Category Archives: Whoa!

New Album From The Cranberries!

The Cranberries are set to release Something Else, a new album featuring re-worked renditions of their major hits, as well as brand new material. The album is due out April 28 via BMG on digital and CD formats, and includes seminal Cranberries songs like “Linger,” “Zombie,” “Dreams,” and “Ode To My Family”… re-recorded in orchestral and acoustic arrangements.

Something Else celebrates the 25th anniversary of the band. Their first major U.S. hit “Linger” has been re-done acoustically, and just premiered on Rolling Stone! On the album concept and choice of “Linger” as the first single, The Cranberries’ singer-songwriter Dolores O’Riordan explains,

“‘Linger’ was the first song The Cranberries ever wrote together. I was 17, and the youngest member of the band was 15 at the time. We never imagined it’d be such a big hit, but soon us teenagers found ourselves on our first flight to the United States to shoot the video in Downtown LA. That video would introduce us to American households, in the good old days of MTV! The bittersweet love song still holds all that sentimentality for us personally, which is why we had to include it on this project. Universally, I think its message remains timeless and relevant, never going out of fashion, yet never quite in fashion. It’s amazing to have a song hold up 25 years later, and I hope this acoustic version allows our fans to hear a Cranberries classic in a new way.”

“Linger ” is available now for download and streaming. The full album is available for pre-order on digital and CD formats.

Over a period of two weeks last year in the University of Limerick, at the home of the Irish Chamber Orchestra, the band revisited old times; Dolores laid down vocals as small booths were created to record the instruments as if live. She was no longer a child, singing her mature songs from an inexperienced vantage point but a woman now, with the capacity to throw her life at the music, the benefit of hindsight. “I prefer them like this,” she says of the new recordings of old songs, “with a little bit more experience behind them, with a new lease of life. They sound fresh again.”

As the record began to take full shape, three new songs were added, to stop it from just being a rush of memories lost and found. The first was “The Glory”, which Dolores explains she wrote in The Irish Chamber Orchestra’s rehearsal rooms at the University of Limerick. She then brought out two songs she had been keeping in her personal stash, until she could place them in the right home: “Rupture” (“about depression, about being in that black hole and finding it hard to get out of it”) and the forthcoming single “Why?” (“written just after my father passed, the hardest time”).

It’s testament to Dolores and Noel’s song-writing prowess that the new additions to the Cranberries cannon sit seamlessly next to the old. When they began finalizing details for the record, they decided on Something Else, a nod to the first record’s Everybody Else…, a title neither riven with the promise of future endeavors or locked into the past.

Official Tracklisting
01. Linger **
02. The Glory
03. Dreams
04. When You’re Gone
05. Zombie
06. Ridiculous Thoughts
07. Rupture
08. Ode To My Family
09. Free To Decide
10. Just My Imagination
11. Animal Instinct
12. You & Me
13. Why

UK & Ireland Tour Dates

17 May        Belfast, Waterfront
18 May        Dublin, BordGais Theatre
20 May        London, Palladium
22 May        Bristol, Colston Hall
24 May        Gateshead, The Sage
25 May        Nottingham, Royal Concert Hall
27 May        York, Barbican
28 May        Manchester, Bridgewater Hall

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Brand New: Equal + LEFTI – “The Way I Move”

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Check out this sparkly new disco collab track from DJ’s Equal + LEFTI (at the bottom of post).

About Equal and LEFTI:

Equal is a New York City DJ and music producer originally from Asheville, NC. He’s previously spent his nights wooing crowds all over the world, from New York City’s hottest parties for the downtown-club kids and fashion elite, to large scale events and festivals such as Bonnaroo. As a lifetime drummer from a musically inclined family, his transition to production from solely DJ’ing was a natural one. He first garnered attention as a producer with the release of his single, “Lost in the Evening (ft. Gary Jules),” and his recent hit “Shakedown” has garnered worldwide DJ support alongside placement in outlets such as Vogue UK and a collaborative ad-campaign from Ciroc for Zoolander 2. Equal will continue to release exciting collaborations featuring indie music’s elite as the year continues.

