New Music From Krautrockers, Dinowalrus

“…a heady concoction of swirling mellotron and jangling guitar, a deep Madchester groove that will inspire some serious head-nodding.” – Stereogum

“…the magical surrealism that could only come from a band named Dinowalrus” – NPR

“…a strange and heady brew of psychedelia, Krautrock, Gang Gang Dance-style electro experimentation and, perhaps most strangely of all, take on late 80s British indie-dance.” –The Line of Best Fit

“…will leave you feeling all kinds of happily dazed.” – Consequence of Sound

Brooklyn DIY stalwarts Dinowalrus are announcing their latest endeavor – the fourth studio album from the band will be released September 23, and the world can get a preview with the jangling psych-gaze single, “Tides.”

FAIRWEATHER, the fourth album from omnivorous Brooklyn rockers Dinowalrus, sees the quartet refining their potent post-modern psychedelia and distilling the successes of their previous two outings, COMPLEXION and BEST BEHAVIOR, into a coherent and compelling package of eleven single-worthy songs, covering territory ranging from baggy Madchester party beats to melancholy space ballads and perpetual-motion-machine krautrock groovers. After albums marked by exuberance and moodiness, FAIRWEATHER is more even-keeled—the sound of a fundamentally playful band that has attained a steady level of confidence, calm, and poise, even as they bob and weave through their ocean of sounds.

The album begins with psych-rock offerings “Tides” and “Falling to the Periphery,” fueled by jangly guitar and punchy mellotrons, with sunny textures belying a cosmic angst via a ’60s meets ’90s meets 2016 aesthetic. Next, the album’s tempo gradually increases into an acid rock/house-derived middle section anchored by the lumbering squelch of “Guilty,” with frontman Pete Feigenbaum begging for forgiveness: “I’m guilty—do you still believe me?” After the Motorik minimalism of “Light Rain,” the album descends into a murky, shoegazing dreamworld of infinite breakbeats yielding optimistic flashes (“Compass Rose”) and futuristic wall-of-sound doomscapes (“The Silent Earth”).

Produced by the band in their own studio, FAIRWEATHER brings back the excitement and playfulness of their debut album % (PERCENT), while imbuing a newfound sense of refinement and clarity to the mixes, coupling the experience from their recent studio endeavors with more concise and quick-moving yet provocative arrangements.

Although heavily dosed with electronics, FAIRWEATHER contrasts the dystopian industrial arpeggiators of their previous albums with a warm, timeless palette of organs, looped breakbeats, and radio-ready vocals, including the occasional psychedelic flourish of reversed guitars and exploding delay trails. As a result, the music moves forward by looking back, bringing to mind the work of contemporaries like Jagwar Ma, Tame Impala, and Deerhunter, while also incorporating some of the more exciting and psychedelic pop sounds of the early ’90s Creation Records back catalog with aesthetic nods to The House of Love, Primal Scream, and Ride.

Dinowalrus will also be playing a hometown release show at Rough Trade NYC on September 25 (tickets available here). The band will be joined by Sharkmuffin, Dead Leaf Echo, and Drawing Boards.

1. Tides
2. Falling to the Periphery
3. Plain Sight
4. Guilty
5. The Payoff
6. Light Rain
7. Scarcity
8. Final Wave
9. Compass Rose
10. The Silent Earth
11. The Painted Desert