Tag Archives: new album

Weezer To Release New Album in September

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Weezer will release their highly anticipated ninth album, Everything Will Be Alright In The End, on September 30th, 2014 on Republic Records.  Produced by Ric Ocasek, who previously helmed production on the band’s first and third records (“The Blue Album” and “The Green Album”), Everything Will Be Alright In The End is the band’s first collection of new material in four years.

Since forming in 1992, Weezer has released a myriad of celebrated, chart-topping albums, selling over 13 million records worldwide.  Following an intensely prolific couple years at the end of the aughts, the band chose to deliberately dial down the tempo in 2010, a move singer/guitarist Rivers Cuomo says allowed him to write at a slower pace, giving the songs he wanted to use for an album the time to gradually grow into their final forms.  He started almost every song on the piano, eventually transferring them to the guitar before taking them to the band.  When it came time to record the material, Weezer reunited with the man who helped them make some of their most iconic album-length work, Cars frontman Ric Ocasek.  The resulting album, Everything Will Be Alright In The End, is a stand-out gem in Weezer’s vast and varied catalogue, a reflection of a much-loved band at their very best.  Organized thematically around three groups of songs, it is an album that utilizes that sound from the band’s earliest days to tell new stories in 2014, creating some of the finest, most heartfelt songs Weezer has ever recorded.

An exclusive, first look at Everything Will Be Alright In The End will appear in this week’s issue of Entertainment Weekly.

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Newest Love: The Julian Taylor Band – “Never Gonna Give You Up”

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With recent packed performances at Canadian Music Week (CMW), showcased on CTV News, an opening spot for super group Magic! at the Mod Club, and a date at The Toronto Centre for the Performing Arts, THE JULIAN TAYLOR BAND has officially release the already widely-acclaimed CD TECH NOIR.

Toronto-based award-winning singer-songwriter Julian Taylor and his band are thrilled about the reaction of their much anticipated new album TECH NOIR. The first single “Never Gonna Give You Up” has already been nominated as a semi-finalist in the International Songwriting Competition and the video has blown up on YouTube with more than 300,000 views – the track storming the Top 40 on the Canadian Alt Rock chart.

In addition, The Julian Taylor Band’s previous member and bass player, Ben Spivak, – who now plays with the massively successful “Magic” – has several song co-writes and also plays on Tech Noir. The band is currently comprised of a group of formidable musicians – Julian Taylor (vocals and guitar), Jeremy Elliott (drums), Steve Pelletier (bass) and David Engle (keys).

A truly gifted performer, Taylor has a distinct delivery that’s raw and emotional. The sound on Tech Noir is a culmination of every musical genre that has influenced him throughout his life and his most recent reincarnation sees him moving towards the kind of music that inspired him as a child. While even more energetic in their live performances, the band’s new soul-driven pop-rock is inspired by the likes of Lenny Kravitz, Stevie Wonder and Bill Withers and this is reflected on the new album.

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Check ‘Em Out: The Hawks (of Holy Rosary)

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San Antonio pop-punk outfit, The Hawks (of Holy Rosary), recently announced the release of the sophomore album, What Team Am I On?, out July 22 via Texas Is Funny Records. The band has shared “catchy, messy” track, “Robert DeNiro” which you can listen to below. The band originally started as a two-piece, made up of childhood friends Frank Weysos and Chuck Hernandez, and takes its name from the local academy they attended together. Now with six members, the band creates high-energy, exuberant garage-pop tunes delivered with a cheeky punk attitude!

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Listen: The Hawks (of Holy Rosary) – “Robert DeNiro”

Track Listing for What Team Am I On? 

1. Robert Deniro
2. It’s Just Work
3. F#ck My Way To The Top
4. Freak Of The Week
5. Dizzy
6. Zack & Jack
7. EZ PZ
8. Who Is Myself
9. Snakes & Hawks
10. Panda Buffet
11. First Punch
12. It’s Just Work (lounge version) (Hidden track)

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Video: Alice Boman – “What”

Alice Boman’s EPII is out now!

“Alice Boman makes beautiful, lo-fi recordings that are both intimate and lonesome, with a captivating voice like ether.”

– NPR’s All Songs Considered

“Your new Swedish obsession” – New York Times: T Magazine

 

” She sings, practically forcing you out of your slumber and into her perfectly imperfect world.” – Portals

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Listen: Jenny Lewis – “Just One Of The Guys”

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Hooray! Jenny Lewis is back!!! Ohhhh, how I miss Rilo Kiley.

