Check ‘Em Out: Typhoon

typhoon

Portland, Oregon’s Typhoon – one of the most talked about new bands – is proud to announce the August 20th release of their new album White Lighter on MapleMusic Recordings and Roll Call Records.

White Lighter is the follow up to the bands acclaimed EP A New Kind Of House that caught the attention of countless music critics and listeners for what NPR’s Bob Boilen calls “absolutely stunning” and “so beautiful, it make’s me want to follow every single thing Typhoon does.”

Recorded at Pendarvis Farm in Happy Valley, Oregon, Typhoon isolated themselves from outside distractions to arrange and record this collection of songs with an impressive emphasis on storytelling and melody.

“On the farm, we were living inside the record” says songwriter Morton. “I had one place in the woods where I would write and rewrite one song, and a different place for working another. The whole thing was laid out spatially over so many acres. I built a small fort in the wood barn where I kept my books and guitar.  Slept a couple feet away from the recording desk.  When it was cold, we built wood fires, when it was warm we went swimming down the road.  Friends came and went, sometimes recording with us.”

Produced by the band along with their in-house engineer Paul Laxer, Typhoon created a dynamic recording – full of horns, strings and group vocal crescendos – that will establish the band as an immensely creative force.

An inspiring hybrid of literate lyrics and wide ranging pop music – new songs such as first single “Young Fathers,” “Possible Deaths,” “Prosthetic Love” and “Hunger And Thirst” – take listeners on a journey through the experience of having it all, fighting to keep the dream and accepting your fate.

“There are several layers to this new record” says Morton. “It’s definitely the most autobiographical record I’ve ever done. I’m also trying to reconstitute disparate experiences into something like a meaningful sequence in the pale light of truth.”

Along with Rolling Stone, Entertainment Weekly, NPR, Alternative Press and more, Paste Magazine raves “Music critics throw around adjectives like ‘orchestral’ and ‘expansive’ all the time these days. But here’s a band that actually deserves such labels. Portland’s Typhoon is an indie rock geek’s dream: a dynamic 12-piece with a seemingly unending reservoir of energy, emotive vocals, arpeggiated guitars, horns, multiple drum kits and strings … Ladies and gentlemen, meet your new critical darlings.”

Typhoon spent most of 2011 on the road – sharing the stage with The Decemberists, The Shins and Explosions In The Sky and performing at festivals such as Lollapalooza, Osheaga and the Newport Folk Festival – winning over concertgoers with what KEXP calls an “awe inspiring” live show.

Already confirmed for this year’s Austin City Limits Music Festival, Typhoon will set out on a US headlining tour this fall. Stay tuned for more news!

Songwriter Kyle Morton caught up with The Wall Street Journal to talk about the new record, to have a read – click HERE.

Listen/download: Typhoon – “Dreams of Cannibalism”

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Must Download: The Delta Routine – “New York Avenue”

deltaroutine

Listen/download: The Delta Routine – “New York Avenue”

“Milwaukee’s Delta Routine can rock the blues and deliver grade-A hooks just as well as any of its contemporaries. It’s no wonder they’ve been receiving plenty of accolades in their hometown”– MAGNET MAGAZINE

“Influenced by the Stooges, the Stones, Kings of Leon, the Ramones, and Robert Johnson, Milwaukee’s The Delta Routine is built upon the raw elements of guitar-driven rock. Singer, songwriter, and guitarist Nick Amadeus creates memorable hooks and quirky riffs all while paying homage to the old days of rock & roll.” – THE PHILADELPHIA INQUIRER

“On its third full-length album, Cigarettes & Caffeine Nightmares, the band serves up 11 fat-free slices of hooky, slithery, and perfectly pitched tunes that wouldn’t be out of place in the early ’00s—or the ’70s that inspired those early ’00s. It’s an unabashedly enjoyable collection from one of Milwaukee’s most unabashedly populist bands. Cigarettes & Caffeine is a big step up from 2011’s More About You, and finds The Delta Routine up to its ears in songs exceedingly well-crafted.” – Matt Wild / THE ONION A.V.CLUB

