Tag Archives: video

Grey Gersten – “The Planet is Doomed”

Artist and musician Grey Gersten has just released the video for his song “The Planet is Doomed.” The video was created and directed by Kyp Malone (TV on the Radio). The song appears on his first full-length album Naked Light, out now.

Gersten’s most recent release prior to Naked Light was an EP under the moniker Eternal Lips featuring guest vocals from Sharon Van Etten and Kyp Malone. The EP received wide critical acclaim, Rolling Stone wrote “Gersten bends and contorts the idea of pop music, channeling his experimental music background into dreamy indie-pop.”

Accompanied by co-producer Shahzad Ismaily on Naked Light, Gersten dismantles artifice and creates an intimate space where the power of vulnerability is revealed. “I didn’t think about what’s cool or what anyone would think,” says Gersten. “I just focused on being emotionally present. The real impact of music comes from feelings. If you suspend self-judgement, you create the opportunity for something universal to resound.” Naked Light burns with the rawness of Neil Young and glows with the otherworldliness of Brian Eno.

For the past 10 years, Gersten has been active in NYC’s experimental rock and art community collaborating with an eclectic mix of revered artists. His recent work Custom Melodies, an interactive multimedia website that features 110 biographical songs created with 110 strangers at his immersive and participatory Mmuseumm exhibition, was featured in the New York TimesRolling Stone, Wall Street JournalGizmodoPasteInterview MagazineTime Out NY and other publications. Gersten created an original score for internationally acclaimed artist Tom Sachs’ 2016 feature film A Space Program. Gersten recently performed at The David Bowie tribute concert at Radio City alongside artists Tony Visconti, Blondie, Michael Stipe, The Flaming Lips, Cat Power, The Pixies and others.

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Why Sit Down When You Wanna Dance?

Check out this catchy little diddy from a group named thanks. The duo is Steve Pagano and Mario Borgatta and together they combine psychedelic pop, cinematic vibes and electronically influenced beats and melodies.

The duo emerged after meeting at Berklee College of Music in 2009. It was then that Pagano and Borgatta realized they shared the same sentiment for music and how aligned their goal really was. Together they have accomplished this goal in crafting a sound which is simultaneously unique and accessible to the masses. They set out with the intent to express their story through an artistic portrayal of music and lyrics and prevailed in culminating a winning formula which can resonate with their audiences.

Their highly anticipated debut album Colfax, named after the location of their recording studio and where the majority of the album was conceived, is the result of the pair uniting and a culmination of their mutual thoughts and beliefs. Colfax depicts the duo’s endeavor in stepping away from the grasp of musical elitism and producing material which is true to not only themselves but to the world around them. The importance of making a record which was relatable to different people was crucial. “Whatever the theme is, we do our best to keep it transparent so it can be interpreted in different ways”, admits Borgatta. thanks. pride themselves on being people who are in touch with the universe and the people who occupy it. This assimilation with the people can be felt in their music and there is no mistake, it’s genuine.

Lead single “Your World” consists of catchy psych-pop melodies, climactic choruses and upbeat funk rhythms, reminiscent of early MGMT. Enriched with an array of textures and vintage synths it is the ultimate summer anthem. Despite “Your World” having an optimistic, summery feel the song admittedly delivers a powerful message, with the lyrics being in reference to an idea of a present-day society where lives are governed by a political agenda we may or may not agree with. Borgatta reveals, “the idea was inspired by George Orwell’s “Nineteen Eighty-Four” and though our lyrics aren’t meant to express any opinion towards a specific political idea or belief, we hope to motivate people to take action in what they believe in”.

“Annabelle” highlights the band’s diversity with a more 60’s psych influence, combining acid-folk and a hint of stoner power-pop. Borgatta admits how they were listening to The Beatles “Across The Universe” during their time spent in the studio and “Annabelle” is a clear indication of this inspiration.

Pagano and Borgatta have seen previous success with numerous TV placements on major networks including MTV, ABC and Netflix, as well as having engineered on records from world renown, critically acclaimed artists such as Muse, Death Cab For Cutie, Foster The People and many more.

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Video: Anna of the North – “Someone”

Anna of the North shares her self-directed visual video for “Someone”, shot on location in Miami, Florida.

Of creating the video, Anna says:
It’s a video made in Miami but it’s certainly not a stereotypical Miami video. The ‘party’ side to cities like Miami can feel vacuous, making them the loneliest places in the world, so it’s a fitting backdrop to the story. It’s set the day after a big night, when you instantly regret something that happened. It’s about the internal battle of the day after; trying to accept that you’re human and how hard it is to forgive yourself for your own mistakes. It gets more desperate throughout as the realization sets in.

