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Video: Fujiya & Miyagi – “Impossible Objects of Desire”

Check out the video for Fujiya & Miyagi’s track “Impossible Objects of Desire”. It is the 9th track off their recently released self-titled album. When talking about the video lead vocalist David Best said, “The song is a hymn to vinyl and the rush that music can provide,” offers vocalist David Best. “It loosely began as a homage to  Bowie’s ‘Be My Wife’ Video, but then morphed into something else. The song is also about the physical and chemical reaction music has on the mind and body.” You can order the self-titled LP here.

Many musical projects approaching almost two decades of existence begin to show signs of stagnation or perhaps start to crook their neck as looking over their shoulder becomes a more common stance than focusing on the horizon. However, for the Brighton-based, genre-hopping, Fujiya & Miyagi the opposite can be said as they see in 2017 by wrapping up a unique year-long musical project that represents one of their most adventurous to date.

Two EPs join a third to make up this album, a carefully staged project that sees the group traverse disco, electro, pop, and the now synonymous 1970s Germany-inspired groove they so seamlessly ooze. Whilst the EPs all contain a distinct personality and fluidity of their own, the new dynamically focused position of the tracks as a full album embodies a long-term plan. “From the beginning, I have always thought of this as an album rather than three separate records, ” Singer David Best says.The now melded album is a vast one stylistically with influences and references that span from Arthur Russell to JG Ballard, yet the undercurrent that connects it all into one universal groove is one of honesty and joy, a surging sense of euphoria and hope that attempts to cut through the foggy world that welcomes its release. “On this album, I have tried lyrically to find the positives and not rely on my factory setting of a general contempt for the world around me.” Best says.

The positivity and propulsive energy of the record is not only carried by its natural rhythm, lyrics, and sparkling melodies but is also a reaction. “The album is a really strong resistance to societies compulsion to suck the energy out of everything. It’s a really good thing to provide an antidote to all the scary stuff that is going on, even if it’s just for 5 minutes.” Best says although the album proves to be more than a five-minute distraction and more like a 45min escape.

Fujiya & Miyagi – S/T tracklist
01. Magnesium Flares
02. Serotonin Rushes
03. Solitaire
04. To The Last Beat of My Heart
05. Extended Dance Mix
06. Outstripping (The Speed of Light)
07. Swoon
08. Freudian Slips
09. Impossible Objects of Desire
10. Synthetic Symphonies
11. R.S.I.

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Newest Love: Sleep Party People

“(The Sun Will Open Its Core) marries the psychedelic weirdness of MGMT with the Euro-y sonic tenets of early 80s Mitteleuropa synth-pop. It’s both grandiose and intimate, eerie but inviting. It also has a point to make.” – BlackBook

“‘Lingering’, which will be released on June 2nd through Joyful Noise Recordings, is poised to be one of the year’s best records. With a deft and intoxicating brand of dreamy pop, as well as collaborations from the likes of Peter Silberman from The Antlers and Beth Hirsch (best known for providing vocals on Air’s masterpiece Moon Safari), Lingering has all the ingredients to be a smash success.” – The 405

BlackBook has shared Sleep Party People’s “The Sun Will Open Its Core”, the third single from the forthcoming album Lingering. “The Sun Will Open…” follows two previously released singles, “Fainting Spell” & “The Missing Steps”. Written, recorded, produced and performed entirely by Danish multi-instrumentalist Brian Batz, Lingering – featuring collaborations with The Antlers’ Peter Silberman & Air vocalist Beth Hirsch – is Sleep Party People’s fourth studio album and the first release since 2014’s Floating. Watch the video for “The Missing Steps” here. Lingering is due out June 2nd, 2017 via Joyful Noise Recordings.

When talking about the track Batz says, “I got really frustrated and emotionally upset when the whole refugee debate in Denmark was at its highest. I felt extremely indignant in terms of how society dealt with this problem. Normally I don’t go into politics, especially not in my music, but this was kind of inevitable.”