“I won’t waste your time now,” Delta Routine frontman Nick Amadeus sings with his Liam Gallagher-esque vocals on the opening track. He’s true to his word. At 32 minutes, the album is mercifully low on fat but thrills all the same with warped organ and guitar reverb snarls on “Switchblade.” Likewise, “Around Your Neck” does its bluesy, White Stripes-like, swagger-soaked thing in less than two minutes’ time.”  – Piet Levy / JOURNAL SENTINEL

“The Delta Routine’s new single “Switchblade,” from their new album Cigarettes and Caffeine Nightmares sounds like early Oasis, but with a definite Midwest vibe.” –88NINE RADIO MILWAUKEE

“If you love a mixture of 60s rock ‘n’ roll, angsty punk and modern day indie, then The Delta Routine’s Cigarettes & Caffeine Nightmares is definitely an album you’ll love.” – SHOW ME SOMETHING DIFFERENT: UK

“Nods appreciatively at the likes of The Rolling Stones, Oasis and The Strokes whilst ensuring they don’t just sound like copycats.” – PLUG IN MUSIC

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THE DELTA ROUTINE TOUR DATES

6.09 – Milwaukee, WI – Locust Street Festival
6.13 – Sturgeon Bay, WI – SBSF (Steel Bridge Song Fest)
6.14 – Sturgeon Bay, WI (Steel Bridge Song Fest)
6.21 – New Buffalo, MI – Hard Rock Cafe
6.22 – Milwaukee, WI – Summer Soulstice Festival
6.26 – Milwaukee, WI – River Rhythms
6.28 – Spring Green, WI – Traders
7.05 – Milwaukee, WI – Summerfest
7.26 – Decorah, IA – Nordic Fest
7.27 – Bridgman, MI – Getaway
7.28 – Chicago, IL – Taste of Lincoln Avenue Festival
8.24 – Bluffington, IA – Adventure Camp Festival
8.31 – Milwaukee, WI – Harley Davidson 110th Anniversary Celebration

 

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Royal Teeth Announce Debut Full-Length Album ‘Glow’

royalteeth

Dangerbird Records and MapleMusic Recordings are  proud to announce the release of Royal Teeth’s highly-anticipated debut full-length album “Glow” on August 13th.  Recorded this winter in Toronto with producer Gavin Brown (Metric), the band entered the studio focused and ready to showcase the energy and spirited joy of the live shows that have drawn audiences to the band all around the country. The follow-up to their widely acclaimed debut EP, Glow is an engaging collection of indie-pop tracks that celebrate the band’s thirst for exploration and youthful adventures into the unknown, themes first explored in the band’s infectious breakout single “Wild.”

The band’s debut EP, “Act Naturally”, gained rapid traction in early 2012 launching Royal Teeth into the spotlight as “Wild” found its way into a Buick Verano Commercial, in addition to several other major network placements, and the soundtrack to EA Sports’ top selling video game, FIFA 13. “Wild” has inspired sing-a-longs via radio as well, connecting with new fans through airplay on SiriusXM’s AltNation and influential Alternative radio stations like CHHR Vancouver, CILV Ottawa, KNDD Seattle, KTCL Denver, WROX Norfolk, WWCD Columbus, KRBZ Kansas City, and CFJB Barrie.

Royal Teeth’s six members come from three cities across Southern Louisiana, a state known for its colossal musical output over the centuries. Now residing in New Orleans, their beat-centric sound is a technicolor addition to the legacy of Louisiana. After performances at CMJ, SXSW, Austin City Limits, Voodoo, and Jazzfest , the band made their television debut on Last Call with Carson Daly.

Royal Teeth North American Tour Dates:

May 10 – New York, NY @ Downtown Music Festival, Pianos

May 11 – Albany, NY @ WEQX Tulip Fest

May 23 – Baton Rouge, LA @ Varsity Theatre

May 31 – Kansas City, MO @ Riot Room

June 1 – Chicago, IL @ Bottom Lounge

June 3 – Detroit, IL @ Pike Room

June 7 – Buffalo, NY @ Tralf Music Hall – Studio Stage

June 8 – Philadelphia, PA @ WRFF 104.5 Summer Block Party

June 11 – Boston, MA @ T.T. the Bear’s

June 12 – Pawtucket, RI @ The Met

June 14 – Pittsburgh, PA @ Stage AE

June 17 – Raleigh, NC @ Kings Barcade

June 18 – Charlotte, NC @ Visulite Theatre

June 19 – Atlanta, GA @ Vinyl

June 21 – Dallas, TX @ Cambridge Room, House of Blues

June 22 – Houston, TX @ House of Blues Bronze Peacock

June 24 – Denver, CO @ Larimer Lounge

June 25 – Salt Lake City, UT @ Urban Lounge

June 27 – Seattle, WA @ Tractor Tavern

June 28 – Portland, OR @ Star Theater

June 29 – San Francisco, CA @ Bottom of the Hill

July 2 – Los Angeles, CA @ Troubador

July 3 – San Diego, CA @ The Casbah

July 13 – Frederick, MD @ Carroll Creek Amphitheatre

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Video: Vandaveer – “Pretty Polly”

Vandaveer

To their credit, the DC-via-Kentucky folk act Vandaveer understand how dark this old, weird America can be. Their new album, Oh, Willie, Please…, is a collection of “traditional murder ballads and songs of self ruin” that succeeds because the prettiness of the music only heightens the ugliness of the actions. There’s a matter-of-factness that makes the slicings, stabbings, stranglings, suffocatings, drownings, hangings and shootings all the more grim. Heidinger doesn’t shy away from the horror of “The Banks of the Ohio” or “Down in the Willow Garden” nor does he wallow in their gruesomeness. Singing about stabbing his lover and drowning her in the river—on both songs even—he trusts the material to deliver its shock. – PASTE

Vandaveer revisit the ghastly tale of “Pretty Polly” with a haunting and gorgeously spare arrangement on their new album of murder ballads, Oh, Willie, Please… using subtle restraint and carefully chosen notes from banjo and cello to perfectly create an atmosphere of foreboding and pain. – POPMATTERS

 The macabre has long held uneasy sway over the human condition. From ghost stories to creation myths, from CSI to Shakespeare, from cable news voyeurism to Edgar Allan Poe, the subjects of death, murder and all things ghastly have fascinated and frightened for centuries. Songs are no exception. From Old World roots to more recent incarnations in America, the murder ballad has traversed, shapeshifted and persevered. Despite our collective desire to be good and virtuous, people do very bad things. And then we sing about them.

Death, murder and ghosts have long been underlying threads coursing through Vandaveer’s original songs, but instead of weaving their own shadowy tales into their latest studio effort, Oh, Willie, Please, the DC-by-way-of-Kentucky alt-folk collective have tapped into the wellspring of traditional folk’s darker side.

Oh, Willie, Please… finds the group operating in a more collaborative spirit. In addition to the core duo of Mark Charles Heidinger and Rose Guerin, the talents of J. Tom Hnatow (These United States, The Mynabirds) and Phillips Saylor (Stripmall Ballads, The Shiftless Rounders) helped expand the project into a formidable ensemble, armed with steel string, resonator and pedal steel guitars, banjos and pianos, voices galore, and a common belief in the quality and relevance of the word ‘folk.’

Inspired by their recent participation in The 78 Project, the group gathered in a majestic old home on a picturesque horse farm in Lexington, Kentucky in the spring of 2012 and set to work re-imagining a collection of age-old murder ballads & songs of self ruin plucked almost entirely from the public domain. With longtime producer Duane Lundy once again at the helm, Vandaveer moved swiftly through the selected catalog, recording most of the tracks live in the manor’s great room. The result is a spacious, honest album that balances reverence and respect for the source material with a healthy coat of contemporary color.

VANDAVEER 2013 TOUR DATES:

5/2 – Rockwood Music Hall – New York, NY
5/4 – Club 603 – Baltimore, MD
5/8 – Southern Cafe & Music Hall – Charlottesville, VA
5/9 – The Garage – Winston-Salem, NC
5/11 – Kirk Avenue Music Hall – Roanoke, VA
5/16 – Rumba Cafe – Columbus, OH
5/17 – Willie’s Locally Known – Lexington, KY
5/19 – Space – Studio Room – Evanston, IL
5/20 – The Ark – Ann Arbor, MI
5/21 – Southgate House – Newport, KY
5/22 – Uncle Slayton’s – Louisville, KY
5/23 – The High Watt – Nashville, TN
5/24 – The Earl – Atlanta, GA
5/25 – Evening Muse – Charlotte, NC
5/26 – Local 506 – Chapel Hill, NC
6/7 – Ogden Theatre – Denver, CO w/ They Might Be Giants
6/8 – The Depot – Salt Lake City, UT w/ They Might Be Giants
6/9 – Egyptian Theatre – Boise, ID w/ They Might Be Giants

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Wack Wednesdays

Yeah, I know — I shoulda posted this yesterday…woopsies.