LEFTI is a Brooklyn based Producer / DJ / Musician and Songwriter by way of Florida. Mainly known for his thrilling remixes for artists such as Anoraak, Gallant, CID, Big Data, ASTR, French Horn Rebellion and Solid Disco, LEFTI has been titled “a disco-house hero” by Dancing Astronaut and has “richly layered productions that tread the line between house, funk and indie dance” by Billboard. With only a handful of original material released (Big Beat, Atlas Chair and Mix Mash) LEFTI has already been supported by top tier DJ’s (Don Diablo, Laid Back Luke, Martin Solveig..) as well as placement in digital marketing synchronization through the likes of Hulu and Vanity Fair. LEFTI is currently set to release a string of singles in the months ahead.

Of the song:

“Collaborating on this song was a fun lil’ journey. Initially we were hanging out working on an edit which turned into a fun sample based disco track that ignited the idea to reach out to Adeline as a feature. Writing together was a blast and once we got her vocals in a great place, we realized we needed to change the instrument bed into something with a little more bite.” — Equal + LEFTI

 

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Introducing: White Label Series

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Joyful Noise Recordings has announced its 2017 White Label Series, a new monthly subscription series that aims to shine a light on undiscovered and under-appreciated bands. Each month will feature a new album hand-picked by one of twelve influential artists and packaged in a screen-printed jacket, along with an insert that features a statement from its curator. All White Label Series releases are limited to 500 hand-numbered copies (pressed on black vinyl) and come with a digital download.

2017’s curators are Devendra Banhart, Lou Barlow (Dinosaur Jr., Sebadoh), Rob Crow (Pinback, Goblin Cock), Kelley Deal (The Breeders), Toshi Kasai, Tim Kinsella (Joan of Arc, Cap’n Jazz), Doug Martsch (Built to Spill), Mirah, Greg Saunier (Deerhoof), Chris Schlarb, Janet Weiss (Sleater-Kinney, Quasi) and Yoni Wolf (WHY?).

Joyful Noise launched the series in an effort to save great music from obscurity and to combat the trend of meaningful music being overlooked and “doomed to the remote regions of the Internet.” Click here to become a subscriber.

2017 White Label Series
Devendra Banhart
Lou Barlow
Rob Crow
Kelley Deal
Toshi Kasai
Tim Kinsella
Doug Martsch
Mirah
Greg Saunier
Chris Schlarb
Janet Weiss
Yoni Wolf

 

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Video: Nils Bech – “Glimpse of Hope”

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“Intricate instrumentation crashing into electronic flourishes, ambient sweeps” Stereogum
“Absorbing soundscapes and shuddering beats… fragrant vocals” Clash
“Combines the symphonic with the technology & musical currents of today”  Impose

Acclaimed Norwegian avant garde pop performance artist and stage actor Nils Bech reveals an alluring new video for the album single “Glimpse of Hope”. The track has been described as the sound of “soaring, operatic vocals with the sound of cutting edge club music”.

The video was directed by one of Oslo’s most revered artists, Ida Ekblad, whose artistic practices incorporates painting, sculpture, performance, filmmaking, music and poetry. Her bold and vibrant work, often characterized by the use of found materials is celebrated as a unique take on urban folk art.


Shot on location at the director’s home in Ekberg, Oslo, from dusk till dawn, the intriguing and playful video features 21 year old Norwegian fashion photographer and model Jakob Landvik.  Ekblad describes the concept of the video as <<house>> and the elements that make up the film: “There is a household and time to be wasted. Playstation games, a glue-gun, lawn-mowing and ass-selfies, cigarettes, a robe, white wine, make-up, leg shaving, clear eyes and stockings”

The elegant use of natural light and movement within “Glimpse of Hope” is credited to the cinematographer Cecilie Semec, whose work has featured in the Venice Biennale and the Museum of Modern Art in New York.

“Glimpse of Hope” follows the release of the theatrical video “Please Stay” earlier this Autumn, which featured a scene between Lady Anne and Richard, taken from Shakespeare’s’ tragedy ‘Richard III’, as performed at The National Theatre in Oslo earlier this year.

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“I wanted to make an album where romantic harmonies meet hard beats, with sudden transitions between the painful and the beautiful. Just like love.”  – Nils Bech

A favorite of the art world, Nils Bech has performed at such venerable venues and events as Venice Biennial, ICA (London), New Museum (New York) and the Van Gogh Museum (Amsterdam). He has also featured in two plays at the Norwegian National Theater, most recently in Shakespeare’s Richard III; where he performed excerpts from his third album Echoout now on DFA Records.

