Category Archives: Awesome

Grey Gersten – “The Planet is Doomed”

Artist and musician Grey Gersten has just released the video for his song “The Planet is Doomed.” The video was created and directed by Kyp Malone (TV on the Radio). The song appears on his first full-length album Naked Light, out now.

Gersten’s most recent release prior to Naked Light was an EP under the moniker Eternal Lips featuring guest vocals from Sharon Van Etten and Kyp Malone. The EP received wide critical acclaim, Rolling Stone wrote “Gersten bends and contorts the idea of pop music, channeling his experimental music background into dreamy indie-pop.”

Accompanied by co-producer Shahzad Ismaily on Naked Light, Gersten dismantles artifice and creates an intimate space where the power of vulnerability is revealed. “I didn’t think about what’s cool or what anyone would think,” says Gersten. “I just focused on being emotionally present. The real impact of music comes from feelings. If you suspend self-judgement, you create the opportunity for something universal to resound.” Naked Light burns with the rawness of Neil Young and glows with the otherworldliness of Brian Eno.

For the past 10 years, Gersten has been active in NYC’s experimental rock and art community collaborating with an eclectic mix of revered artists. His recent work Custom Melodies, an interactive multimedia website that features 110 biographical songs created with 110 strangers at his immersive and participatory Mmuseumm exhibition, was featured in the New York TimesRolling Stone, Wall Street JournalGizmodoPasteInterview MagazineTime Out NY and other publications. Gersten created an original score for internationally acclaimed artist Tom Sachs’ 2016 feature film A Space Program. Gersten recently performed at The David Bowie tribute concert at Radio City alongside artists Tony Visconti, Blondie, Michael Stipe, The Flaming Lips, Cat Power, The Pixies and others.

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Why Sit Down When You Wanna Dance?

Check out this catchy little diddy from a group named thanks. The duo is Steve Pagano and Mario Borgatta and together they combine psychedelic pop, cinematic vibes and electronically influenced beats and melodies.

The duo emerged after meeting at Berklee College of Music in 2009. It was then that Pagano and Borgatta realized they shared the same sentiment for music and how aligned their goal really was. Together they have accomplished this goal in crafting a sound which is simultaneously unique and accessible to the masses. They set out with the intent to express their story through an artistic portrayal of music and lyrics and prevailed in culminating a winning formula which can resonate with their audiences.

Their highly anticipated debut album Colfax, named after the location of their recording studio and where the majority of the album was conceived, is the result of the pair uniting and a culmination of their mutual thoughts and beliefs. Colfax depicts the duo’s endeavor in stepping away from the grasp of musical elitism and producing material which is true to not only themselves but to the world around them. The importance of making a record which was relatable to different people was crucial. “Whatever the theme is, we do our best to keep it transparent so it can be interpreted in different ways”, admits Borgatta. thanks. pride themselves on being people who are in touch with the universe and the people who occupy it. This assimilation with the people can be felt in their music and there is no mistake, it’s genuine.

Lead single “Your World” consists of catchy psych-pop melodies, climactic choruses and upbeat funk rhythms, reminiscent of early MGMT. Enriched with an array of textures and vintage synths it is the ultimate summer anthem. Despite “Your World” having an optimistic, summery feel the song admittedly delivers a powerful message, with the lyrics being in reference to an idea of a present-day society where lives are governed by a political agenda we may or may not agree with. Borgatta reveals, “the idea was inspired by George Orwell’s “Nineteen Eighty-Four” and though our lyrics aren’t meant to express any opinion towards a specific political idea or belief, we hope to motivate people to take action in what they believe in”.

“Annabelle” highlights the band’s diversity with a more 60’s psych influence, combining acid-folk and a hint of stoner power-pop. Borgatta admits how they were listening to The Beatles “Across The Universe” during their time spent in the studio and “Annabelle” is a clear indication of this inspiration.

Pagano and Borgatta have seen previous success with numerous TV placements on major networks including MTV, ABC and Netflix, as well as having engineered on records from world renown, critically acclaimed artists such as Muse, Death Cab For Cutie, Foster The People and many more.

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Can’t Get Enough FØNX

British artist, songwriter and producer FØNX has today released his debut single ‘Can’t Get Enough’, which was produced by Grammy award-winner Tommaso Colliva (Muse).

