Tag Archives: Amy Winehouse

Remix: Izzy Bizu – “White Tiger” (Cat Carpenters Remix)

Izzy Bizu is a 22-year-old singer/songwriter from South West London, born to an Ethiopian Mother and English Father. She grew up listening to Ella Fitzgerald, Betty Swan, Betty Wright, and James Brown and draws on these influences alongside newer influences such as Amy Winehouse and Adele, to create a fusion of soul, funk, jazz, and pop that sounds classic and brand spanking new all at once.

Being 2016 Brits Critics Choice finalist, The BBC’s Introducing Artist of the Year 2016 and chosen as the voice of the 2016 Euros with her cover of Edith Piaf’s La Foule, she is quickly proving herself as one of the most exciting breakthrough British artists of the year. Garnering early support from 1Xtra and BBC Radio 1 on her independent six-tracker, Coolbeanz EP, before signing to Sony/RED MUSIC there’s been plenty a new fans in the front row thanks to instant classics like “White Tiger”, now with over 75 million global Spotify streams, the heart-wrenching “Mad Behaviour”, and viral Honne collaboration “Someone That Loves You”.

Drawing on her time moving countries, schools and the relationships that have entailed, Izzy is a cultural explorer, memories, experience and feelings evoking the songs we’re soon to hear and the thought-provoking conversation she already provides. Wearing her thoughts on her sleeve, you’ll be pushed to find many a debut this honest.

Her debut album, A Moment of Madness is out now (which you can stream via Spotify HERE); and the South London born singer/songwriter is debuting the Cat Carpenters remix of her hit “White Tiger,” which you can check out below along with tour dates alongside Coldplay!

UPCOMING TOUR DATES:
with Coldplay
8/12 Minneapolis MN – US Bank Stadium
8/14 Omaha NE – Centurylink Center
8/15 Kansas City MO – Spirit Center
8/17 Chicago IL – Soldier Field
8/19 Cleveland OH – Quicken Loans Arena
8/21 Toronto ON – Rogers Centre
8/22 Toronto ON – Rogers Centre
8/25 Houston TX – NRG Stadium
8/28 Miami FL – Hard Rock Stadium

 

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SSHH: “Supergroup” Like Whoa

sshh

UK band SSHH, made up of Sshh Liguz and Zak Starkey (Ringo Starr’s son and drummer for Oasis and The Who) is teaming up with TONS of amazing musicians (members of Oasis, Sex Pistols, Marilyn Manson, Amy Winehouse’s band, and more) for their upcoming album ISSUES. The album is a collection of covers using the members of the original bands! Heads up — it kicks ass!

The first single just premiered — it’s a cover of Sex Pistols’ “Problems”, featuring Glen Matlock, Pistols bassist, and Paul Cook, Pistols drummer.

ISSUES is a modern homage to all of the epic bands that made SSHH what they are today. The idea behind the record was simple. Zak and Sshh had been asked to do a radio series on SiriusXM, chatting through the music that has influenced them. But why not go a step further? Why not find the original rhythm sections from those bands and play with them? Why not make an album in the process?

The first call went out to Glen Matlock and Paul Cook, the bass and drums, the meat and veg of the Sex Pistols. If they were up for it, everyone would be up for it, and they were.  And thus, during the last week of November in Los Angeles, the project began. Clem Burke, Blondie’s drummer, turned up in the studio on day one to cut an unorthodox “One Way or Another”. Day two, Marilyn Manson’s rhythm men, Twiggy Ramirez and Gil Sharone, arrived for their turn. Fellow musicians Santa Davis and Fully Fullwood (of Peter Tosh’s Word, Sound and Power) also came forward and re-recorded Tosh’s original version of “Get Up Stand Up”, with an added touch from Eddie Vedder.

The duo moved on to London and got back in another studio for “one of the most intense recording sessions of [her] life,” according to Sshh. They began with “Babylon’s Burning” and “Jah War” with the rhythm section of The Ruts, followed by “Back to Black” with Amy Winehouse’s drummer, bassist, and musical director. Darren Moonie and Simone Butler of Primal Scream showed up for a full-on, no-holds barred take on “Shoot Speed Kill Light”. Guests also include Martin Chambers (The Pretenders), Mick Ralphs (Mott the Hoople), and Kenney Jones (The Small Faces, The Who), and production credits include Youth and Ian Brodie, among others. “Of all the people who’ve taught me drums – Keith Moon, my dad [Ringo Starr], all of them – Kenney showed me the most,” says Zak.