Already a star at home, Echo is Bech’s first album with DFA.  The album explores “echoes” of the people in his life over the past five years; their search for love, how love can deceive and destroy, but also be the key to everything. Sonically, the record infuses urban, contemporary dance music with hip hop roots – hard beats in juxtaposition to Bech’s vulnerable bass-baritone.

Echo is out now via DFA Records.

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Must Listen + Free Download: Hook N Sling Remix The Chainsmokers “All We Know”

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Hot off of his successful collaboration with Galantis, Hook N Sling is maintaining steady momentum with his brand new release. This time, the LA-based producer steps into the spotlight with his remix of The Chainsmokers’ “All We Know,” out now for free download.

Never one to be complacent with his style, Hook N Sling steps out of his relative comfort zone and ditches his signature electro-house style for one with more intensity and appeal. Positive vibes are evoked through a well-balanced combination of deep bass lines, bouncing synths, and a playful melody as he explores sounds outside of his usual style. This release highlights Hook N Sling’s undisputed versatility and introduces a new and improved aesthetic that will charm fans of all demographics.

Hook N’ Sling aka Anthony Maniscalco has a proven history of releasing chart-topping records. His music cuts through the saturated electronic dance music space while showing a constant evolution to his sound, staying two steps ahead of the game at every turn. With an ARIA Music Awards nomination, a DMC Buzz Chart #1, a Beatport #1, and a Hypem #1 under his belt, Hook N’ Sling continues to make a statement as to the versatile appeal of his music. He’s earned tens of millions of spins across Youtube and Spotify, earning support from respected peers like Kaskade, Axwell, Don Diablo, The Chainsmokers, and more.

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Video: Anna of the North – “Us” (Acoustic Version)

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Oslo based duo Anna of the North unveil a new take on their latest single “Us” – a self-recorded visual accompaniment to a delicate, acoustic rendition of the original, which has been streamed over 2 million times.

The fascinatingly fragmented, synth-driven follow up to previous singles “Sway”, “The Dreamer” and “Baby”; “Us” delves deeper into Anna of the North’s lore and emotion, dusk into evening and all the promise — good and bad — that night brings.

Speaking of the track the duo, consisting of Anna Lotterud and Brady Daniell-Smith, say: “It’s about a relationship between two people with a really strong connection. When it’s so good it’s bad for you. All of us have had that special person you’ll never forget where the timing wasn’t right”

The duo’s songs have been streamed over 32 million times, and caught the attention from tastemakers like Fader, NYLON, Noisey, Pigeons and Planes and Gorilla Vs Bear and have risen to the top of the Hype Machine charts. “Sway” also garnered an official remix from certified hit makers, The Chainsmokers.

Anna Of The North has recently completed a tour with Kygo, as well as run of UK dates including The Great Escape and shows with Liss. Further news of live shows coming soon.  “Us” is out now via Honeymoon.

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New Music From Dragonette!!!

Photo Credit: Gabe Ayala

Photo Credit: Gabe Ayala

After a period of chart-topping collaborations, Canadian electro-pop trio Dragonette have made a valiant return with their fourth studio album Royal Blues to be released worldwide on November 11. Perfectly timed to keep listeners warm while the winter months creep in, the 13-song collection is an irresistibly hook-laden, dancefloor-ready celebration of wisdom that only comes from life experience.

Sonically strapped with a joyous energy, the record is tinged with melancholy undertones. “Sweet Poison” is a deeply personal album cut about love that you can’t hold onto nor let go of. The purposeful simplicity of the video artistically elevates the emotion of the lyrics.


To celebrate the release, the band will embark on a 22-date North American tour making stops in Boston, LA, Chicago, Portland, Toronto and more.

Tour Dates:
* = w/ Lowell
^ = w/ Gibbz

11/9: Waterloo, ON @ Maxwell’s*
11/10: Toronto, ON @ Phoenix Concert Theatre*
11/11: Montréal, QC @ Théâtre Fairmount*
11/12: Ottawa, ON @ Bronson Centre*
11/16: Winnipeg, MB @ Pyramid Cabaret*
11/17: Saskatoon, SK @ Louis’ Pub*
11/18: Edmonton, AB @ Starlite Room*
11/19: Calgary, AB @ The Gateway at SAIT*
11/22: Kelowna, BC @ Sapphire Nightclub*
11/23: Vancouver, BC @ Imperial*
11/24: Victoria, BC @ Sugar Nightclub*
11/26: Portland, OR @ Doug Fir Lounge ^
11/27: Seattle, WA @ Neumos ^
11/29: San Francisco, CA @ The Independent ^
11/30: West Hollywood, CA @ The Roxy Theatre ^
12/2: Salt Lake City, UT @ Metro Bar ^
12/3: Denver, CO @ Bluebird Theater ^
12/5: Minneapolis, MN @ 7th Street Entry ^
12/6: Chicago, IL @ Lincoln Hall ^
12/8: Columbus, OH @ A&R Music Bar ^
12/10: Brooklyn, NY @ Warsaw ^
12/11: Boston, MA @ Royale Boston ^