Anyways, The Lonely Island is coming out with a new album and they have an announcement to make. See below.

The Lonely Island, the comedic rap trio comprised of Andy Samberg, Akiva Schaffer, and Jorma Taccone, will release the highly anticipated The Wack Album on Tuesday, June 11th. The group’s third studio effort on Republic Records will include new songs featuring Pharrell Williams, T-Pain, Billie Joe Armstrong, Solange, and other special guests to be revealed. These artists join previously announced collaborators Adam Levine, Kendrick Lamar, Justin Timberlake, and Lady Gaga.

Beginning, well, yesterday – the group is kicking off “Wack Wednesdays” on their YouTube channel. Every Wednesday leading up to the release of The Wack Album, they will debut new content including music videos, exclusive announcements, and world premieres of tracks. These videos will also be distributed on twitter via @thelonelyisland with #wackwednesdays.

Here’s the first video of The Wack Wednesdays Series:

The Lonely Island recently released The Wack Album’s lead single, “YOLO” (feat. Adam Levine and Kendrick Lamar), which has garnered over 40 million views on YouTube in only three months. The trio also boasts a staggering 1.2 billion overall views on their YouTube channel. Their 2011 album Turtleneck & Chain, which debuted at #3 on Billboard, was nominated for a Grammy® in the category of “Best Comedy Album” and featured such talents as Justin Timberlake, Rihanna, Snoop Dogg, Santigold, and Beck. The album’s first smash single “I Just Had Sex” (feat. Akon) was certified platinum. The second single, “The Creep” (feat. Nicki Minaj and John Waters) has over 74 million YouTube views. Additional singles, “Jack Sparrow” (feat. Michael Bolton) has 105 million views and “Threw It On The Ground” has 52 million views on YouTube.

Their 2009 debut album, Incredibad, included Emmy® winning sensation “D*** In A Box,” featuring Justin Timberlake. The album also featured the follow-up gold records “J**z In My Pants” and “Like a Boss” which have over 234 million views combined on YouTube. The Grammy® nominated third single “I’m On A Boat” (feat. T-Pain) went platinum and catapulted the album into over 430,000 copies sold making it the #1 selling comedy album in 2009 and 2010. The trio established themselves with the enormously popular series of corresponding Digital Shorts for their singles, which were frequently featured on Saturday Night Live beginning with the debut of the pop culture sensation “Lazy Sunday” in 2005.

Originally from Berkeley, California, the group splits their time between Los Angeles and New York City. To learn more about The Lonely Island, visit www.thelonelyisland.comhttps://twitter.com/thelonelyisland andwww.youtube.com/thelonelyisland

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Video: Theophilus London – “Rio”

Last month Theophilus London dropped his first new studio track in a minute. “Rio” is the first taste of what’s to come on his forthcoming album, due later this year. The song, featuring the Menahan Street Band, now has an official video, which was directed by Tim Cruz, and produced by Mike Mihail for Guerilla Hollywood.

Upcoming Tour Dates:
Sat, July 6th – Brooklyn, NY – Prospect Park (Celebrate Brooklyn, Free Show)
Thu, July 25th – Las Vegas, NV – The Cosmopolitan
Fri, August 2nd – Chicago, IL – Lollapalooza

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CHAPPO Show at 6119

6119

Last night I went to see Chappo playing at a venue that I’d never been to, 6119. The name is also the address. My friend and I finally found it by the small logo on the door. “It doesn’t look open,” she said. “This is the loading door only, it says,” I explained. So, we took a stroll around the block to the other side of the building and alas, there was the entrance (though still quite hidden).