FØNX explains, “’Can’t Get Enough’ came about whilst I was homeless and sofa surfing for a couple of months and after a very colorful twenty-four hours, I found myself writing initial ideas for the song”.

Drawing influence from the likes of Kanye West, Childish Gambino, Frank Ocean, D’Angelo, John Mayer and Tame Impala, FØNX delivers R’n’B-infused pop with jazz, funk and soul influences, merging catchy grooves, memorable hooks and intricate guitar licks with inspired lyrical content.

Coming from a musical background FØNX started learning guitar at the age of seven and was soon introduced to rap and hip hop, sparking his enthusiasm to start writing lyrics and create backing tracks from samples.

FØNX continued experimenting with music and film during a number of years of home-schooling and soon enrolled at the Brit School where he studied music.

Since leaving, FØNX has continued writing and producing his music at home, on trains, buses, in coffee shops and backstage before shows, constantly coming up with ideas for melodies and lyrics wherever he went. Playing the live circuit around London and the South East he has also performed at various festivals including Barn on The Farm, Cornbury Festival, Isle Of Wight Festival and Leefest.

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Newest Love: Satellite Mode

Photo Cred: Shervin Lainez

“Her vocals effortlessly convey her story of finding love from adolescence to maturity, roping the listener in after just the first verse. The backdrop for those lyrics is equally impressive, bringing a myriad of fluttering synths, booming percussion, and softly strummed guitars, all of which create an expansive soundscape.” – The Music Ninja

“Over the last year the duo have put both tragedy and heartbreak into their work.” – Noisey

“…Satellite Mode has harnessed a loosely tuned, Rickenbacker guitar rift and a crazy good synth loop to make their sound.” – Impose

“…a plethora of top-notch releases.” – HighClouds

New York City-based, indie pop/rock duo Satellite Mode announce their debut EP, Wild Excuses, due out August 11th, 2017. Half the EP tracks, including “Wild  Excuses,” were mastered by Grammy Award-winning mastering engineer Joe LaPorta (David Bowie, Bjork, Beach House, Vampire Weekend) at Sterling Sound. The duo recently shared their lead single, “Bad Woman,” via BlackBook, who describes the track as “a statement of defiant self-possession set against a potent musical backdrop of contemporary rock & roll cabaret – with its fuzzed out synths and ominous strut of a groove.”

Satellite Mode is the project of the classically trained duo of vocalist, Jess Carvo and producer and instrumentalist Alex Marko. Facing the threat of never being able to sing again, Carvo found her voice after an emergency vocal surgery and delved into writing as a creative outlet. Soon meeting Marko, who had just gone through a breakup, the duo transformed hardship and strife into power and success, using their musical chemistry and formal training as a vehicle for expressive creation. The band independently released single, “Wild Excuses,”  via Noisey, landing a spot on Spotify’s coveted Weekly Buzz playlist, gaining over one million streams on Spotify to date. The track holds the namesake and is the opening track for their forthcoming 6- track EP. Satellite Mode has supported a variety of live acts including Great Good Fine Ok, The Night Game and Flor.

Wild Excuses, the first full collection of works released by the duo, includes previously released (and beloved) tracks such as “Fair,” “Aphrodite” and “Warm Fire Lightning,” and unheard new material. Lead single, “Bad Woman,” highlights the duo’s expressive dynamic musicality, beginning with Carvo’s soft croon, slowly escalating to an explosion of glitchy electronics, shimmering keys, blissed out guitar and anthemic vocals. The duo’s second single, a cover of Chris Isaak’s “Wicked Game,” presents a reinterpretation of the classic rockabilly track with dreamy layers of sound, passionate vocals and constant crescendo to a sonic climax. “Warm Fire Lightning” was mastered by Alex DeTurk (DIIV, TEEN, The Knocks) at Strange Weather in Brooklyn. Wild Excuses was mixed by Damian Press.

TOUR DATES
8/8/17 – Baby’s All Right – Brooklyn, NY (RELEASE SHOW)

WILD EXCUSES – TRACKLISTING

01. Wild Excuses
02. Fair
03. Warm Fire Lightning
04. Bad Woman
05. Aphrodite
06. Wicked Game

Opposites don’t just attract; they make magic.

What happens when you combine a classically trained multi-instrumentalist with a knack for off-kilter cinematic soundscapes and a powerhouse singer with a staggering vocal range? The answer is New York duo Satellite Mode—Jess Carvo [vocals] and Alex Marko [instrumentation, production].