Celebrated California singer-songwriter Jenny Lewis has debuted her new single, “Just One Of The Guys,” taken from her forthcoming album The Voyager, which will be released by Warner Bros. Records on July 29th. The album is now available for pre-order today from all participating digital retailers. Those who pre-order will receive an instant download of “Just One Of The Guys.”

“Just One Of The Guys” was produced by Beck, who also contributes backing vocals. “It was one of the tunes I’d tried a few different ways before I finally recorded it with Beck at his home studio in Malibu,” Lewis says. “The whole experience was super laid-back – walking on the beach, talking about movies, the Rolling Stones, and French pop music. It was just very mellow and lovely.”

Beck is one of several artists Lewis chose to produce tracks on The Voyager, which also features production from Ryan Adams, alongside Mike Viola, as well as her longtime collaborator, Johnathan Rice. The Voyager is the former Rilo Kiley frontwoman’s third solo album and first in six years, following 2006’s Rabbit Fur Coat (with The Watson Twins) and 2008’s Acid Tongue. It finds the always relatable songwriter at her sharp-witted best, singing about her recent experiences with honesty and incisiveness.

The Voyager is Lewis’s most deeply personal album to date, documenting her struggle to cope following the death of her estranged father in 2010 and the subsequent break-up of Rilo Kiley. The Voyager‘s rootsy, golden glow comes courtesy of Lewis and the artists she chose to produce various tracks, including Ryan Adams (who, alongside Mike Viola, produced all but three of the tracks), Beck, and Lewis’ longtime collaborator Johnathan Rice. The Voyager finds the always relatable songwriter at her sharp-witted best, singing about her recent experiences with honesty and incisiveness.

“Making The Voyager got me through one of the most difficult periods of my life,” she says. “After Rilo Kiley broke up and a few really intense personal things happened, I completely melted down. It nearly destroyed me. I had such severe insomnia that, at one point, I didn’t sleep for five straight nights. Many of the songs on The Voyager came out of the need to occupy my mind in the moments when I just couldn’t shut down.”

After several years of writing new material, Lewis took 2013 off to tour with The Postal Service. Sharing the spotlight was a freeing experience, providing the realization that she needed to give up control in order to move forward. While on the road, she reached out to Ryan Adams to record at his newly built studio, Pax Am, at Sunset Sound.  Her first day back from tour, she went into the studio with Adams and his partner Mike Viola, and found the creative collaboration she was missing.

“Ryan and I didn’t know each other very well before this album — we had hardly even listened to one another’s music, to be honest. But I trusted the vision, and Ryan ended up being the person to get me over the fear of finishing something I’d been working on for so long.  This record was the hardest one I ever made,” she says. “The Voyager tells that story: the longest night of my life and the journey to finally getting some rest.”

In other Jenny Lewis news, the sometimes actress also appears in the June 5th episode of IFC’s Comedy Bang Bang as a musical co-host filling in for Reggie Watts and singing a duet with Zach Galifianakis. She is on tour throughout the summer, including several dates with Ray LaMontagne, as well as appearances at Lollapalooza and the Outside Lands Festival. Lewis will also perform a hometown show at The Wiltern in Los Angeles on August 9th. See below for all tour dates.

  • June 4 Portland, ME         State Theatre w/ Kurt Vile
  • June 6 New York, NY        Governor’s Ball (Randall’s Island)
  • June 7 Washington DC     9:30 Club SOLD OUT
  • July 6   Toronto, ON         Urban Roots Festival
  • July 8   Ottawa, ON          Ottawa Blues Fest
  • July 10 Clearwater, FL      Ruth Eckerd Hall w/ Ray LaMontagne
  • July 11 Orlando, FL          Bob Carr Performing Arts Center w/ Ray LaMontagne
  • July 12 Miami, FL             The Fillmore w/ Ray LaMontagne
  • July 15 Jacksonville, FL     Florida Theatre w/ Ray LaMontagne
  • July 16 Charleston, SC      North Charleston PAC w/ Ray LaMontagne
  • July 18 Alpharetta, GA      Verizon Wireless Amphitheatre w/ Ray LaMontagne
  • July 19 Birmingham, AL    BJCC Concert Hall w/ Ray LaMontagne
  • July 20 Louisville, KY        Forecastle Festival
  • July 22 Interlochen, MI     Kresge Auditorium w/ Ray LaMontagne
  • July 23 Grand Rapids, MI  Meijer Gardens w/ Ray LaMontagne
  • July 25 Newport, RI          Newport Folk Festival
  • July 26 Camden, NJ          XpoNential Music Festival w/Ryan Adams
  • July 27 Pittsburgh, PA       Mr. Smalls
  • July 31 Indianapolis, IN     Deluxe at Old National Centre
  • Aug 2 Chicago, IL              Lollapalooza SOLD OUT
  • Aug 3 Minneapolis, MN       First Avenue
  • Aug 9 Los Angeles, CA       The Wiltern
  • Aug 10 San Francisco, CA   Outside Lands Festival SOLD OUT
  • Oct 3-5 Austin, TX             Austin City Limits
  • Oct 10-12 Austin, TX         Austin City Limits

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Video: Plaid – “Wallet”

Check out the video for “Wallet” from Plaid’s new album, Reachy Prints.

