“Recaptures that sad-eyed, happy-footed disco-Beatlemania that made Of Montreal’s mid-aughts electronic renaissance so satisfying.” – Stereogum
“…channels a bit of Primal Scream’s Screamadelica the same way Jaqwar Ma have and also wouldn’t sound out of place on a mix next to Cut Copy.” – Under The Radar
“A brain-warpingly awesome cut of tripped-out pop.” – Noisey
Painted Palms’ second full-length album, Horizons, exudes a sense of confidence and purpose that is only present when two creators share a singular focus and absolute trust in each other’s talents. On Horizons, emotional states are suspended between light and dark, driven by the tension of efficient song structures. This week the band shares the synth-laden “Tracers,” melding ’60s psych pop with heavy-footed ’80s drum machines. Though vocalist Chris Prudhomme and producer Reese Donohue chose to collaborate on their second full-length by sending song ideas back and forth over e-mail, just as they did when crafting their 2014 debut Forever, Horizons marks the first time the duo has expanded their sound beyond the bedroom by stepping into the studio. Mixed by former DFA house engineer Eric Broucek (LCD Soundsystem, Classixx), Horizons engages with a diverse sonic palette on each track: ’60s psych-pop, ’80s synths, hypnotic vibes of the kind induced by Bjork and early ’90s Creation Records bands, and the trunk-rattling minimalism of Southern hip-hop. Horizons is a meditation on achieving balance in a place where things are always changing, and there are no real ends. As a result, Painted Palms refines and executes their best work to date.
Listen: Painted Palms – “Tracers”
Release Date: September 4, 2015
8/27 San Francisco, CA @ Rickshaw Stop*