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Cut Copy Releases ‘January Tape’

jt

Fans have been anticipating new music from Cut Copy since 2013’s critically acclaimed Free Your Mind. While they enter the final stages of finishing the follow-up, the band has surprise-dropped January Tape, a 44-minute ambient, instrumental piece of sonic art available as a 400-cassette limited edition run. A sample of the January Tape cassette can be heard at the Cut Copy website. Cut Copy grew from a bedroom project to an international festival staple and today’s collection reinforces that they are a rare combination of technical virtuosity and exceptional, eclectic artistry.

‎Dan Whitford shares, “Having worked for much of the previous 12 months on a new Cut Copy album, we decided this January it was time to give ourselves a well earned break. But instead of retreating to the wilderness or decompressing on a beach somewhere, we spent ten days in the studio making a collection of ambient instrumental works. We wanted to share outtakes from these sessions in all their unedited glory with you, and put them out as an extremely limited edition cassette, available mainly through our webstores (though you may see a copy or two floating around in the wild).”

Photo Credit: Michael Muller

Photo Credit: Michael Muller

National DJ Tour Kicks Off October 20

10/20: Chicago, IL @ The Mid
10/21: San Francisco, CA @ 1015 Folsom
10/22: Zapopan, Mexico @ Coordenada Festival
10/26: Washington, DC @ U Street Music Hall
10/27: New York, NY @ Good Room
10/28: Denver, CO @ Bar Standard

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Galantis & Hook N Sling – “Love On Me”

albumart

Hook N Sling has teamed up with international duo Galantis for “Love On Me,” their new collaboration out now on Big Beat Records.

Since remixing ‘Gold Dust’ for Galantis last year, we’ve been talking about collaborating on something. ‘Love On Me’ is here!” – Hook N Sling

“Love On Me” has the makings of yet another bonafide hit for the native Australian to add to his seemingly endless catalog of successful releases. The bubbly pop single features an irresistible vocal sample, reminiscent of a perfect sun-shining day. Hook’s studio chemistry with Galantis is impressively on display throughout the song, featuring a steel drum beat that doubles as the melody, along with hook-laden vocals and a massive drop that’s destined for club play for years to come.

This release comes at an exciting time for Hook N’ Sling aka Anthony Maniscalco. His proven history of releasing chart-topping records that cut through the saturated electronic dance music space show a constant evolution to his sound, staying two steps ahead of the game at every turn. With an ARIA Music Awards nomination, a DMC Buzz Chart #1, a Beatport #1, and a Hypem #1 under his belt, Hook N’ Sling continues to make a statement as to the versatile appeal of his music. He’s earned tens of millions of spins across Youtube and Spotify, earning support from respected peers like Kaskade, Axwell, Don Diablo, The Chainsmokers, and more.

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Thrival Festival 2016!

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Thrival Festival just continues to get better and better every year. This year we were introduced to a new venue, the Carrie Furnaces. The festival also brought it’s largest lineup yet. I’ve saved you guys the trouble of reading all the other articles and posts out there, I’ll tell you the gist.

lineup

Friday wasn’t the best, and there’s a lot of feedback on social media to verify that. There were long lines galore; for drinks, for wristbands to GET drinks; and some heavy confusion around drink tokens. Oh, and then they ran out of water. BUT ALAS, no fear, they fixed everything all up for Saturday which was amazing! It’s not very often that an event like this fixes up main complaints in time for the following year, let alone Day Two!