We went up some steps and there were two guys sitting there taking money and checking ID’s. I saw there was no credit card machine, so I asked, “Is this place cash only?” They said yeah, but there was an ATM upstairs. Perfect. “Is there alcohol up there?” “Yeah,” the guy laughed. Perfect. Okay, so we had enough cash to get us upstairs and then we could get more out of the ATM.

When we went upstairs, it was pretty cool. It was a long hallway with the stage at the end. We went to the bar and tried to figure out what to get to drink. The bartender described the place as a “glorified house party,” which I liked. After our first or second drinks, I noticed the ATM had no shine to it. It wasn’t plugged in. I asked our bartender friend if it was available. “It’s broken,” she said. Well, that ended our alcohol intake. Despite that, we had a really good time. One of the people working there told us that the place hasn’t been open for quite a year yet, but it’s set to shut down shop next month. Good thing we made it just in time! Someone bought the buildings on the block and so the venue will be looking for a new home.

Chappo was better than I expected. When I listened to their album, not many of the songs stuck with me, but hearing them live made me LOVE it. I also know the drummer from about 5 years ago when he played with a different band. He said that this show was a little bit different because it wasn’t really a “rock club” and there weren’t as many people as they’d had on other legs of the tour. Regardless, he assured me they’d play with the same amount of gusto. And gusto they had. Alex Chappo passed around a huge ass dreamcatcher and encouraged us to put our dreams in it, which was really cool. He also talked about stuff like ghosts and shapeshifters, which I thought was also really cool. Surprisingly, they played their hit “Come Home” three songs in. It may have surprised me, but I like the unpredictableness of it. Towards the end of the show, he asked us to stand around in a semi-circle where we all danced and clapped along.

I heard they’re working on a new album at the moment, too.

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Video: The Maine – “Love and Drugs”

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Phoenix, Arizona’s The Maine has released their second single entitled “Love and Drugs” off their forthcoming full­-length studio album, Forever Halloween. Check out the official lyric video below and you can find a link to download the song for free here.

On June 4th, The Maine is set to release their fourth full-­length album, Forever Halloween. The record will be released independently in the US in partnership with their management team, Eighty One Twenty Three, and will be released via Rude Records in Europe, UK, Southeast Asia, Australia and Japan. The album, produced by Brendan Benson of The Raconteurs, will be the band’s second consecutive self-­funded release following their major label departure.

In support of the new record, The Maine will embark on a US tour from June through July. They will be headlining the first ever 8123 tour and share the stage with friends A Rocket To The Moon, This Century, and Brighten. Look for The Maine’s new album Forever Halloween on June 4th. Pre­orders for the record can be found at 8123.me/TheMaine and more information can be found at wearethemaine.net.

The Maine is John O’Callaghan, Garrett Nickelsen, Pat Kirch, Kennedy Brock, and Jared Monaco.

Tour Dates:
May 19 – San Diego, CA – YouthJamz Benefit Concert
June 4 – Tempe, AZ – Tempe Marketplace (Free Album Release Show)
June 7 – Anaheim, CA – House of Blues
June 8 – San Francisco, CA – Great American Music Hall
June 9 – Sacramento, CA – Ace of Spades
June 11 – Seattle, WA – El Corazon
June 12 – Vancouver, BC – The Rio Theater
June 14 – Calgary, AB – The Den
June 15 – Edmonton, AB – Avenue Theater
June 18 – Winnipeg, MB – Garrick
June 20 – Minneapolis, MN – Varsity Theatre
June 21 – Chicago, IL – Bottom Lounge
June 22 – Chicago, IL – Bottom Lounge
June 23 – Des Moines, IA – Wooly’s
June 25 – Detroit, MI – Crofoot Ballroom
June 26 – Toronto, ON – Phoenix Theatre
June 27 – Montreal, QC – La Tulipe
June 28 – Portland, ME – Port City Music Hall
June 29 – Boston, MA – Paradise Rock Club
June 30 – Wilton, CT – Trackside
July 2 – New York, NY – Irving Plaza
July 3 – Philadelphia, PA – Theatre of Living Arts
July 5 – Asbury Park, NJ – Stone Pony
July 6 – Washington, DC – 9:30 Club
July 7 – Pittsburgh, PA – Altar Bar
July 9 – Cleveland, OH – Peabody’s
July 10 – Columbus, OH – A&R Bar
July 11 – Nashville, TN – 3rd & Lindsley
July 12 – Birmingham, AL – Workplay
July 13 – Atlanta, GA – The Loft
July 14 – Jacksonville, FL – Freebird
July 16 – Orlando, FL – Beachum Theatre
July 18 – New Orleans, LA – House of Blues
July 19 – Houston, TX – Fitzgerald’s
July 20 – Austin, TX – The Parish
July 21 – Dallas, TX – Trees
July 24 – Denver, CO – The Summit Music Hall
July 26 – Tucson, AZ – The Rock

