “Linger” as the first single, The Cranberries’ singer-songwriter Dolores O’Riordan explains,

“‘Linger’ was the first song The Cranberries ever wrote together. I was 17, and the youngest member of the band was 15 at the time. We never imagined it’d be such a big hit, but soon us teenagers found ourselves on our first flight to the United States to shoot the video in Downtown LA. That video would introduce us to American households, in the good old days of MTV! The bittersweet love song still holds all that sentimentality for us personally, which is why we had to include it on this project. Universally, I think its message remains timeless and relevant, never going out of fashion, yet never quite in fashion. It’s amazing to have a song hold up 25 years later, and I hope this acoustic version allows our fans to hear a Cranberries classic in a new way.”

“Linger ” is available now for download and streaming. The full album is available for pre-order on digital and CD formats.

Over a period of two weeks last year in the University of Limerick, at the home of the Irish Chamber Orchestra, the band revisited old times; Dolores laid down vocals as small booths were created to record the instruments as if live. She was no longer a child, singing her mature songs from an inexperienced vantage point but a woman now, with the capacity to throw her life at the music, the benefit of hindsight. “I prefer them like this,” she says of the new recordings of old songs, “with a little bit more experience behind them, with a new lease of life. They sound fresh again.”

As the record began to take full shape, three new songs were added, to stop it from just being a rush of memories lost and found. The first was “The Glory”, which Dolores explains she wrote in The Irish Chamber Orchestra’s rehearsal rooms at the University of Limerick. She then brought out two songs she had been keeping in her personal stash, until she could place them in the right home: “Rupture” (“about depression, about being in that black hole and finding it hard to get out of it”) and the forthcoming single “Why?” (“written just after my father passed, the hardest time”).

It’s testament to Dolores and Noel’s song-writing prowess that the new additions to the Cranberries cannon sit seamlessly next to the old. When they began finalizing details for the record, they decided on Something Else, a nod to the first record’s Everybody Else…, a title neither riven with the promise of future endeavors or locked into the past.

Official Tracklisting
01. Linger **
02. The Glory
03. Dreams
04. When You’re Gone
05. Zombie
06. Ridiculous Thoughts
07. Rupture
08. Ode To My Family
09. Free To Decide
10. Just My Imagination
11. Animal Instinct
12. You & Me
13. Why

UK & Ireland Tour Dates

17 May        Belfast, Waterfront
18 May        Dublin, BordGais Theatre
20 May        London, Palladium
22 May        Bristol, Colston Hall
24 May        Gateshead, The Sage
25 May        Nottingham, Royal Concert Hall
27 May        York, Barbican
28 May        Manchester, Bridgewater Hall

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Cut Copy Releases ‘January Tape’

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Fans have been anticipating new music from Cut Copy since 2013’s critically acclaimed Free Your Mind. While they enter the final stages of finishing the follow-up, the band has surprise-dropped January Tape, a 44-minute ambient, instrumental piece of sonic art available as a 400-cassette limited edition run. A sample of the January Tape cassette can be heard at the Cut Copy website. Cut Copy grew from a bedroom project to an international festival staple and today’s collection reinforces that they are a rare combination of technical virtuosity and exceptional, eclectic artistry.

‎Dan Whitford shares, “Having worked for much of the previous 12 months on a new Cut Copy album, we decided this January it was time to give ourselves a well earned break. But instead of retreating to the wilderness or decompressing on a beach somewhere, we spent ten days in the studio making a collection of ambient instrumental works. We wanted to share outtakes from these sessions in all their unedited glory with you, and put them out as an extremely limited edition cassette, available mainly through our webstores (though you may see a copy or two floating around in the wild).”

Photo Credit: Michael Muller

Photo Credit: Michael Muller

National DJ Tour Kicks Off October 20

10/20: Chicago, IL @ The Mid
10/21: San Francisco, CA @ 1015 Folsom
10/22: Zapopan, Mexico @ Coordenada Festival
10/26: Washington, DC @ U Street Music Hall
10/27: New York, NY @ Good Room
10/28: Denver, CO @ Bar Standard

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Thrival Festival 2016!

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Thrival Festival just continues to get better and better every year. This year we were introduced to a new venue, the Carrie Furnaces. The festival also brought it’s largest lineup yet. I’ve saved you guys the trouble of reading all the other articles and posts out there, I’ll tell you the gist.

lineup

Friday wasn’t the best, and there’s a lot of feedback on social media to verify that. There were long lines galore; for drinks, for wristbands to GET drinks; and some heavy confusion around drink tokens. Oh, and then they ran out of water. BUT ALAS, no fear, they fixed everything all up for Saturday which was amazing! It’s not very often that an event like this fixes up main complaints in time for the following year, let alone Day Two!