The second single to be taken from their highly-anticipated debut album Lovers, “Someone” journeys through a swaggering opening and a head rush of synths, which then make way for Anna’s tender vocals before the chorus explodes into a blockbuster-scale road trip.

Due for worldwide release on September 8, Lovers is an album deeply rooted in heartbreak, a subject that courses through the veins of all ten tracks – through the turmoil, the guilt and the tentative joy of finally letting yourself move on.

In three years since the release of debut single “Sway”, the Norwegian-Kiwi duo of Anna Lotterud and Brady Daniell-Smith have paved the way for their full-length debut following a run of singles which have notched up over 60 million streams, multiple No.1spotst’s on the Hype Machine charts and rotation on Radio 1, Triple J and Beats 1.

Now they offer up an emphatically assured debut LP, its clean, springy beats and shimmering synths underpinned by the rich, emotive clarity of Anna’s voice. Recorded in Oslo and mixed in Copenhagen and London by Luke Smith (Foals, Depeche Mode), Lovers is a coherent but endlessly varied beast.

The story of the project began five years back. Anna was working in a shop in a small town near Oslo, settled with her first love whilst anticipating a life of routine and normality when a customer came in and changed her life. Polite and well groomed, the woman, a stranger to Anna, began making daily visits, browsing for hours but never buying a thing. One afternoon, for reasons Anna will never know, the woman approached her and implored her to abandon the traditional life she had planned out, and go and expand her horizons. The plea jolted something in Anna, and in an act of uncharacteristic spontaneity, she booked a flight to Australia, leaving behind the life and the person she thought she’d spend her life with.

Her time in Australia was fulfilling but turbulent. She fell in love again, only to have her heart broken as suddenly and inexplicably as her decision to leave Norway in the first place. That’s when she met Brady Daniell-Smith. Brady, who’d been struggling with his own complicated relationships, was performing an acoustic show in Melbourne; Anna was in the audience, drinking with friends. Becoming friends, he encouraged her to find solace in songwriting, discovering they could make music together as a way of exorcizing the demons of their love lives and the project was born. He jokingly started calling her “Anna Of The North” and the name stuck.

It’s the two of them combined that make Anna Of The North’s sparse, brooding electro-pop so potent. Brady, who’s from New Zealand and grew up partly in Australia, injects elements of the countries’ bright, vibrant electronic scene to their music; Anna brings the glacial minimalism of her Scandinavian roots.

Anna of the North’s debut album Lovers is due for release on September 8 via Honeymoon / +1 Records / Different Recordings.

Live Dates:
10 Aug 2017 – Way Out West, SW
18 Aug – Pukkelpop Festival, BE
23 Aug – Hudson Ballroom – Sydney, AU
24 Aug – Northcote Social Club – Melbourne, AU
26 Aug – Maroochy Music & Vis Arts Festival, AU
09 Sep – Bestival, UK
26 Sep – Omeara – London, UK
12 Oct – Obaren, Stockholm, SW
13 Oct – Vega Ideal Bar, Copenhagen, DK
14 Oct – Häkken, Hamburg, DE
16 Oct – Auster Club, Berlin, DE
18 Oct – Sugarfactory ADE Live, Amsterdam, NL19 Oct – Yuca, Cologne, DE20 Oct – Pop Up du Label, Paris, FR
09 Nov – Parkteateret – Oslo, NO
18 Nov – Room 2 P12 @ Transardentes, Brussels, BE
10 Nov – Det Akademiske Kvarter – Bergen, NO

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Check ‘Em Out: Priest

Priest announces their debut album New Flesh. The album is set for release on the 17th of November on Lövely Records. The Stockholm based band have during the spring released praised singles as “The Cross”, “Reloader” and “The Pit”.  Album producer Simon Söderberg (Alpha/ ex Ghost member) has worked with the band to perfect their sound. There is modern touch with a retro vibe over the entire album. New Flesh contains a total of ten tracks that that brings 2017 back to the 80´s.

New Flesh will be released on all digital platforms and as physical CDs and LPs. The album is available as a bundle including CD, LP, Priest Logo Metal Pin and a cover art Tote bag. The LPs are available on black and purple colored vinyl. Everything can be orded from: http://freighttrain.se/

Tracklist
1 – The Pit
2 – Vaudeville
3 – History in Black
4 – Populist
5 – The Cross
6 – Private Eye
7 – Nightmare Hotel
8 – Virus
9 – Call My Name
10 – Reloader

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Check ‘Em Out: Tattoo Money

“For those unfamiliar with Tattoo, he’s an artist to watch. He approaches Hip Hop with an alternative, almost indie perspective that gives his sound a unique feeling.” – EARMILK

“The startling track, both intimate and anthemic, could perhaps best be described as feminist-folk-rap.” – BlackBook

Brooklyn-based, alternative hip-hop artist and songwriter, Tattoo Money, announces his debut untitled EP. The lyric driven EP was inspired by his surrounding world, using only one guitar, one synth and a drum machine. Untitled is due out August 11th, 2017.

