Check out the video for Dillon Francis’ track, “Messages”. It is FILLED with messages via Emoji!!!! Personally, I enjoy the piggy in a bikini the best.
Tag Archives: Simon Lord
In true maverick style, UK’s Theo Keating, has forged his own path as Fake Blood – a hard-hitting, multi genre artist with a cult following like no other. Today, he announces his eagerly anticipated new album Cells, which will be released November 13th via [PIAS] America. In conjunction with this announcement, Keating is streaming the full album on his website.
Cells is an 11-track distillation of Keating’s surreal vision, an electronic masterpiece skewered by his love of the macabre, the uncanny and the sinister. He has trapped his signature breed of savage, Godzilla-strength basslines and laser-blazing four-to-the-floor inside his very own suspense thriller. On “London,” his jacking rhythm is haunted by taught strings and menacing analogue synthesizers, while “End of Days” is an apocalyptic and cinematic techno opus in which time is running out for whomever is trapped inside the rhythm.
“The album definitely has left-of-center moments because I wanted to show some other facets to what I do and enjoy making,” he says. “Not every track on Cells is overtly made for the dance floor. Some of the sounds will definitely be a bit unorthodox, but, then again, the way I make music is strange to most people: it’s a little bit ‘wrong’ because I never learnt the ‘right’ way to produce.” It’s not all weird-and-wonkiness, though: Cells has its uplifting moments too, especially on All in the Blink, a twist on the humble funkified electro-disco nugget featuring Keating’s fellow Black Ghost, Simon Lord, on vocals.
Since he released his crushingly infectious single “Mars” in 2008, Keating has released another chart-nudging single, “I Think I Like It” remixed by everyone from Hot Chip and Gossip to Calvin Harris and Sway. Perhaps what makes Keating an even more captivating producer, though, is that he has cracked the key to what musicians crave most of all: longevity. “You just need a hunger for new music, a curiosity that needs constant feeding and, crucially, be open to change,” he muses. “The enemy is nostalgia. If you can always find stuff that excites or interests you, and let that inspire you to try new ideas, then you can enjoy yourself. That, really, is at the heart of it all.”