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The music has great feedback from Friday (shout-out to Lettuce!!!) EXCEPT for one MAJOR setback. Hmm…let’s see, we have Daya performing and we have The Chainsmokers performing. Daya and Chainsmokers have the hit song “Don’t Let Me Down” and yet they definitely let everyone down by not performing that song together! Whyyyyy? Blasphemy! I seriously don’t get it, can someone explain this to me? There was a chance for some legendary shit right there. *big sigh*

But, here’s a video of them performing their brand new song, “All We Know” featuring Phoebe Ryan:

Anyway, according to festival goers, Saturday ran much smoother and they nixed whatever the hell those drink tokens were about (Thank goodness because no one has time for that when they’re going to have a good time and listen to music!)

I did not make the Music Festival for Day One. But, my main passion was Thievery Corporation who was headlining on Day Two. You know how in your car, if you have Sirius, you can set “alerts” to let you know when certain artists or songs come on, and you can set it to auto-tune to that station. Well, Thievery Corporation is one of the groups on my “alerts” list….and lemme tell you, that alerts list has maybe 3 artists on it. So, that’s how excited I was, if that puts it into perspective for you.

I would have never known the fiasco of Day One had I not read about it, because Day Two was a dream. The weather was perfect; anyone from Pittsburgh knows that’s a huge accomplishment to have good weather for an exciting event. The crowds weren’t as big as Day One, which I attribute to the Chainsmokers crowd, but I welcomed the much more relaxed flow. Especially since only a week before, I was in California for the Kaaboo Music Festival (which The Chainsmokers also performed at) and it was way oversold and overcrowded. So much so that we were forced to leave the event early. Womp Womp.

I also did not deal with any of the parking or shuttle woes thanks to Uber. Though I very much like that a shuttle service was available. So, Uber dropped us off at a designated drop-off area and we marched on down to the entrance. The entrance brought on a teensy bit of confusion, since there were different locations for general admission, will call and VIP, but nothing major. I just have a really bad sense of direction. Once inside, we were thirsty (duh) and while I’m happy with almost anything, my friend was bummed about no liquor, unless you were VIP. BUT, it was still a step up from last year because this year there was wine. Maybe next year everyone can have access to liquor, who knows. Oh, but there were, however, two Skyy Vodka gals there though giving out free shots of a watermelon vodka of some sort, so we took advantage of that (again, duh).

I love that this festival has two stages with only one band playing at a time. This way, there’s no conflicts of interest and you can hear the band playing from anywhere on the festival grounds. And there’s no long waits in between the bands because the next one is already setting up on the other stage. Ty Dolla $ign was supposed to perform, but sadly had to cancel due to a death in his immediate family. But, there was lots to check out besides the music. There were vendors set up selling different items including clothing and coveted flower crowns. Rivers of Steel Arts created live iron pours. The Wheel Mill Stunt BMX team put on a show. There was even a tent with a virtual reality simulator to check out.

Metric put on a fantastic set and wowed us with some of their best songs. Here’s a video of “Breathing Underwater” from Shawn Glass on YouTube:

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When it was getting to be that time (Thievery Corporation), the place was noticeably and expectedly even more crowded. I can’t even express how excited I was to see this group that’s been together for over 20 years and yet this was their very first time performing here in Pittsburgh! Their set exceeded mostly everyone’s wildest expectations and hopefully it doesn’t take them that long to come back! They were the most perfect close-out for a sensational Thrival Festival.

After their set, everyone wafted around seemingly walking on clouds. And then suddenly…something more happened. Over yonder, music started playing. The strange but cool artsy thing that everyone had been looking at all weekend sprung to life. It was the Squonk Opera! And what…pray tell, is that?

Squonk Opera is a group of interdisciplinary performing artists from Pittsburgh, Pennsylvania. Led by artistic directors Jackie Dempsey and Steve O’Hearn, Squonk Opera’s shows consist of music, visual art, and acting elements in an attempt to make a form of opera accessible to all people. The group “like to think of ourselves as a wacky, provincial opera company,” says Dempsey, who named the group “Squonk” after a description of a jazz saxophonist’s playing as a “squonk-fest”, rather than the legendary creature of the same name. — From Wikipedia

Check out this little tidbit video of Squonk Opera performing from their Pneumatica show:

I’m so glad that Pittsburgh keeps moving up that cultural ladder and bringing more and more awesomeness, especially in the music department. There’s always going to be little hiccups but this festival was overall a huge success and I can’t wait to see what next year brings!