A mélange of booming emotionally charged vocal sorcery and hypnotic sonic backdrops, the group has quietly become a phenomenon. Without traditional promotion, they already racked up over 2 million cumulative plays on Spotify, landed on the coveted Weekly Buzz playlist, and crashed the platform’s U.S. Viral Top 10 and Overall Top 10 in addition to going Top 5 on Hype Machine. Early praise came from Noisey and other tastemakers as the pair wowed audiences throughout NYC since their 2016 arrival. You could think of them as the NETFLIX generation’s answer to Portishead, and you’d only be about halfway there…After teasing out singles, 2017’s Wild Excuses EP formally unlocks the world of Satellite Mode.

“We’re two sides of one whole,” explains Alex. “Even though the music is electronic, I try to bring a live feel beyond the glue of synths. In terms of songwriting, I draw from sixties influences like The Kinks, The Beatles, Velvet Underground, and Lou Reed solo. I bring the rawness. Jess is the honesty and vulnerability. There’s something under that voice a lot of people don’t have.”

“It wasn’t until I met Alex that everything shifted,” admits Jess. “At the time, I was writing a lot and recovering from intense vocal cord surgery. I was told I might never sing again and I was in need of being liberated from who I thought I should be as an artist. I bring a lot of longing to the table. As a performer, I believe my job is to expose myself to others who are having trouble showing themselves. That’s what it comes down to.”

Initially introduced via New York City’s intimate songwriters circle in 2014, Jess and Alex didn’t begin creating until almost a year later. Facing an unspeakable family tragedy soon after meeting Alex, Jess yearned for a cathartic vehicle, while Alex, broken from the disintegration of a long relationship and the malaise of corporate America, needed the same.

“When we first met, we were in such different stages of life,” recalls Alex. “I had this epiphany. I was in a corporate job, and I was like, ‘What am I doing with my life? All I want to do is music.’ I completely changed my life to follow my music. Jess became the outlet.”

“Whatever happened with the tragedy in my life ended up being the impetus for forming Satellite Mode, which helped me rediscover my voice” Jess elaborates. “It gave me purpose and direction. This would be our music. It wasn’t something we were going to pitch out. We peeled away those layers of ourselves and became very personal.”

They uploaded “Wild Excuses” online, and it blasted off almost immediately. In under a year, it individually generated close to 1 million Spotify streams and counting. Now, it serves as the title track of their debut EP. Boasting online favorites “Fair,” “Aphrodite,” and “Warm Fire Lightning,” the six-song set elegantly stirs trip-hop expanse, rock swagger, and ceremoniously massive singing into one intoxicating brew. The single “Bad Woman” begins with a delicate croon that slowly crescendos into an explosion of glitchy electronic tones, spacey guitar leads, shimmering keys, and Jess’s stadium-size pipes as she soulfully declares, “Yes, I’m a bad bad woman.”

“It’s about the double standard of being a girl,” she reveals. “I was thinking about a lot of things all at once. You could see this double standard clearly mirrored in the political landscape. I also found it among my friends’ personal relationships. This angst comes out in our songs, as the double standard is prevalent with being a female in the entertainment industry. It’s a mash-up of all of these frustrations and stories.”

Elsewhere on the EP, they breathe new life into Chris Isaak’s “Wicked Game” with a vibrant and vivid cover draped in airy textures and tones. “We really like to put our own spin on things,” remarks Alex.

In the end, the connection between Jess and Alex translates to listeners everywhere via Satellite Mode.

“When people hear us, I’d love for them to get that feeling in their stomach music can evoke,” Alex leaves off. “A lot of our art is about overcoming tragedy or changing your life around. It could hopefully be motivating.”

“I just hope they feel everything a little more intensely,” concludes Jess. “My favorite musicians make me feel like I’m not alone in my thoughts and, in some way, speak a universal truth. I want them to have fun and feel lighter. We’re not so different than they are.”

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Hangin’ Out With Faulkner

Credit: Missy Maggi

Faulkner is a four member bi-coastal rock group that came together in 2013. Last year they released their debut EP Revanchist and right now they’re gearing up for the album drop this fall. While the guys were in town for a show recently at the Rex Theater, I caught up with frontman Lucas Asher for a few questions after their sound check.

Credit: Missy Maggi

So what have you guys been working on?