The video is directed by Sabrina Ratté who says: 

“The video is inspired by the idea of creating a world based on memories, where things seem real but they are in fact a construction of the mind. All the images are made from electronic signals, from which were created a reproduction of a sun, different landscapes and cities. The musical composition induced the vision of bright colours and daylight atmosphere, so the simulated sunlight became a central element of the video, thus creating dazed images where everything is diffused and hard to grasp.”

Plaid explains:

“We wondered if consciousness is a memory and what role memories have in the imaginative process . We saw prints as physical memories and an equivalence between printing and memory function. They often share the aim of ‘reproducing’ a subject as accurately as possible. Experience told us that a perfect reproduction is difficult, if not impossible. An attraction to explore this fallibility and a curiosity about the potential inaccuracies and artefacts gave us the album title, Reachy Prints.
 
“The track ‘Wallet’ is inspired by the items found in wallets, the money, receipts, business cards, photos etc and the symbolism of wallets as a safe place to store items we value and want to remember. Most items in a wallet have already been digitised and perhaps physical wallets/purses will become obsolete.”

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Video: Alice Boman – “Over”

New Album, EPII, out June 3 via The Control Group

“Alice Boman’s voice wavers between ethereal and ghostly, but its fragility doesn’t limit the force of her songs.” – Huffington Post

“Alice Boman’s lyrics are frank and direct, revealing the most personal thoughts in the darkest corners of her mind.” – Pigeons and Planes

“‘Over’ is a melancholy tune about heartbreak and loss, with Boman’s dreamy vocals and intimate lyrics the perfect partner for the low key and ghostly Bon Iver-like production.” – Indie Shuffle

 

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Video: Drive-By Truckers – “Made Up English Oceans”

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Writing independently, Drive-By Truckers’ Mike Cooley and Patterson Hood penned songs that dovetailed brilliantly with each other on English Oceans, the Athens, Georgia-based band’s 12th release and highest Billboard debut to date at #16.

Hood says, “Every song on this record connects with another song. I noticed Cooley’s got a line in ‘Primer Coat’ about ‘apron strings,’ and I have the exact same image in one of my songs, ‘Hanging On.’ It goes on and on and on like that on this record, and that’s a pretty good sign for things, particularly given how different our temperaments are and our styles of writing are.”

DBT’s ever-keen political edge can also be seen on the release. Cooley’s “Made Up English Oceans” derives from his interest in the career of Lee Atwater, the Republican operative who was active in the Reagan and Bush campaigns of the ‘80s. “He was the guy that Karl Rove and all of the modern dirty tricksters looked to – he was one of the granddaddies of it all. That song is from his point of view, fictionally of course. It’s him making his pitch, telling what he understands about young, Southern men.” Courtesy of GQ, watch HERE as a good girl goes bad with the Bible by her side in the song’s new video, directed by Joshua Black Wilson (The Black Keys, My Morning Jacket, Willie Nelson).

Cooley and Hood’s brace of character-based songs depict a neatly interlocking gallery of relationships, often in dissolution and discord. Reflecting on the renewed high level of collaboration between the band’s two principals, English Oceans marks an unprecedented event: the recording of a Hood song, “Til He’s Dead or Rises,” with Cooley assuming the lead vocal.

Cooley says, “I remember Patterson was getting frustrated trying to sing it. He was doing fine, but it seemed like there was something he wanted to do that wasn’t coming. I was in the control room thinking, ‘I could probably sing this’ — though it wasn’t like I was saying, ‘Oh, I can sing this a lot better than that.’ I was thinking, ‘This sounds like something I could sing.’ Right after that, he walks into the control room and says, ‘You want to trying singing this? It sounds more like you than me.’ I said, ‘Yeah, I was just thinking that.’”

Looking at the accomplishments of English Oceans from the perspective of DBT’s nearly three-decade history, both Cooley and Hood decline to hedge their bets on the quality of their latest work.