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The music has great feedback from Friday (shout-out to Lettuce!!!) EXCEPT for one MAJOR setback. Hmm…let’s see, we have Daya performing and we have The Chainsmokers performing. Daya and Chainsmokers have the hit song “Don’t Let Me Down” and yet they definitely let everyone down by not performing that song together! Whyyyyy? Blasphemy! I seriously don’t get it, can someone explain this to me? There was a chance for some legendary shit right there. *big sigh*

But, here’s a video of them performing their brand new song, “All We Know” featuring Phoebe Ryan:

Anyway, according to festival goers, Saturday ran much smoother and they nixed whatever the hell those drink tokens were about (Thank goodness because no one has time for that when they’re going to have a good time and listen to music!)

I did not make the Music Festival for Day One. But, my main passion was Thievery Corporation who was headlining on Day Two. You know how in your car, if you have Sirius, you can set “alerts” to let you know when certain artists or songs come on, and you can set it to auto-tune to that station. Well, Thievery Corporation is one of the groups on my “alerts” list….and lemme tell you, that alerts list has maybe 3 artists on it. So, that’s how excited I was, if that puts it into perspective for you.

I would have never known the fiasco of Day One had I not read about it, because Day Two was a dream. The weather was perfect; anyone from Pittsburgh knows that’s a huge accomplishment to have good weather for an exciting event. The crowds weren’t as big as Day One, which I attribute to the Chainsmokers crowd, but I welcomed the much more relaxed flow. Especially since only a week before, I was in California for the Kaaboo Music Festival (which The Chainsmokers also performed at) and it was way oversold and overcrowded. So much so that we were forced to leave the event early. Womp Womp.

I also did not deal with any of the parking or shuttle woes thanks to Uber. Though I very much like that a shuttle service was available. So, Uber dropped us off at a designated drop-off area and we marched on down to the entrance. The entrance brought on a teensy bit of confusion, since there were different locations for general admission, will call and VIP, but nothing major. I just have a really bad sense of direction. Once inside, we were thirsty (duh) and while I’m happy with almost anything, my friend was bummed about no liquor, unless you were VIP. BUT, it was still a step up from last year because this year there was wine. Maybe next year everyone can have access to liquor, who knows. Oh, but there were, however, two Skyy Vodka gals there though giving out free shots of a watermelon vodka of some sort, so we took advantage of that (again, duh).

I love that this festival has two stages with only one band playing at a time. This way, there’s no conflicts of interest and you can hear the band playing from anywhere on the festival grounds. And there’s no long waits in between the bands because the next one is already setting up on the other stage. Ty Dolla $ign was supposed to perform, but sadly had to cancel due to a death in his immediate family. But, there was lots to check out besides the music. There were vendors set up selling different items including clothing and coveted flower crowns. Rivers of Steel Arts created live iron pours. The Wheel Mill Stunt BMX team put on a show. There was even a tent with a virtual reality simulator to check out.

Metric put on a fantastic set and wowed us with some of their best songs. Here’s a video of “Breathing Underwater” from Shawn Glass on YouTube:

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When it was getting to be that time (Thievery Corporation), the place was noticeably and expectedly even more crowded. I can’t even express how excited I was to see this group that’s been together for over 20 years and yet this was their very first time performing here in Pittsburgh! Their set exceeded mostly everyone’s wildest expectations and hopefully it doesn’t take them that long to come back! They were the most perfect close-out for a sensational Thrival Festival.

After their set, everyone wafted around seemingly walking on clouds. And then suddenly…something more happened. Over yonder, music started playing. The strange but cool artsy thing that everyone had been looking at all weekend sprung to life. It was the Squonk Opera! And what…pray tell, is that?

Squonk Opera is a group of interdisciplinary performing artists from Pittsburgh, Pennsylvania. Led by artistic directors Jackie Dempsey and Steve O’Hearn, Squonk Opera’s shows consist of music, visual art, and acting elements in an attempt to make a form of opera accessible to all people. The group “like to think of ourselves as a wacky, provincial opera company,” says Dempsey, who named the group “Squonk” after a description of a jazz saxophonist’s playing as a “squonk-fest”, rather than the legendary creature of the same name. — From Wikipedia

Check out this little tidbit video of Squonk Opera performing from their Pneumatica show:

I’m so glad that Pittsburgh keeps moving up that cultural ladder and bringing more and more awesomeness, especially in the music department. There’s always going to be little hiccups but this festival was overall a huge success and I can’t wait to see what next year brings!

(P.S. I’m sure I’ll think of more suggestions, but I’d love to see Lotus come perform next year! — Here’s a video of them performing “Anti-Gravity” at the Summerdance Festival in Ohio this year!)

 

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