We just got off our single with Royce da 5’9″, Eminem’s collaborator.

Yes, I’ve heard it! How did that happen?

Cool, yeah, we just reached out and connected through mutual friends – we just finished recording w/ RZA and so it’s all like a small circle.

Does the album have an overall theme?

Revenge. Very aggressive, a little bit dark — and then we open up and explore more areas on the LP. We’ll have more singles that are uptempo and more danceable, a little bit more of a fun record.

You just performed your new song “Hot Streak” at the Troubadour, right?

Yeah, we premiered it there. Tonight will be the second time we’ve ever played it live.

Really? That’s amazing! So special…

Who else would you love to work with in the future?

We like Kanye West, so he would be up there. We like The Weeknd a lot. Our music style is like a mix of The Clash and The Weeknd. We always lean towards urban collaborations. If we didn’t though, it would probably be Muse.

If you could sit under a table and listen to any two people talk, who would it be?

Nikola Tesla and…let’s see, who else…it’d be like, Bob Dylan.

That’s a nice pair, I wonder what that conversation would be like?! (laughs).

Yeah. (laughs).

What music have you been listening to?

A lot of new music. A lot of cool, new music. I’m really into house and electronic but I’m all over the place.

What platform do you use to listen to music?

I’m on all of them. Anything on demand, I don’t really like the Pandora type where it tells you what to listen to. I’m still mostly on YouTube, actually.

Yeah? Do you make your own playlists and stuff?

Yeah, follow me. (laughs).

What song do you remember most from your childhood or what makes you feel nostalgic?

I grew up on Queen, so I’m a huge Queen fan.

What else can you add for fans?

We have our first video, it’s called “Revolutionary” — it was shot in Hawaii and we’re shooting another music video in Morocco coming up. “Hot Streak” will be our next single.

At this point, the employees were getting prepped for the crowd and the band needed to finish a few last things, too. I graciously thanked Lucas and gave the guys my own version of a swag bag for their tour bus — it included a 6 pack of local Pittsburgh beers and a family size bag of potato chips. (Who wouldn’t want that swag? Duh.)

Credit: Missy Maggi

Obviously, we stuck around for the show. This was their first time playing in Pittsburgh and they were touring with Atlas Genius. The set killed it, with the guys playing fan faves, “Revolutionary” and “These Kids Nowadays.” And indeed they kept their word by giving us the experience of their newest track, “Hot Streak,” which was definitely my favorite AND maybe a new favorite of the band’s, too. “It’s always a lot of fun playing new songs at our shows,” expressed the band’s bass player, Dimitri Farougias.

The guys will be playing a couple shows later this month in California with The Kickback, so if you’re around, definitely check them out and go say “hi”!

August 24 – Brick & Mortar, San Francisco, CA

August 26 – Soda Bar, San Diego, CA

August 29 – Resident, Los Angeles, CA

 

Check out a couple of the band’s videos below:

This track will appear on the new album:

 

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Listen: TR/ST

“…the verses where Alfons mutters his incantations of discordant, metallic noises create a mood venomous enough to linger over the hook’s explosive synthy turn-up.” – FADER

TR/ST, is another one of those breaking Canadian acts that seems to have appeared fully-formed with a heap of brilliant, deviant, electronically infused tracks” – NOISEY

Check out the new song from Toronto based musician TR/ST. The track is entitled “Bicep” and will be part of a release due out early 2018. When talking about the track TR/ST (Robert Alfons) says, “This song and much of the album was written in isolation in a farmhouse in rural Canada. It’s about the journey of a figure — essentially a narcissist — fighting with ideas of impurity and worthlessness. It’s about the struggle between accepting and resisting shame, as well as an expression of sexual fantasies.”

After years of extensive touring, and garnering glowing praise from top international critics at Pitchfork, VICE, and The Guardian UK for the 2012 Juno-nominated debut album TRST, the follow-up album Joyland is out now on Arts & Crafts. Joyland is an eruption of guts, eels, and joy.

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Newest Love: White Cliffs

“Pulsing with shakers and bass, the track oozes hazy electro-pop magic. White Cliffs tests out his own vocals as well, which works well in highlight the lean, sexy energy of the track. The ultimate result is a lusty dance track, perfect for pulling your favorite person nice and close on a humid summer night.” – The 405

 

Check out this new single from White Cliffs, “On Call” which will be featured on his debut EP due out 9/29. When talking about the track White Cliffs says, “”On Call” represents a new road that I’ve wanted to travel since making music,” says White Cliffs. “It’s a little taste of the songs I’ll be releasing from now on and I can’t put into words how excited I am to share it with everyone.” Be sure to be on the look out for more White Cliffs as the summer rolls along.