“You’re always hesitant to say, ‘Oh, this is the best record we’ve ever made,’” Cooley says, “because you always want to. And sometimes you say it, and sometimes you’re right, and sometimes you think, ‘Well, maybe I jumped the gun on that a little bit, I got excited.’ But I think this just might be the best record we’ve ever made.”

Hood concurs enthusiastically: “It’s my favorite thing that we’ve ever done. I’m proud of our catalog – we always try to make as good a record as we can make. Sometimes things just work. This time, we made kind of a magical record. I’ve always felt that Decoration Day was our best record, and this is the first one that I think is a better record than that was. Every piece of the puzzle fit.”

To personally give witness to Drive-By Truckers best album yet, head below to check out their upcoming May tour dates with a retooled lineup which boasts a leaner and even more powerful live show. In addition to Cooley and Hood, Brad Morgan is on drums, Jay Gonzalez is on keys and guitars and Matt Patton from The Dexateens rounds out the current line-up on the bass.

Check out the video here

Tour Dates

5/1 – Austin, TX – Stubbs*
5/2 – New Orleans, LA – Civic Theatre^
5/3 – New Orleans, LA – Civic Theatre^
6/1 – Houston, TX – Free Press Festival
6/3 – Tampa, FL – Tampa Theater#
6/4 – Ft. Lauderdale, FL – Culture Room#
6/6 – Ponte Vedra, FL – Pontre Vedra Music Hall#
6/7 – Myrtle Beach, SC – House of Blues#
6/10 – Norfolk, VA – The Norva#
6/11 – Lancaster, PA – Chameleon Club#
6/12 – State College, PA – Levels#
6/13 – Lexington, KY – Busters#
6/14 – Manchester, TN – Bonnaroo
6/20 – Winston-Salem, NC – Ziggys
6/21 – Charleston, WV – FestivALL
6/26 – Baltimore, MD – Rams Head Live
6/27 – Asbury Park, NJ – Stone Pony Summerstage (w/ The Hold Steady)
6/28 – Huntington, NY – The Paramount (w/ The Hold Steady)
6/29 – Hampton Beach, NH – Hampton Beach Casino Ballroom (w/ Deer Tick)
7/1 – Portland, ME – Port City Music Hall
7/2 – Burlington, VT – Higher Ground
7/4 – Waterloo, Canada – Starlight Club
7/5 – Toronto, Canada – Turf Fest
7/6 – Ottawa, Canada – Ottawa Bluesfest
7/18 – Maryville, TN – The Shed
7/19 – Cincinnati, OH – Buckle Up Music Festival

% = Shovels & Rope
* = JD McPherson
^ = Benjamin Booker
# = Water Liars

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Video: tUnE-yArDs – “Water Fountain”

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Nikki Nack – the new album from tUnE-yArDs – is out in just a few days!

Combining a plethora of different visual elements, from animation to puppetry, dancing, and even a science lesson, “Water Fountain” is a video every bit as colorful as tUnE-yArDs’ music.

Directed by Joel Kefali, he writes that “when Merril approached me wanting to make a video with a PeeWee’s Playhouse vibe I had to say yes. I’d had plenty of ideas for a kid’s show that had been waiting to see the light of day. I didn’t want to make a straight homage piece; there are moments of nostalgia in there but the video is our own modern, manic, collage of a kids show. Like many great kids shows I wanted to cram in as many ideas as possible and sneak in the occasional wink to the art world, contemporary and historic. The musical dynamic of ‘Water Fountain’ lends itself perfectly to the concept and I think this video is best viewed while consuming a big bowl of cereal. Then again, what isn’t?”

Nikki Nack will be released by 4AD on May 6th.

tUnE-yArDs Tour Dates:

May
1st – Bridgestone Arena, Nashville TN, US *
2nd – Aaron’s Ampitheatre, Atlanta GA, US *
5th – Masonic Lodge, Los Angeles CA, US – SOLD OUT
7th – Rough Trade Brooklyn, New York NY, US – SOLD OUT
12th – Village Underground, London, UK ^ – SOLD OUT
14th – Berghain, Berlin, Germany ^
15th – Nochtspeicher, Hamburg, Germany ^
16th – Les Nuits Botanique, Brussels, Belgium ^
18th – Bitterzoet, Amsterdam, Netherlands ^
19th – Cafe De La Danse, Paris, France ^
23rd – Les Schwab Ampitheater, Bend OR, US ” 
23rd-25th – Sasquatch Music Festival, The George WA, US
26th – Knitting Factory, Boise ID, US ^
27th – Urban Lounge, Salt Lake City UT, US ^
30th – Granada Theater, Dallas TX, US ^
31st – June 1st – Free Press Summer Festival, Houston TX, US 