“I don’t get how people can reject human beings, who are fleeing from their destroyed homes and cities. What if it happened to us? Wouldn’t we do the same and ask for help and do whatever we felt necessary? We should be able to help each other even if we don’t agree on religion, politics or what we eat and wear. It puzzles me that some people out there can’t see the reason in helping. I had to write a song about this. Period.”

Though Copenhagen-based Batz & his 5-piece live band have become synonymous with the rabbit masks they wear during Sleep Party People live performances, Lingering finds Batz shedding his guard to create some of the most personal and accessible material of his career. Whilst “The Missing Steps” and other moments on Lingering engage demonstrably with bliss (also the woozy, unhurried not-quite title track, “Lingering Eyes”), it is nonetheless a record also concerned with anxiety and doubt, and the ways in which we cope with those insecurities that can persist through adulthood.

A personal high-water mark for Batz from Lingering is the appearance of Air-collaborator Beth Hirsch, who guests on “We Are There Together”. A longstanding fan of classic album Moon Safari, he was left tongue-tied when Hirsch contacted him out of the blue, seeking out a collaboration. Whilst Lingering is enriched by several such artistic collaborations – with The Antlers’ Peter Silberman also providing choir arrangements on “Dissensions” – it is equally shaped by Batz’s famously eccentric collection of instruments. “Salix And His Soil” came about when Batz bought an old organ; “When I turned the organ on for the first time, it started playing this crazy fast Super Mario Brothers-ish beat and loop by itself. I got hooked straight away and started jamming along”.  Elsewhere, “Fainting Spell” rests entirely on a piano loop played out on the snapped wires of his battered old studio piano.

On Lingering’s album-closer “Vivid Dream”, Batz sings of ‘Beating down my own door. Aiming to be flawless and without any mistakes’. Flawed or otherwise, in Lingering, he has unmistakably created a thing of stark beauty.

Tracklisting:

1. Figures
2. The Missing Steps
3. Fainting Spell
4. Salix And His Soil
5. Lingering Eyes
6. Dissensions (Feat. Luster)
7. Limitations
8. The Sound Of His Daughter
9. The Sun Will Open Its Core
10. We Are There Together (Feat. Beth Hirsch)
11. Odd Forms
12. Vivid Dream

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New Album From The Cranberries!

The Cranberries are set to release Something Else, a new album featuring re-worked renditions of their major hits, as well as brand new material. The album is due out April 28 via BMG on digital and CD formats, and includes seminal Cranberries songs like “Linger,” “Zombie,” “Dreams,” and “Ode To My Family”… re-recorded in orchestral and acoustic arrangements.

Something Else celebrates the 25th anniversary of the band. Their first major U.S. hit “Linger” has been re-done acoustically, and just premiered on Rolling Stone! On the album concept and choice of “Linger” as the first single, The Cranberries’ singer-songwriter Dolores O’Riordan explains,

“‘Linger’ was the first song The Cranberries ever wrote together. I was 17, and the youngest member of the band was 15 at the time. We never imagined it’d be such a big hit, but soon us teenagers found ourselves on our first flight to the United States to shoot the video in Downtown LA. That video would introduce us to American households, in the good old days of MTV! The bittersweet love song still holds all that sentimentality for us personally, which is why we had to include it on this project. Universally, I think its message remains timeless and relevant, never going out of fashion, yet never quite in fashion. It’s amazing to have a song hold up 25 years later, and I hope this acoustic version allows our fans to hear a Cranberries classic in a new way.”

“Linger ” is available now for download and streaming. The full album is available for pre-order on digital and CD formats.

Over a period of two weeks last year in the University of Limerick, at the home of the Irish Chamber Orchestra, the band revisited old times; Dolores laid down vocals as small booths were created to record the instruments as if live. She was no longer a child, singing her mature songs from an inexperienced vantage point but a woman now, with the capacity to throw her life at the music, the benefit of hindsight. “I prefer them like this,” she says of the new recordings of old songs, “with a little bit more experience behind them, with a new lease of life. They sound fresh again.”