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Video: Barenaked Ladies – “Boomerang”

Multi-platinum pop group Barenaked Ladies are celebrating their 25th anniversary in grand style: they just released a lyric video for “Boomerang,” the lead single off their new album Grinning Streak (out June 4th on Vanguard Records) and are gearing up for this year’s much-anticipated “Last Summer On Earth Tour.” (See my post about it here.)

Led by “Boomerang,” the songs on Grinning Streak unfold with the blend of immediacy, tunefulness and witty sophistication that made such BNL hits as “Pinch Me, “Brian Wilson,” “If I Had $1,000,000” and the chart-topping “One Week” modern-day classics. “Pop is a form that I love—it can be high-energy and intricate,” says Robertson of the genre the band has championed throughout the last quarter century. “When I think of pop music, I think of the Cars and Squeeze—interesting melodic rock is what I gravitate toward and what I’m always striving for. I want guitar-heavy pop/rock that’s intelligent, evocative and thought-provoking. I want it to be singable and relatable, and I want there to be other layers in there for the people who want to go deeper—because not everybody does. I’ve heard so many times, ‘I love you guys ’cause your songs are just fun and easygoing.’ And I’m like, ‘I’m glad you enjoy them, but there’s a dark underbelly that you haven’t mined.’”

Indeed, there’s much more to the Barenaked Ladies than initially meets the ear. Suck on the candy-coated surfaces of Robertson’s songs long enough and you never know what you’ll encounter in their “emotional centers,” as Robertson puts it.

He wrestled with the songs for the new album over an extended period as he plumbed the depths of his psyche in search of just those emotional centers. Along the way, Robertson experienced periods of stress, though not to the degree he’d endured while writing the material for the band’s previous studio album, 2010’s All in Good Time. That one was their first project following the departure of Steven Page, who’d founded the band with Robertson in 1988, reconfiguring the BNL as a four-piece.

“This is the second record since all of that turmoil,” Robertson notes, “but it’s still a part of what we’re going through and what informs who we are. On the last record, there were some songs that were directly about the band split, but this record is much more about the emotional rebuilding after that process. Looking back on the maelstrom of all that upheaval, I wanted to convey a sense of hope, reconciliation and healing with these songs. ‘Off His Head,’ for example, is about pushing through difficulty. There’s a double chorus at the end that I flipped, because I didn’t want it to end with, ‘Wishing you were dead.’ That’s part of being exasperated and at your wit’s end. But what I like about this song is that it says you just do it. You think it’s hopeless, but there’s a reason you’re pushing through it. The song says you can let all these things ruin you, or you can take it on the chin and stand up again.”

“Boomerang” metaphorically examines the aftermath of a breakup, but on a deeper level it recounts an impassioned interior dialogue. “It’s a really personal song that says, ‘You can be done with me, but I’m not done with you,’” Robertson explains. “For me, it’s about feeling relevant—because, as I started to approach this record, there was a period where I felt like I didn’t know what to say and I didn’t know who cared. But then I realized, y’know, care. I like what I do, I’m a good songwriter and I’m gonna write—I’m gonna express things. So that song is about getting your confidence back—or, as one of my colleagues would say, getting your swagger back.”

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May 6, 2013 · 1:36 pm

Video: Atlas Genius – “Centred On You”

atlasgenius

Atlas Genius will kick off its first-ever North American headline tour. The run includes sold-out nights in Houston, Santa Barbara, Denver, Minneapolis, Cambridge and New York City, where the Australian band will play The Bowery Ballroom on June 18 and 19.  The band will play London, UK for the first time on May 7, as well. Supporting acts will include The Neighbourhood, The Postelles, The Colourist, Pacific Air and Haerts. Atlas Genius, who recently wrapped up a sold-out tour with Imagine Dragons, will also perform at numerous festivals, including the Sasquatch! Festival, Lollapalooza, the Firefly Music Festival, Summerfest, Edgefest, San Francisco’s BFD and San Diego’s X-Fest. See below for tour itinerary.