Brooklyn solo artist White Cliffs is excited to release his debut single “On Call.”  This song features a dizzying blend of guitars, organs, and synthesizers, topped with his own vocals.  The track represents a refreshing new direction for the producer and is the first tune off of his forthcoming EP.

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Newest Love: Private Island

Photo credit: Anthony Pham

“For a sound so contagious, I’d bet they’re impressive to see live.”
– What Youth

“So grab your sunglasses and sunscreen and hit the pool with this one on your loudspeakers.” — Earmilk

“L.A.-based Private Island has one foot in the retro-ism of smooth jazz and funk and the other in the gang’s-all-here musical collectivism of modern indie-pop.”
– Buzzbands.LA

After dominating the West Coast music scene and selling out headlining shows in LA, Private Island is heading on their first US Tour with Future Generations, prepared to bring their mix of funky California indie pop-rock to a venue near you. After making a splash on the internet with their Hype Machine approved hit “Drugs,” and over 3 million streams on Spotify, Private Island is excited to promote their third studio project, Night Drivewhich will mark a slight departure from their indie-rock past to a smoother R&B vibe.

The lead single, “Turbulence,” is Private Island’s first step into a world that breaks away from the shimmering indie-rock of their past releases. While maintaining their roots, the new music opens the door into a darker, more polished sound, where lead singer Christian Lum effortlessly denounces his loss of faith in love. The sonic development of the new single mixed with their signature bluesy-rock sound leaves listeners with a taste of the new album, due out fall 2017. The Southern California six-piece band, comprised of Christian Lum, Tommy Nickerson, Cameron Anderson, Michelle Guerrero, Tim Barbour and Roger Mawer, worked with producer Jacob Munk and mastering engineer Joe Lambert for Night Drive.

TOUR DATES

July 28th @ The High Watt in Nashville, TN

July 29th @ The EARL in Atlanta, GA

Aug 1st @ The Evening Muse in Charlotte, NC

Aug 2nd @ DC9 in Washington, DC

Aug 4th @ Kung Fu Necktie in Philadelphia, PA

Aug 5th @ Knitting Factory in Brooklyn, NY

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Check ‘Em Out: Warbly Jets

LA’s Warbly Jets have been building buzz locally and nationally since the release of their debut single “Alive” last November. In addition to being named an Artist to Watch by KCRW and earning praise from both LA Weekly and LA Record, they’ve also racked up spins on Beats1 and KROQ, caught the attention of Liam Gallagher’s Pretty Green (who used “Alive” as the official song of its SS17 line), and landed slots opening for acts like The Dandy Warhols, The Mystery Lights, and Night Beats. 

Now, Warbly Jets share their second single, “The Lowdown.” A snarling anthem meant to call out the music industry and its endless games, it’s the band’s way of saying that they’re here, and they’re here to stay. (Check it out below.)

“The Lowdown” was written last year, beginning with a backbeat and bass lick constructed by keyboardist Julien O’Neill. From there, the band added guitars, vocals, and additional melodies, along with a heavy dose of confidence and a playfully brash attitude. Inspired by their own experiences with the music industry at large — specifically the empty promises of stardom and money, all while major labels go bankrupt pumping out heartless music —  “The Lowdown” is Warbly Jets’ way of asserting that they got where they are on their own, and they’re not going to wait for anyone to give them the green light.   


Warbly Jets on Tour:

7/30: Denver, CO @ Lost Lake
8/2: Kansas City, MO @ Riot Room
8/3: Rock Island, IL @ RIBCO
8/4 – 8/5: Appleton, WI @ Mile of Music
8/6: Chicago, IL @ Schubas
8/8: Brooklyn, NY @ Baby’s All Right (Pond Magazine Presents)
8/9: Brooklyn, NY @ Baby’s All Right (Pond Magazine Presents)
8/10: Philadelphia, PA @ Kung Fu Necktie
8/11: Washington, D.C. @ DC9
8/15: Nashville, TN @ The Basement
8/19: Phoenix, AZ @ Valley Bar
8/20: San Diego, CA @ Soda Bar
9/5: London, ENG @ The Shacklewell Arms
9/12: London, ENG @ The Shacklewell Arms
9/19: London, ENG @ The Shacklewell Arms
9/25: London, ENG @ The Shacklewell Arms

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Video: Anna of the North – “Someone”

Anna of the North shares her self-directed visual video for “Someone”, shot on location in Miami, Florida.