Today, Tattoo Money shares his latest video, “Caffeine On An Empty Stomach” via EARMILK, who uncovered the deeper meaning of the video and track, stating, “Throughout the video, different groups attempt to put Tattoo into a stereotypical box. Whether it’s Timberlands or a bottle of Hennessey, groups try and force products onto the emcee as if he should accept them because of his looks. As the video goes on, he runs away from all of these forces before confronting them with his music at the finale.” Last month, lead single, “Black Girl Magic,” premiered on BlackBookwho stated, “The startling track, both intimate and anthemic, could perhaps best be described as feminist-folk-rap.”

Tattoo Money (also known as Pete Armour) was born in Brooklyn before hipsters, bike lanes and artist lofts. Hip-hop was at the core of his upbringing. but Armour’s treasured music collection always included rock bands, such as Cold War Kids, Avenged Sevenfold and Arctic Monkeys. Playing around with the dichotomy of growing up in Brooklyn during the hip-hop golden age, and being into rock and metal, Tattoo Money is an authentic fusion of modern youth culture, creating something new out of a distinct variety of influences.

For Tattoo Money, fitting in has never been part of the agenda, nor was it attainable.

“When I showed up to play hip hop shows they always thought I was an R&B singer. When I show up to play at rock shows (with a guitar on my back, mind you) I always get asked if I’m DJ’ing.”

Tattoo Money writes songs about relationships. Relationships of all kinds – with lovers, exes, friends, enemies and his relationship with New York City. Performed live, these songs aren’t just his songs, these songs become everyone’s songs. The energy transferred in the room between the crowd and the performer is what Tattoo Money feeds off of – for him, it’s all about vibes and connection. With a focus on narrative, Tattoo Money’s minimalist instrumentation and style drives focus to the meaningful stories and personal experiences within the music. EP tracks such as “Black Girl Magic” and “Caffeine On An Empty Stomach” display Tattoo Money’s way of incorporating his personal hardships into meaningful change. The first track hopes to uplift black women and the future of amazing black women during this difficult time, while the second hopes to push beyond the boundaries of black stereotypes.
UNTITLED – TRACKLISTING

01. Caffeine On An Empty Stomach
02. Barrington Levy
03. Levels
04. Black Girl Magic
05. Liars

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Newest Love: Kamaliza

 

Sydney artist Kamaliza has released a rather powerful and lyrically charged track called “Zanzibar”.

Having decided to quit his office job and pursue music full time, Kamaliza is wide-eyed and ready for whatever the future holds.

Inspiration is key when creating music and that was no exception for Kamaliza as he wrote this song.

I woke up feeling extra inspired one morning in mid-January this year. It took me about five hours to complete the bulk of the song; when a song writes itself so quickly it’s usually a great sign. Most importantly is that I felt so emotionally connected to the song.

Beginning with a whimsical flow of R&B electronica, the song develops into a multi-layered work of rich productions colored in with percussive rhythms and scorching synths.

I used a mixture of software and hardware to get it done and recorded it in my home studio in Western Sydney. I played the song a couple of days later at my first gig under Kamaliza and it got such a great response, so that added fuel for me to polish the song.

Given Kamaliza’s recent career change, there’s no wonder the song blossomed from personal experience and feelings.

The song is about taking the next step in the direction you feel you were destined for, even if that means saying goodbye to those that you care about. I believe there are unknown forces that guide us; in this tangible world of science and fact, it’s the unknown that I’m learning to trust.

To compliment the track, Kamaliza teamed up with Cape & Monocle to create a narrative-based video that continued on from their previous project “Zermatt”.

There was a scene where a robot was used. We wanted to build off that scene and this time create a narrative to go along with it. The story takes place in a post-apocalyptic world where technology has consumed society entirely. Our main character is a robot searching for something that has been missing from their life.

 

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Are You In or Are You Out? Of Course You’re In

“…like what might happen if Beck produced a track for LCD Soundsystem.” – Stereogum

“Think of this new track as the nonchalant older kid that just embodies cool. It doesn’t have to try very hard… Try to get this one out of your head.” – Earmilk

Black Kids, who have announced their new track “Obligatory Drugs”, have released the first of some new music since their 2008 debut album Partie Traumatic. The single appears on their forthcoming sophomore album Rookie, out September 15.