June
3rd – Crescent Ballroom, Phoenix AZ, US ^
5th – Fonda Theatre, Los Angeles CA, US ^
6th – The Fillmore, San Francisco CA, US ^ – SOLD OUT
7th – The Fillmore, San Francisco CA, US ±
13th – 9:30 Club, Washington DC, US ^
15th – Union Transfer, Philadelphia PA, US ^
16th – Royale Nightclub, Boston MA, US ^
18th – 22nd – NXNE, Toronto ON, Canada
18th – La Tulipe, Montreal QC, Canada ^
19th – 22nd – Firefly Festival, Dover DE, US
22nd – Webster Hall, New York NY , US ^
23rd – Webster Hall, New York NY, US ^
25th  29th – Glastonbury Festival, Pilton, Somerset, UK 
26th – Concorde 2, Brighton, UK
30th – Gorilla, Manchester, UK

July
1st – Cockpit, Leeds, UK
2nd – Trinity, Bristol, UK
4th – Blissfields, Winchester, UK
5th – Rock Werchter, Werchter, Belgium
17th – First Avenue, Minneapolis MN, US
19th – Pitchfork Festival, Chicago IL, US

August
29th – 31st – End Of The Road Festival, Salisbury, West Sussex, UK 

September
3rd – Brixton Electric, London, UK

* supporting Arcade Fire
^ support from Sylvan Esso
” supporting The National 
± support from The Seshen 

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Free Download: 1,2,3 – “Porch Swing Song”

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Listen/download: 1,2,3 – “Porch Swing Song”

“…a terrific new band whose 70s-tinged rock, sung with rasping intensity by white soul wonder Nic Snyder, 
reminds you of some of the best stuff from the pre-punk era…” – The Guardian
 
“…hints of that Girls-like ’60s revival, indistinct gestures of surf rock, and touches of grainy, lo-fi acoustics….” Consequence of Sound
Pittsburgh’s genre-defying band 1,2,3 has returned after a two year hiatus, and will be releasing their sophomore double album Big Weather through their newly-founded label American Hermitage on May 27th. The band rolled out “Porch Swing Song” a few days ago, which is the third song they’ve shared from Big Weather (their first two singles “Big Weather Pt. 1” and “Leave Me In The Sky With The Lawnchair” are both still available to stream, see below). Combining classic rock with the best elements of lo-fi soul, punk, garage and even classical music sampling, this is the first new music 1,2,3 has released since their critically-acclaimed debut album New Heaven (2011).
 
1,2,3 had a turbulent few years since the release of New Heaven. Lead singer/guitarist/songwriter Nicolas Snyder quit the band at the end of 2012, burnt out after touring on the heels of their debut and writing/recording the follow-up for over a year. Several months later, after a few nights of drunken persuasion, he re-convened with the rest of the band and coaxed them back, wanting to finish what they had started. Snyder had been inspired by 70’s dystopian movies, combined with a pattern of strange weather and its resulting destruction (a tornado ripped through his aunt’s house in Pennsylvania… something that shouldn’t happen in PA), along with the tsunami that devastated Japan two weeks later. 
 
The band began recording storms through a screen door in the house they were renting on the outskirts of Pittsburgh, which often flooded, halting production. While recording, the band listened to nothing but local oldies radio stations. Big Weather was recorded entirely on primitive gear, using nothing but creaky old guitars, a bass, and things to bang on. Eventually some classical vinyl sampling was brought in to conjure certain feelings, and add new textures to the short stories and spoken word interludes. The lyrics had all the usual lovelorn, loneliness and death-questioning the band had previously written about, but this time it was more vivid, usually recorded during or after storms. 
 
In the words of Snyder, “it’s more interesting to be lonely in the eye of the hurricane than it is to be in a bedroom. This album is undoubtedly ridden with flaws, but so are its creators, and the circumstances under which it was created… and in that regard, this album feels very special to me.” 

The band will be playing their album release show in Pittsburgh on May 30th at Brillobox!

Big Weather Tracklisting: 
1. Big Weather Pt. 1
2. Leave Me In The Sky With The Lawnchair
3. Pontoon Song
4. Waiting For The Horsemen
5. Mile High Grass
6. Bus To Babylon
7. Refusal Bop
8. Shapes of Wrath
9. Fear_Pure Elevation
10. Rebuilding
11. Stone Haus
12. Porch Swing Song
13. Big Black Car
14. Big Weather Pt. 2
15. In The House of The Locust
16. When The Levee Broke at The County Fair
17. Strawberry
18. Faith Hill
19. Where We Lived
20. Sick of the End

 

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