As the record began to take full shape, three new songs were added, to stop it from just being a rush of memories lost and found. The first was “The Glory”, which Dolores explains she wrote in The Irish Chamber Orchestra’s rehearsal rooms at the University of Limerick. She then brought out two songs she had been keeping in her personal stash, until she could place them in the right home: “Rupture” (“about depression, about being in that black hole and finding it hard to get out of it”) and the forthcoming single “Why?” (“written just after my father passed, the hardest time”).

It’s testament to Dolores and Noel’s song-writing prowess that the new additions to the Cranberries cannon sit seamlessly next to the old. When they began finalizing details for the record, they decided on Something Else, a nod to the first record’s Everybody Else…, a title neither riven with the promise of future endeavors or locked into the past.

Official Tracklisting
01. Linger **
02. The Glory
03. Dreams
04. When You’re Gone
05. Zombie
06. Ridiculous Thoughts
07. Rupture
08. Ode To My Family
09. Free To Decide
10. Just My Imagination
11. Animal Instinct
12. You & Me
13. Why

UK & Ireland Tour Dates

17 May        Belfast, Waterfront
18 May        Dublin, BordGais Theatre
20 May        London, Palladium
22 May        Bristol, Colston Hall
24 May        Gateshead, The Sage
25 May        Nottingham, Royal Concert Hall
27 May        York, Barbican
28 May        Manchester, Bridgewater Hall

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Cymbals Eat Guitars Tour Dates with Pixies

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This spring Cymbals Eat Guitars will be heading on the road for a handful of dates, opening for legendary rock band Pixies. The list of dates are below. Their most recent album Pretty Years was released in September and it was met with favorable reviews. Pitchfork gave it an 8.0 and SPIN ranked it #29 on their best albums of 2016. Stereogum, Brooklyn Vegan, & Noisey also did in-depth interviews around the time of the album’s release.

Tour Dates:
05-09 Richmond, VA – The National
05-11 Durham, NC – Durham PAC
05-12-14 Atlanta, GA – Shaky Knees Music Festival
05-16 Washington, D.C. – Lincoln Theatre
05-19-20  Boston, MA – House of Blues
05-21 Boston, MA – Paradise
05-23 Philadelphia, PA – Electric Factory
05-24 New York, NY – Webster Hall
05-26 Brooklyn, NY – Brooklyn Steel

Pretty Years – TRACKLISTING
01. Finally
02. Have a Heart
03. Wish
04. Close
05. Dancing Days
06. 4th of July, Philadelphia (SANDY)
07. Beam
08. Mallwalking
09. WELL
10. Shrine

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SSHH: “Supergroup” Like Whoa

sshh

UK band SSHH, made up of Sshh Liguz and Zak Starkey (Ringo Starr’s son and drummer for Oasis and The Who) is teaming up with TONS of amazing musicians (members of Oasis, Sex Pistols, Marilyn Manson, Amy Winehouse’s band, and more) for their upcoming album ISSUES. The album is a collection of covers using the members of the original bands! Heads up — it kicks ass!

The first single just premiered — it’s a cover of Sex Pistols’ “Problems”, featuring Glen Matlock, Pistols bassist, and Paul Cook, Pistols drummer.

ISSUES is a modern homage to all of the epic bands that made SSHH what they are today. The idea behind the record was simple. Zak and Sshh had been asked to do a radio series on SiriusXM, chatting through the music that has influenced them. But why not go a step further? Why not find the original rhythm sections from those bands and play with them? Why not make an album in the process?

The first call went out to Glen Matlock and Paul Cook, the bass and drums, the meat and veg of the Sex Pistols. If they were up for it, everyone would be up for it, and they were.  And thus, during the last week of November in Los Angeles, the project began. Clem Burke, Blondie’s drummer, turned up in the studio on day one to cut an unorthodox “One Way or Another”. Day two, Marilyn Manson’s rhythm men, Twiggy Ramirez and Gil Sharone, arrived for their turn. Fellow musicians Santa Davis and Fully Fullwood (of Peter Tosh’s Word, Sound and Power) also came forward and re-recorded Tosh’s original version of “Get Up Stand Up”, with an added touch from Eddie Vedder.

