Category Archives: video

Video: Drive-By Truckers – “Made Up English Oceans”

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Writing independently, Drive-By Truckers’ Mike Cooley and Patterson Hood penned songs that dovetailed brilliantly with each other on English Oceans, the Athens, Georgia-based band’s 12th release and highest Billboard debut to date at #16.

Hood says, “Every song on this record connects with another song. I noticed Cooley’s got a line in ‘Primer Coat’ about ‘apron strings,’ and I have the exact same image in one of my songs, ‘Hanging On.’ It goes on and on and on like that on this record, and that’s a pretty good sign for things, particularly given how different our temperaments are and our styles of writing are.”

DBT’s ever-keen political edge can also be seen on the release. Cooley’s “Made Up English Oceans” derives from his interest in the career of Lee Atwater, the Republican operative who was active in the Reagan and Bush campaigns of the ‘80s. “He was the guy that Karl Rove and all of the modern dirty tricksters looked to – he was one of the granddaddies of it all. That song is from his point of view, fictionally of course. It’s him making his pitch, telling what he understands about young, Southern men.” Courtesy of GQ, watch HERE as a good girl goes bad with the Bible by her side in the song’s new video, directed by Joshua Black Wilson (The Black Keys, My Morning Jacket, Willie Nelson).

Cooley and Hood’s brace of character-based songs depict a neatly interlocking gallery of relationships, often in dissolution and discord. Reflecting on the renewed high level of collaboration between the band’s two principals, English Oceans marks an unprecedented event: the recording of a Hood song, “Til He’s Dead or Rises,” with Cooley assuming the lead vocal.

Cooley says, “I remember Patterson was getting frustrated trying to sing it. He was doing fine, but it seemed like there was something he wanted to do that wasn’t coming. I was in the control room thinking, ‘I could probably sing this’ — though it wasn’t like I was saying, ‘Oh, I can sing this a lot better than that.’ I was thinking, ‘This sounds like something I could sing.’ Right after that, he walks into the control room and says, ‘You want to trying singing this? It sounds more like you than me.’ I said, ‘Yeah, I was just thinking that.’”

Looking at the accomplishments of English Oceans from the perspective of DBT’s nearly three-decade history, both Cooley and Hood decline to hedge their bets on the quality of their latest work.

“You’re always hesitant to say, ‘Oh, this is the best record we’ve ever made,’” Cooley says, “because you always want to. And sometimes you say it, and sometimes you’re right, and sometimes you think, ‘Well, maybe I jumped the gun on that a little bit, I got excited.’ But I think this just might be the best record we’ve ever made.”

Hood concurs enthusiastically: “It’s my favorite thing that we’ve ever done. I’m proud of our catalog – we always try to make as good a record as we can make. Sometimes things just work. This time, we made kind of a magical record. I’ve always felt that Decoration Day was our best record, and this is the first one that I think is a better record than that was. Every piece of the puzzle fit.”

To personally give witness to Drive-By Truckers best album yet, head below to check out their upcoming May tour dates with a retooled lineup which boasts a leaner and even more powerful live show. In addition to Cooley and Hood, Brad Morgan is on drums, Jay Gonzalez is on keys and guitars and Matt Patton from The Dexateens rounds out the current line-up on the bass.

Check out the video here

Tour Dates

5/1 – Austin, TX – Stubbs*
5/2 – New Orleans, LA – Civic Theatre^
5/3 – New Orleans, LA – Civic Theatre^
6/1 – Houston, TX – Free Press Festival
6/3 – Tampa, FL – Tampa Theater#
6/4 – Ft. Lauderdale, FL – Culture Room#
6/6 – Ponte Vedra, FL – Pontre Vedra Music Hall#
6/7 – Myrtle Beach, SC – House of Blues#
6/10 – Norfolk, VA – The Norva#
6/11 – Lancaster, PA – Chameleon Club#
6/12 – State College, PA – Levels#
6/13 – Lexington, KY – Busters#
6/14 – Manchester, TN – Bonnaroo
6/20 – Winston-Salem, NC – Ziggys
6/21 – Charleston, WV – FestivALL
6/26 – Baltimore, MD – Rams Head Live
6/27 – Asbury Park, NJ – Stone Pony Summerstage (w/ The Hold Steady)
6/28 – Huntington, NY – The Paramount (w/ The Hold Steady)
6/29 – Hampton Beach, NH – Hampton Beach Casino Ballroom (w/ Deer Tick)
7/1 – Portland, ME – Port City Music Hall
7/2 – Burlington, VT – Higher Ground
7/4 – Waterloo, Canada – Starlight Club
7/5 – Toronto, Canada – Turf Fest
7/6 – Ottawa, Canada – Ottawa Bluesfest
7/18 – Maryville, TN – The Shed
7/19 – Cincinnati, OH – Buckle Up Music Festival

% = Shovels & Rope
* = JD McPherson
^ = Benjamin Booker
# = Water Liars

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Video: WATERS – “Got To My Head” + Geographer Remix!