“Centred on You,” Atlas Genius’ new video was directed by Anders Rostad. “Trojans,” the first single from the band’s full-length debut, When It Was Now (Warner Bros. Records), is a Top 5 Modern Rock/Top 10 Triple A radio hit. It has already sold over 250,000 tracks in the U.S. and has spent 49 weeks on Billboard’s Alternative Songs chart. “Trojans” has been heard on such shows as “Grey’s Anatomy,” “Deception,” “Whitney,” “Being Human” and “90210.” The band’s new single, “If So,” praised by Rolling Stone for its “dream-like guitar licks, shifty hi-hats and a meaty bass backbone, has been licensed by “90210” and the EA Sports FIFA video game.

Brothers Keith and Michael Jeffery wrote, recorded and produced When It Was Now at a studio they built in their hometown of Adelaide, Australia. “Bouncy, jangly tracks like ‘Through the Glass’ and the single ‘Trojans’…[are] pretty damn irresistible,” said People. Seventeen placed them on its list of “17 Bands Everyone Should Be Talking About.” Neon Gold said that When It Was Now “promises to be one of the year’s most impressive debuts,” NYLON tipped Atlas Genius as one of the top five bands to watch out for in 2013 and Entertainment Weekly named them as one of “15 New Stars We Love.”

May

3 – New York, NY @ Original Penguin SoHo store

4 – Philadelphia, PA @ The Piazza at Schmidt’s w/Family of the Year

7 – London, UK @ Electrowerks

19 – Mountain View, CA @ Live 105 BFD Festival

20 – Santa Barbara, CA @ SOhO Restaurant and Music Club **  SOLD OUT

22 – Sacramento, CA @ Harlow’s Night Club **

24 – Portland, OR @ Wonder Ballroom **

25 – Quincy, WA @ The Gorge – Sasquatch! Music Festival – Bigfoot Stage

26 – Vancouver, BC @ Venue **

29 – Salt Lake City, UT @ Kilby Court ***

31 – Denver, CO @ Bluebird Theater ***  SOLD OUT

 

June

1 – Colorado Springs, CO @ The Black Sheep ***

4 – Minneapolis, MN @ Fine Line Music Café ***  SOLD OUT

6 – Indianapolis, IN @ Deluxe at Old National Centre ***

7 – Columbus, OH @ Newport Music Hall ***

9 – Nashville, TN @ 3rd & Lindley ****

11 – Norfolk, VA @ The NorVa ****

12 – Richmond, VA @ The Canal Club ****

14 – Albany, NY @ Bayou Café ****

15 – Cambridge, MA @ The Sinclair  **** SOLD OUT

17 – Pawtucket, RI @ The Met Café ****

18 – New York, NY @ The Bowery Ballroom  ****  SOLD OUT

19 – New York, NY @ The Bowery Ballroom ****  SOLD OUT

20 – Uncasville, CT @ Mohegan Sun Casino – Wolf Den  FREE SHOW

21 – Dover, DE @ Firefly Music Festival

23 – Toronto, ON @ The Opera House *****

24 – Detroit, MI @ Shelter *****

27 – Milwaukee, WI @ Summerfest

 

July

6 – Vancouver, BC @Kelowna’s Waterfront Park

10 – Ottawa, ON @ Ottawa Blues Festival

13 – Cincinnati, OH @ Bunbury Music Fest

 

August

2 – Chicago, IL @ Lollapalooza

4 – Montreal, QC @ Osheaga Music and Arts Festival

8 – Bakersfield, CA @ B Ryders

TBA – San Francisco, CA @ Outside Lands

 

September

20 – San Diego, CA @ 91X Fest

 

Supporting acts:

*The Neighbourhood

**The Postelles and The Colourist 

***The Postelles and Haerts

****Pacific Air and Haerts

*****Pacific Air

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