The duo moved on to London and got back in another studio for “one of the most intense recording sessions of [her] life,” according to Sshh. They began with “Babylon’s Burning” and “Jah War” with the rhythm section of The Ruts, followed by “Back to Black” with Amy Winehouse’s drummer, bassist, and musical director. Darren Moonie and Simone Butler of Primal Scream showed up for a full-on, no-holds barred take on “Shoot Speed Kill Light”. Guests also include Martin Chambers (The Pretenders), Mick Ralphs (Mott the Hoople), and Kenney Jones (The Small Faces, The Who), and production credits include Youth and Ian Brodie, among others. “Of all the people who’ve taught me drums – Keith Moon, my dad [Ringo Starr], all of them – Kenney showed me the most,” says Zak.

Zak and Sshh first came together in March 2006. Zak, playing drums on tour with Oasis, played a guitar riff down the long-distance line, Sshh recorded it, built it, and put it together, and their first track “Jet Engines” was born. Years passed as Sshh was in a different kind of studio as an award-winning visual artist and Zak was touring with Oasis and The Who. In 2008, the pair played a few gigs in East London under various band names, opening for Kasabian. The two eventually settled on SSHH, the call came from Sirius, an idea was hatched, and SSHH had ISSUES.

The result of those two mad, unpredictable, spontaneous, serendipitous weeks of phone calls, new handshakes, old hugs, musical conversations, long shots and crossed fingers is a record which straddles a huge swathe of modern music history. From the original rock ’n’ roll of the sixties through punk, reggae and dub into modern soul and electronica, this is a wild journey in just eleven steps. And despite all that, it exists as its own work, knitted together with the unique sound of SSHH – a fortnight in the making but a decade in its evolution. ISSUES will be released later this month, and proceeds from album sales will go to Teenage Cancer Trust.

Preorder ISSUES Exclusively via PledgeMusic

ISSUES Tracklist:

1. Problems
with Paul Cook and Glen Matlock of The Sex Pistols (producer Chris Thomas)(mix Thom Panunzio)
2. Jah War
with Dave Ruffy and Segs of the Ruts (producer Ian Broudie)
3. Shoot Speed Kill Light
with Darren Moonie and Simone of Primal Scream (producer Youth)
4. All The Young Dudes
with Mick Ralphs of Mott The Hoople and Martin Chambers and Glen Matlock (mix Thom Panunzio)
5. Dominoes
duet with Sshh and Robbie Furze of Big Pink with Twiggy Ramirez and Gil Sharone from Marilyn Manson (producer Nick Launay)
6. One Way Or Another
with Clem Burke of Blondie and Steve Fishman (Mix Thom Panunzio)
7. Back to Black
with Dale Davis and Nathan Allen of Amy Winehouse band (producer Ian Broudie)
8. Private Life
with Martin Chambers of The Pretenders and Glen Matlock (mix Youth)
9. Get Up Stand Up
with Eddie Vedder of Pearl Jam, Santa Davis and Fully Fullwood of Peter Tosh, Word Sound & Power (mix Youth)
10. Babylon’s Burning
with Dave Ruffy and Segs of The Ruts (producer Ian Broudie, mix John Gray)
11. Tin Soldier
with Kenney Jones of The Small Faces, Glen Matlock of The Sex Pistols, Gem Archer of Oasis (mix Shel Talmy)

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New Music From Krautrockers, Dinowalrus

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“…a heady concoction of swirling mellotron and jangling guitar, a deep Madchester groove that will inspire some serious head-nodding.”Stereogum

“…the magical surrealism that could only come from a band named Dinowalrus”NPR

“…a strange and heady brew of psychedelia, Krautrock, Gang Gang Dance-style electro experimentation and, perhaps most strangely of all, take on late 80s British indie-dance.”The Line of Best Fit

“…will leave you feeling all kinds of happily dazed.”Consequence of Sound

Brooklyn DIY stalwarts Dinowalrus are announcing their latest endeavor – the fourth studio album from the band will be released September 23, and the world can get a preview with the jangling psych-gaze single, “Tides.”