(P.S. I’m sure I’ll think of more suggestions, but I’d love to see Lotus come perform next year! — Here’s a video of them performing “Anti-Gravity” at the Summerdance Festival in Ohio this year!)

 

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Broad City Soundtrack Track List

sndtrk

“There are 8 million stories in the naked city.” The ones about two irreverent best friends from Brooklyn are soundtracked by just as many beats. Curated by music supervisor, Matt FX Feldman, the official soundtrack for Comedy Central’s acclaimed series “Broad City” captures the show’s (and New York’s) wild style with such precision to the point where the songs become truly instrumental to the storytelling. As The New York Times quoted Matt on working with the show’s creators and stars, Ilana Glazer and Abbi Jacobson: “Our tastes are a Venn diagram, and that middle circle is really, really big.”

Broad City’s Original Series Soundtrack, released via Milan Records in association with Comedy Central Records, is executive produced by Jacobson and Glazer alongside Matt FX. The trio selected from a stellar roster of under-the-radar artists as diverse as New York itself and include Chile’s DJ Raffand Ana Tijoux, Toronto’s Tasha The Amazon, Baltimore’s Normaling and Rye Rye, Rick Owens & Mad Decent-affiliated queer hip-hop sensation Zebra Katz, and beatmaster RJD2 who famously provided the theme to AMC’s hit “Mad Men” himself.

Both the tropical flavored banger “Tigre” by emerging Dominican/Canadian artist Jarina De Marco, as well as “Dat Gyal” by prolific producer Tony Quattro were previously show favorites, and are available for sale for the first time exclusively on the soundtrack. The release of both tracks will come as a welcome of relief to devoted fans. As one noted on Reddit regarding “Tigre”: “Can’t seem to find it and it’s driving me crazy!” When asked about the tune, Feldman had this to say, “Tigre came to me originally as a demo that Jarina wasn’t even sure she’d ever release! Luckily, the song hit like hot fire when the episode aired and people are still hitting Jarina and I up to this day asking where they can find the track! Happy to be able to get it out there finally.” For his part, LA-based Tony Quattro has contributed over 10 cues in 3 seasons to “Broad City” so far, including many composed bespoke for the show.

Of his inclusion of “Latino & Proud” as Broad City’s theme, DJ Raff has said, “When I saw the ‘Broad City’ clip I felt that it fit very well in terms of the graphics, the storyline, and the characters. Everything went well together and the song felt perfect on the show… I’ve seen a lot of positive comments on SoundCloud, YouTube, and other social networks saying, ‘Broad City’ got me here.”

”The colorful international vibe reverbs through all the featured artists’ aesthetics, from Zebra Katz’s ode to “Marijuana,” to the album’s artwork and packaging featuring an insert with spliff-rolling instructions (printed physically on green paper!) designed by artist Mike Perry.

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A verified tastemaker (and foodie), Matt FX approaches the show’s music as a master chef, slicing and dicing and mixing together indie, hip-hop, and electronic vibes into a vibrant compilation befitting the lead characters’ larger-than-life personas and city they call home. When 24-year-old Matt isn’t music supervising shows like “Broad City” or Hulu comedy “Difficult People” (both executive produced by Amy Poehler), he is an in-demand DJ and producer in his own right.

A show like “Broad City,” that trades on the city’s transitive energy and ephemeral connections, necessitates a soundtrack that can keep pace. For the last five years of his young and prolific career, Matt FX has proven to be that ear to the ground, absorbing a dizzying sonic zeitgeist with uncanny accuracy and zeal.

Broad City’s Original Series Soundtrack Tracklist 
1.     Latino & Proud – DJ Raff (Intro)
2.     Tigre – Jarina De Marco (Soundtrack Exclusive)
3.     Marijuana – Zebra Katz & Kashaka
4.     La Nueva Condena – Ana Tijoux
5.     #NOTYOURS – Scooter Island Ft. Junglepussy
6.     YES Bitch – K Rizz
7.     Steady Now – Tasha The Amazon (Cubby x Karman Remix)
8.     Let ‘Em Say – Lizzo & Caroline Smith
9.     Dat Gyal – Tony Quattro (Soundtrack Exclusive)
10.   Low Drop – Normaling (Ft. Rye Rye & TT The Artist)
11.   See You Leave – RJD2 (Ft. STS & Khari Mateen)
12.   Latino & Proud – DJ Raff

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SSHH: “Supergroup” Like Whoa

sshh

UK band SSHH, made up of Sshh Liguz and Zak Starkey (Ringo Starr’s son and drummer for Oasis and The Who) is teaming up with TONS of amazing musicians (members of Oasis, Sex Pistols, Marilyn Manson, Amy Winehouse’s band, and more) for their upcoming album ISSUES. The album is a collection of covers using the members of the original bands! Heads up — it kicks ass!