Zak and Sshh first came together in March 2006. Zak, playing drums on tour with Oasis, played a guitar riff down the long-distance line, Sshh recorded it, built it, and put it together, and their first track “Jet Engines” was born. Years passed as Sshh was in a different kind of studio as an award-winning visual artist and Zak was touring with Oasis and The Who. In 2008, the pair played a few gigs in East London under various band names, opening for Kasabian. The two eventually settled on SSHH, the call came from Sirius, an idea was hatched, and SSHH had ISSUES.

The result of those two mad, unpredictable, spontaneous, serendipitous weeks of phone calls, new handshakes, old hugs, musical conversations, long shots and crossed fingers is a record which straddles a huge swathe of modern music history. From the original rock ’n’ roll of the sixties through punk, reggae and dub into modern soul and electronica, this is a wild journey in just eleven steps. And despite all that, it exists as its own work, knitted together with the unique sound of SSHH – a fortnight in the making but a decade in its evolution. ISSUES will be released later this month, and proceeds from album sales will go to Teenage Cancer Trust.

Preorder ISSUES Exclusively via PledgeMusic

ISSUES Tracklist:

1. Problems
with Paul Cook and Glen Matlock of The Sex Pistols (producer Chris Thomas)(mix Thom Panunzio)
2. Jah War
with Dave Ruffy and Segs of the Ruts (producer Ian Broudie)
3. Shoot Speed Kill Light
with Darren Moonie and Simone of Primal Scream (producer Youth)
4. All The Young Dudes
with Mick Ralphs of Mott The Hoople and Martin Chambers and Glen Matlock (mix Thom Panunzio)
5. Dominoes
duet with Sshh and Robbie Furze of Big Pink with Twiggy Ramirez and Gil Sharone from Marilyn Manson (producer Nick Launay)
6. One Way Or Another
with Clem Burke of Blondie and Steve Fishman (Mix Thom Panunzio)
7. Back to Black
with Dale Davis and Nathan Allen of Amy Winehouse band (producer Ian Broudie)
8. Private Life
with Martin Chambers of The Pretenders and Glen Matlock (mix Youth)
9. Get Up Stand Up
with Eddie Vedder of Pearl Jam, Santa Davis and Fully Fullwood of Peter Tosh, Word Sound & Power (mix Youth)
10. Babylon’s Burning
with Dave Ruffy and Segs of The Ruts (producer Ian Broudie, mix John Gray)
11. Tin Soldier
with Kenney Jones of The Small Faces, Glen Matlock of The Sex Pistols, Gem Archer of Oasis (mix Shel Talmy)

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Video: SoSo – “My Women, My Guitars”

Swedish native Soso will release her debut album That Time I Dug So Deep I Ended Up In China, May 1, 2012. Today Soso releases the companion video to her power pop version of cult legend Cody ChesnuTT’s song “My Women My Guitars” which PerezHilton recently noted has “hints of Lauryn Hill and Amy Winehouse”.

This is soooooooooooo good!!!” – PerezHilton

Soso shifts from an Adele-brand of defeatism to Beyoncé’s confidence in just a few chords.” – Interview Magazine

“Soso is Swedish superpower composed of Monica Belluci’s face, Robyn’s voice and Adele’s heartbreak.” – RCRD LBL

That Time I Dug So Deep I Ended Up In China features single “Who’s Gonna Love Me,” a slow-building pop gem that battles intimate issues like insecurity and abandonment, with a “fuck-you” attitude. “Happy People” is a soulful and bittersweet song evoking an earlier time, when life was simple and free from complication. “Joaquin Phoenix” is a one-take-love-song to the decadent actor that Soso recorded impulsively after watching his mockumentary “I’m Still Here” in 2010. The record is also cut with a number of lush preludes and semi-instrumentals, including “Sab Lackath,” on which Soso recorded herself crying and edited it into rhythmic beats. It is clear that within the parameters of her technique, Soso truly invites us to her inner most private places.

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