FAIRWEATHER, the fourth album from omnivorous Brooklyn rockers Dinowalrus, sees the quartet refining their potent post-modern psychedelia and distilling the successes of their previous two outings, COMPLEXION and BEST BEHAVIOR, into a coherent and compelling package of eleven single-worthy songs, covering territory ranging from baggy Madchester party beats to melancholy space ballads and perpetual-motion-machine krautrock groovers. After albums marked by exuberance and moodiness, FAIRWEATHER is more even-keeled—the sound of a fundamentally playful band that has attained a steady level of confidence, calm, and poise, even as they bob and weave through their ocean of sounds.

The album begins with psych-rock offerings “Tides” and “Falling to the Periphery,” fueled by jangly guitar and punchy mellotrons, with sunny textures belying a cosmic angst via a ’60s meets ’90s meets 2016 aesthetic. Next, the album’s tempo gradually increases into an acid rock/house-derived middle section anchored by the lumbering squelch of “Guilty,” with frontman Pete Feigenbaum begging for forgiveness: “I’m guilty—do you still believe me?” After the Motorik minimalism of “Light Rain,” the album descends into a murky, shoegazing dreamworld of infinite breakbeats yielding optimistic flashes (“Compass Rose”) and futuristic wall-of-sound doomscapes (“The Silent Earth”).

Produced by the band in their own studio, FAIRWEATHER brings back the excitement and playfulness of their debut album % (PERCENT), while imbuing a newfound sense of refinement and clarity to the mixes, coupling the experience from their recent studio endeavors with more concise and quick-moving yet provocative arrangements.

Although heavily dosed with electronics, FAIRWEATHER contrasts the dystopian industrial arpeggiators of their previous albums with a warm, timeless palette of organs, looped breakbeats, and radio-ready vocals, including the occasional psychedelic flourish of reversed guitars and exploding delay trails. As a result, the music moves forward by looking back, bringing to mind the work of contemporaries like Jagwar Ma, Tame Impala, and Deerhunter, while also incorporating some of the more exciting and psychedelic pop sounds of the early ’90s Creation Records back catalog with aesthetic nods to The House of Love, Primal Scream, and Ride.

Dinowalrus will also be playing a hometown release show at Rough Trade NYC on September 25 (tickets available here). The band will be joined by Sharkmuffin, Dead Leaf Echo, and Drawing Boards.

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FAIRWEATHER Tracklist:
  1. Tides
  2. Falling to the Periphery
  3. Plain Sight
  4. Guilty
  5. The Payoff
  6. Light Rain
  7. Scarcity
  8. Final Wave
  9. Compass Rose
  10. The Silent Earth
  11. The Painted Desert

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Newest Love: Beware of Darkness

Photo: Cara Robbins

Photo: Cara Robbins

“Imagine the crunch of The White Stripes and the sheer raunch of Prince and you’d be somewhere close to Beware Of Darkness.” – CLASH Mag

LA-based Beware of Darkness reveal album release details today for their forthcoming LP Are You Real? out on September 16th via Bright Antenna Records.  Fans who pre-order album will receive singles “Dope” and “Muthafucka” instantly.

Are You Real? is the band’s biggest and boldest statement yet.  The 12-track collection serves as an urgent call to arms not only for frontman Kyle Nicolaides, but for the band’s sound as well.  The music ushers the rebirth of a sound that is as refreshing as it is addictive, and goes much deeper than riffs.

The album illustrates how a rock star on the rise fought uncertainty and disillusionment to avoid flaming out. And, more importantly, how he has come through the other side revitalized and focused, and with the best songs of his young career.