The first single just premiered — it’s a cover of Sex Pistols’ “Problems”, featuring Glen Matlock, Pistols bassist, and Paul Cook, Pistols drummer.

ISSUES is a modern homage to all of the epic bands that made SSHH what they are today. The idea behind the record was simple. Zak and Sshh had been asked to do a radio series on SiriusXM, chatting through the music that has influenced them. But why not go a step further? Why not find the original rhythm sections from those bands and play with them? Why not make an album in the process?

The first call went out to Glen Matlock and Paul Cook, the bass and drums, the meat and veg of the Sex Pistols. If they were up for it, everyone would be up for it, and they were.  And thus, during the last week of November in Los Angeles, the project began. Clem Burke, Blondie’s drummer, turned up in the studio on day one to cut an unorthodox “One Way or Another”. Day two, Marilyn Manson’s rhythm men, Twiggy Ramirez and Gil Sharone, arrived for their turn. Fellow musicians Santa Davis and Fully Fullwood (of Peter Tosh’s Word, Sound and Power) also came forward and re-recorded Tosh’s original version of “Get Up Stand Up”, with an added touch from Eddie Vedder.

The duo moved on to London and got back in another studio for “one of the most intense recording sessions of [her] life,” according to Sshh. They began with “Babylon’s Burning” and “Jah War” with the rhythm section of The Ruts, followed by “Back to Black” with Amy Winehouse’s drummer, bassist, and musical director. Darren Moonie and Simone Butler of Primal Scream showed up for a full-on, no-holds barred take on “Shoot Speed Kill Light”. Guests also include Martin Chambers (The Pretenders), Mick Ralphs (Mott the Hoople), and Kenney Jones (The Small Faces, The Who), and production credits include Youth and Ian Brodie, among others. “Of all the people who’ve taught me drums – Keith Moon, my dad [Ringo Starr], all of them – Kenney showed me the most,” says Zak.

Zak and Sshh first came together in March 2006. Zak, playing drums on tour with Oasis, played a guitar riff down the long-distance line, Sshh recorded it, built it, and put it together, and their first track “Jet Engines” was born. Years passed as Sshh was in a different kind of studio as an award-winning visual artist and Zak was touring with Oasis and The Who. In 2008, the pair played a few gigs in East London under various band names, opening for Kasabian. The two eventually settled on SSHH, the call came from Sirius, an idea was hatched, and SSHH had ISSUES.

The result of those two mad, unpredictable, spontaneous, serendipitous weeks of phone calls, new handshakes, old hugs, musical conversations, long shots and crossed fingers is a record which straddles a huge swathe of modern music history. From the original rock ’n’ roll of the sixties through punk, reggae and dub into modern soul and electronica, this is a wild journey in just eleven steps. And despite all that, it exists as its own work, knitted together with the unique sound of SSHH – a fortnight in the making but a decade in its evolution. ISSUES will be released later this month, and proceeds from album sales will go to Teenage Cancer Trust.

Preorder ISSUES Exclusively via PledgeMusic

ISSUES Tracklist:

1. Problems
with Paul Cook and Glen Matlock of The Sex Pistols (producer Chris Thomas)(mix Thom Panunzio)
2. Jah War
with Dave Ruffy and Segs of the Ruts (producer Ian Broudie)
3. Shoot Speed Kill Light
with Darren Moonie and Simone of Primal Scream (producer Youth)
4. All The Young Dudes
with Mick Ralphs of Mott The Hoople and Martin Chambers and Glen Matlock (mix Thom Panunzio)
5. Dominoes
duet with Sshh and Robbie Furze of Big Pink with Twiggy Ramirez and Gil Sharone from Marilyn Manson (producer Nick Launay)
6. One Way Or Another
with Clem Burke of Blondie and Steve Fishman (Mix Thom Panunzio)
7. Back to Black
with Dale Davis and Nathan Allen of Amy Winehouse band (producer Ian Broudie)
8. Private Life
with Martin Chambers of The Pretenders and Glen Matlock (mix Youth)
9. Get Up Stand Up
with Eddie Vedder of Pearl Jam, Santa Davis and Fully Fullwood of Peter Tosh, Word Sound & Power (mix Youth)
10. Babylon’s Burning
with Dave Ruffy and Segs of The Ruts (producer Ian Broudie, mix John Gray)
11. Tin Soldier
with Kenney Jones of The Small Faces, Glen Matlock of The Sex Pistols, Gem Archer of Oasis (mix Shel Talmy)

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