 

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Highly Anticipated: New Album From The Technicolors

Phoenix-based band the Technicolors’ forthcoming album Metaphysical (out July 7) focuses on “a void”—the one between where its frontman, Brennan Smiley, is, and where he’d like to go. Today we are pleased to premiere “Impostor!,” a single from that very LP, which seems to encapsulate this concept. “The song is about everyone’s constant need of explanation for everything,” says Smiley. “Everyone wants you to explain yourself, tell why you did something a certain way, as opposed to just feelin’ it and letting it move you, or maybe challenge you to think differently.”

Fittingly for summer, “Impostor!” is a roll-your-windows-down tune. The guitar intro has a ’90s rock grittiness and bite that sets the tone, and next comes Smiley’s Julian Casablancas-esque voice—a softer swoon that creates a needed contrast for the song to flow (and makes it ideal to leave on repeat). Smiley says the track started simply with a guitar riff, courtesy of guitarist and vocalist Sean Silverman. The lyrics came later when Smiley was sitting in a unair-conditioned room in the thick of an Arizona summer. He watched an early-2000s “Magic Tricks Revealed” documentary in the guest room of the studio the where the band was recording and realized he would have to sing “Impostor!” the next morning. He didn’t have any lyrics—yet. “I started literally sweating out the most ridiculous lines ever,” recalls Smiley. “The last line of the second verse is about making an elephant disappear.”

Smiley wrote the lyrics in about five minutes, and the track’s guitar riffs ultimately powered Metaphysical as a whole. “We plugged the acoustic guitars straight into this old Neve console that mixed some pretty legendary records, and cranked it till it sounded like what you would imagine if Raiden started a band with Johnny Cage,” says Smiley. “I think we stumbled on some wild guitar sounds that have since inspired us to go even further down those roads.” – Interview Magazine

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Video: Fujiya & Miyagi – “Impossible Objects of Desire”

Check out the video for Fujiya & Miyagi’s track “Impossible Objects of Desire”. It is the 9th track off their recently released self-titled album. When talking about the video lead vocalist David Best said, “The song is a hymn to vinyl and the rush that music can provide,” offers vocalist David Best. “It loosely began as a homage to  Bowie’s ‘Be My Wife’ Video, but then morphed into something else. The song is also about the physical and chemical reaction music has on the mind and body.” You can order the self-titled LP here.

Many musical projects approaching almost two decades of existence begin to show signs of stagnation or perhaps start to crook their neck as looking over their shoulder becomes a more common stance than focusing on the horizon. However, for the Brighton-based, genre-hopping, Fujiya & Miyagi the opposite can be said as they see in 2017 by wrapping up a unique year-long musical project that represents one of their most adventurous to date.

Two EPs join a third to make up this album, a carefully staged project that sees the group traverse disco, electro, pop, and the now synonymous 1970s Germany-inspired groove they so seamlessly ooze. Whilst the EPs all contain a distinct personality and fluidity of their own, the new dynamically focused position of the tracks as a full album embodies a long-term plan. “From the beginning, I have always thought of this as an album rather than three separate records, ” Singer David Best says.The now melded album is a vast one stylistically with influences and references that span from Arthur Russell to JG Ballard, yet the undercurrent that connects it all into one universal groove is one of honesty and joy, a surging sense of euphoria and hope that attempts to cut through the foggy world that welcomes its release. “On this album, I have tried lyrically to find the positives and not rely on my factory setting of a general contempt for the world around me.” Best says.

The positivity and propulsive energy of the record is not only carried by its natural rhythm, lyrics, and sparkling melodies but is also a reaction. “The album is a really strong resistance to societies compulsion to suck the energy out of everything. It’s a really good thing to provide an antidote to all the scary stuff that is going on, even if it’s just for 5 minutes.” Best says although the album proves to be more than a five-minute distraction and more like a 45min escape.

Fujiya & Miyagi – S/T tracklist
01. Magnesium Flares
02. Serotonin Rushes
03. Solitaire
04. To The Last Beat of My Heart
05. Extended Dance Mix
06. Outstripping (The Speed of Light)
07. Swoon
08. Freudian Slips
09. Impossible Objects of Desire
10. Synthetic Symphonies
11. R.S.I.

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Video: The Legends – “Summer In The City (Living Is For Somebody Else)”

This vintage 80’s inspired animated clip for The Legends’ “Summer In The City” (Living Is For Somebody Else)” will transport you back to those (preferably air-conditioned) Atari-style days of yesteryear.

The video, which premiered as part of an in-depth interview with Paste Magazine, is the perfect antidote to pre-summer blues.

The track is taken from The Legends Nightshift, LP out now on Labrador Records: Spotify / iTunes / Bandcamp

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