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Are You Real? Tracklist
Muthafucka
Blood, Sex, Violence, & Murder
Dope
Summer Daze
Tell Me This Is Fate
Are You Real?
Angel
Surrender
Hieroglyphics
Sugar In The Raw
Beware
Delirium

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Get They Might Be Giants New Album, Phone Power

TMBG

Photo Credit: Shervin Lainez

“The crowd’s enthusiasm for the fresh material is unmatched even when the band proffers what is perhaps their most-loved song, “Birdhouse in Your Soul”… “ – Rolling Stone

“Now a band for 30 years, John Linnell and John Flansburgh are one of rock’s all-time most quixotic successes” – SPIN

“one of rock’s longest and most prodigious partnerships” – Consequence of Sound

Brooklyn rockers They Might Be Giants are so thrilled about their new album, Phone Power, that they want to share it with everyone in the world! Beginning yesterday and announced by Mashable, the band is inviting everyone to PAY WHAT YOU LIKE for the full album download of their brand new album PHONE POWER at tmbg.com/phonepower. Whether folks spend $25 because they feel like supporting They Might Be Giants’ creative work is as important as a tote bag from a public radio station, or $0 because they don’t have any money right now – that’s just fine! They Might Be Giants do not mind giving things away.

PP_FINAL_1600

Includes songs:

Apophenia | I Love You for Psychological Reasons | To A Forest | I Am Alone | Say Nice Things About Detroit | Trouble Awful Devil Evil | ECNALUBMA | Daylight | Sold My Mind to the Kremlin | It Said Something | Impossibly New | I’ll Be Haunting You | Got Getting Up So Down | What Did I Do to You? | Shape Shifter | Bills, Bills, Bills | Black Ops Alt | I Wasn’t Listening

Brooklyn’s indie legends will kick off their national tour March 17 in Baltimore, bringing their explosive live show to Los Angeles, Chicago, Philadelphia, and beyond. These dates are the final leg of TMBG’s world tour that started in early 2015, and will be the last shows the band has planned for the foreseeable future. Catch ‘em while you can!

They Might Be Giants National Tour Dates

3/17: Baltimore, MD @ Ram’s Head Live
3/18: Covington, KY @ Madison Theater (18+)
3/19: Milwaukee, WI @Turner Hall
3/20: Chicago, IL (Kids Show) @ Vic Theatre SOLD OUT
3/22: Omaha, NE @ The Slowdown
3/23: Denver, CO @ Gothic Theatre (16+)
3/25: Berkeley, CA @ UC Theatre (16+)
3/26: Los Angeles, CA @ El Rey Theatre SOLD OUT
3/27: San Diego, CA @ Belly Up (21+)
3/29: Tucson, AZ @ Rialto Theatre
3/31: Austin, TX @ Stubb’s
4/1: Houston, TX @ Warehouse Live
4/2: New Orleans, LA @ House of Blues (18+)
4/3: Pensacola, FL @ Vinyl Music Hall
4/5: St. Petersburg, FL @ The State Theatre
4/7: Asheville, NC @ The Orange Peel
4/8: Atlanta, GA @ Variety Playhouse SOLD OUT
4/9: Carrboro, NC @ Cat’s Cradle SOLD OUT
4/10: Philadelphia, PA @ Theatre of Living Arts
4/16: Washington, DC @ USA Science & Engineering Festival

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Video: The Wheel Workers – “Burglar”

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“Painfully catchy.” – MAGNET

“Houston’s brightest hope. Damn. Seriously righteous.” – BLURT

“Sincerely progressive and catchy as hell.” – Space City Rock

“Sociopolitical consciousness with a memorable hook.” – The Big Takeover

“New Wave synth stylings meet sharp lyrics.” – PopMatters

Houston-based sociopolitical pop act, The Wheel Workers follows up its 2014 nomination as “Best Pop Act” at the Houston Press Music Awards with a total of eight nominations in 2015 including “Best Local Recording” for its current album CITIZENS, as well as “Best Live Act.” Bandleader Steven Higginbotham has also been nominated as “Local Musician of The Year” and “Best Songwriter,” an especially noteworthy accomplishment for a pop band.

“I love artists who’ve had something substantial to say beyond the standard lyrical fare in pop songs,” Higginbotham says.  The Houston Chronicle called The Wheel Workers’ previous release “one of the best albums made in Houston last year,” and now CITIZENS is earning similar praise, this time on a national level.