Of creating the video, Anna says:
It’s a video made in Miami but it’s certainly not a stereotypical Miami video. The ‘party’ side to cities like Miami can feel vacuous, making them the loneliest places in the world, so it’s a fitting backdrop to the story. It’s set the day after a big night, when you instantly regret something that happened. It’s about the internal battle of the day after; trying to accept that you’re human and how hard it is to forgive yourself for your own mistakes. It gets more desperate throughout as the realization sets in.

The second single to be taken from their highly-anticipated debut album Lovers, “Someone” journeys through a swaggering opening and a head rush of synths, which then make way for Anna’s tender vocals before the chorus explodes into a blockbuster-scale road trip.

Due for worldwide release on September 8, Lovers is an album deeply rooted in heartbreak, a subject that courses through the veins of all ten tracks – through the turmoil, the guilt and the tentative joy of finally letting yourself move on.

In three years since the release of debut single “Sway”, the Norwegian-Kiwi duo of Anna Lotterud and Brady Daniell-Smith have paved the way for their full-length debut following a run of singles which have notched up over 60 million streams, multiple No.1spotst’s on the Hype Machine charts and rotation on Radio 1, Triple J and Beats 1.

Now they offer up an emphatically assured debut LP, its clean, springy beats and shimmering synths underpinned by the rich, emotive clarity of Anna’s voice. Recorded in Oslo and mixed in Copenhagen and London by Luke Smith (Foals, Depeche Mode), Lovers is a coherent but endlessly varied beast.

The story of the project began five years back. Anna was working in a shop in a small town near Oslo, settled with her first love whilst anticipating a life of routine and normality when a customer came in and changed her life. Polite and well groomed, the woman, a stranger to Anna, began making daily visits, browsing for hours but never buying a thing. One afternoon, for reasons Anna will never know, the woman approached her and implored her to abandon the traditional life she had planned out, and go and expand her horizons. The plea jolted something in Anna, and in an act of uncharacteristic spontaneity, she booked a flight to Australia, leaving behind the life and the person she thought she’d spend her life with.

Her time in Australia was fulfilling but turbulent. She fell in love again, only to have her heart broken as suddenly and inexplicably as her decision to leave Norway in the first place. That’s when she met Brady Daniell-Smith. Brady, who’d been struggling with his own complicated relationships, was performing an acoustic show in Melbourne; Anna was in the audience, drinking with friends. Becoming friends, he encouraged her to find solace in songwriting, discovering they could make music together as a way of exorcizing the demons of their love lives and the project was born. He jokingly started calling her “Anna Of The North” and the name stuck.

It’s the two of them combined that make Anna Of The North’s sparse, brooding electro-pop so potent. Brady, who’s from New Zealand and grew up partly in Australia, injects elements of the countries’ bright, vibrant electronic scene to their music; Anna brings the glacial minimalism of her Scandinavian roots.

Anna of the North’s debut album Lovers is due for release on September 8 via Honeymoon / +1 Records / Different Recordings.

Live Dates:
10 Aug 2017 – Way Out West, SW
18 Aug – Pukkelpop Festival, BE
23 Aug – Hudson Ballroom – Sydney, AU
24 Aug – Northcote Social Club – Melbourne, AU
26 Aug – Maroochy Music & Vis Arts Festival, AU
09 Sep – Bestival, UK
26 Sep – Omeara – London, UK
12 Oct – Obaren, Stockholm, SW
13 Oct – Vega Ideal Bar, Copenhagen, DK
14 Oct – Häkken, Hamburg, DE
16 Oct – Auster Club, Berlin, DE
18 Oct – Sugarfactory ADE Live, Amsterdam, NL19 Oct – Yuca, Cologne, DE20 Oct – Pop Up du Label, Paris, FR
09 Nov – Parkteateret – Oslo, NO
18 Nov – Room 2 P12 @ Transardentes, Brussels, BE
10 Nov – Det Akademiske Kvarter – Bergen, NO

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