When Higginbotham talks about substance in pop songs, he’s talking about the pairing of sociopolitical consciousness with a memorable hook. After all, there’s a reason that listeners are still moved by the catchiest folk and punk protest songs of Woody Guthrie, Bob Dylan, and The Clash. This approach to music-making by The Wheel Workers is the reason why the Houston Chronicle went on in that same piece to call the album a “thoughtful recording that offers new rewards during repeated playings.”

On CITIZENS, the band’s way of doing things has become masterful, as the album’s latest single “Burglar” proves. Higginbotham started writing the song the day after (guess what?) his home was burglarized.

“The singing style is reflective of my angry and vulnerable state at the time,” he recalls. Higginbotham didn’t finish the tune off until some time later when a failed relationship left him feeling that same way again. “So the song is ultimately about the break-up and looking back at what was lost,” he concludes.  The music video for “Burglar” noted the clip’s “Wes Anderson-inspired aesthetic.”

 “The original idea for the song was written a day after my house was burglarized, thus the title,” Higginbotham explains.  “Fortunately, they didn’t go upstairs, so my recording gear was intact!  I had been drinking, and my singing style on the song is reflective of my weird, drunken, semi-angry and vulnerable state at the time.”

With all that’s going on for The Wheel Workers and CITIZENS, the band is already looking towards the future, having already tracked basics for its next full-length.

“While the vinyl press cools off from printing album number three, we’re already in the studio working on number four,” says band member and producer, Dan Workman. “We’re all pretty amazed with the number of great songs and sounds we are collecting. I think that we’re hitting our stride!”

Higginbotham and the band’s Craig Wilkins (a fellow Houston Press Music Awards nominee as “Best Keyboards”) note that the next record will be of a more collaborative nature.

 Along with Higginbotham, Wilkins and Workman, The Wheel Workers is comprised of Allison Wilkins McPhail, and Tyson Sheth.  CITIZENS by The Wheel Workers is out now.  The Houston Press Music Awards are scheduled to be handed out on August 20th.

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Track Listing:

  1. Yodel
  2. Burglar
  3. Whole Other World
  4. Smokescreen
  5. Wage Slaves
  6. Run Away
  7. Dream
  8. Citizen Incorporated

 

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Listen: Painted Palms – “Tracers”

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“Recaptures that sad-eyed, happy-footed disco-Beatlemania that made Of Montreal’s mid-aughts electronic renaissance so satisfying.” – Stereogum

“…channels a bit of Primal Scream’s Screamadelica the same way Jaqwar Ma have and also wouldn’t sound out of place on a mix next to Cut Copy.” – Under The Radar

“A brain-warpingly awesome cut of tripped-out pop.” – Noisey

Painted Palms’ second full-length album, Horizons, exudes a sense of confidence and purpose that is only present when two creators share a singular focus and absolute trust in each other’s talents. On Horizons, emotional states are suspended between light and dark, driven by the tension of efficient song structures. This week the band shares the synth-laden “Tracers,” melding ’60s psych pop with heavy-footed ’80s drum machines. Though vocalist Chris Prudhomme and producer Reese Donohue chose to collaborate on their second full-length by sending song ideas back and forth over e-mail, just as they did when crafting their 2014 debut Forever, Horizons marks the first time the duo has expanded their sound beyond the bedroom by stepping into the studio. Mixed by former DFA house engineer Eric Broucek (LCD Soundsystem, Classixx), Horizons engages with a diverse sonic palette on each track: ’60s psych-pop, ’80s synths, hypnotic vibes of the kind induced by Bjork and early ’90s Creation Records bands, and the trunk-rattling minimalism of Southern hip-hop. Horizons is a meditation on achieving balance in a place where things are always changing, and there are no real ends. As a result, Painted Palms refines and executes their best work to date.

Painted-Palms-Horizons-1425 Listen: Painted Palms – “Tracers”

Painted Palms
Horizons

Release Date: September 4, 2015

1. Refractor
2. Contact
3. Gemini
4. Glaciers
5. Echoes
6. Control
8. Waterfall
9. Painkiller

Tour Dates:

 8/27 San Francisco, CA @ Rickshaw Stop*

9/4 Brooklyn, NY @ Baby’s All Right
* = w/ Antwon, Meat Market

 

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