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San Francisco’s WATERS has premiered the video for their exuberant debut single “Got To My Head.” Directed by photographer Dan Monick, the video is low-budget but high-energy, hearkening back to some of frontman Van Pierszalowski’s all-time favorite videos, like Green Day’s “Longview” and Weezer’s “Say It Ain’t So.”

“So we only had $1500 to make this video. Fortunately, my favorite videos of all time look like they could have been made for half of that,” says Pierszalowski. “I wanted the video to showcase the energy of our song, and take me back to the adolescent rage and fantasies embodied in those old 90s alt rock videos. I wanted there to be a single shot that tries to contain all the manic energy I feel when I perform ‘Got To My Head’ live.”

Last week Earmilk premiered a remix of “Got To My Head” by WATERS’ fellow Bay Area artist Geographer.

After finishing school and coming off of years on the road supporting his former band (Port O’Brien) Van Pierszalowski, the creative force behind WATERS, decided to live and work in San Francisco spending some time standing still for the first time in ages. The calm gave way to creative restlessness and the result was a new band and a new sound in the form of WATERS. WATERS’ “Got To My Head” is informed by an era of alternative music where frenetic energy, pop hooks and a focused lyrical narrative could drive any young kid to start playing guitar. While currently working on a full album of songs with the same immediacy as “Got To My Head,” WATERS has announced a handful of West Coast shows and dates to come.

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Video: tUnE-yArDs – “Water Fountain”

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Nikki Nack – the new album from tUnE-yArDs – is out in just a few days!

Combining a plethora of different visual elements, from animation to puppetry, dancing, and even a science lesson, “Water Fountain” is a video every bit as colorful as tUnE-yArDs’ music.

Directed by Joel Kefali, he writes that “when Merril approached me wanting to make a video with a PeeWee’s Playhouse vibe I had to say yes. I’d had plenty of ideas for a kid’s show that had been waiting to see the light of day. I didn’t want to make a straight homage piece; there are moments of nostalgia in there but the video is our own modern, manic, collage of a kids show. Like many great kids shows I wanted to cram in as many ideas as possible and sneak in the occasional wink to the art world, contemporary and historic. The musical dynamic of ‘Water Fountain’ lends itself perfectly to the concept and I think this video is best viewed while consuming a big bowl of cereal. Then again, what isn’t?”

Nikki Nack will be released by 4AD on May 6th.

tUnE-yArDs Tour Dates:

May
1st – Bridgestone Arena, Nashville TN, US *
2nd – Aaron’s Ampitheatre, Atlanta GA, US *
5th – Masonic Lodge, Los Angeles CA, US – SOLD OUT
7th – Rough Trade Brooklyn, New York NY, US – SOLD OUT
12th – Village Underground, London, UK ^ – SOLD OUT
14th – Berghain, Berlin, Germany ^
15th – Nochtspeicher, Hamburg, Germany ^
16th – Les Nuits Botanique, Brussels, Belgium ^
18th – Bitterzoet, Amsterdam, Netherlands ^
19th – Cafe De La Danse, Paris, France ^
23rd – Les Schwab Ampitheater, Bend OR, US ” 
23rd-25th – Sasquatch Music Festival, The George WA, US
26th – Knitting Factory, Boise ID, US ^
27th – Urban Lounge, Salt Lake City UT, US ^
30th – Granada Theater, Dallas TX, US ^
31st – June 1st – Free Press Summer Festival, Houston TX, US 

June
3rd – Crescent Ballroom, Phoenix AZ, US ^
5th – Fonda Theatre, Los Angeles CA, US ^
6th – The Fillmore, San Francisco CA, US ^ – SOLD OUT
7th – The Fillmore, San Francisco CA, US ±
13th – 9:30 Club, Washington DC, US ^
15th – Union Transfer, Philadelphia PA, US ^
16th – Royale Nightclub, Boston MA, US ^
18th – 22nd – NXNE, Toronto ON, Canada
18th – La Tulipe, Montreal QC, Canada ^
19th – 22nd – Firefly Festival, Dover DE, US
22nd – Webster Hall, New York NY , US ^
23rd – Webster Hall, New York NY, US ^
25th  29th – Glastonbury Festival, Pilton, Somerset, UK 
26th – Concorde 2, Brighton, UK
30th – Gorilla, Manchester, UK

July
1st – Cockpit, Leeds, UK
2nd – Trinity, Bristol, UK
4th – Blissfields, Winchester, UK
5th – Rock Werchter, Werchter, Belgium
17th – First Avenue, Minneapolis MN, US
19th – Pitchfork Festival, Chicago IL, US

August
29th – 31st – End Of The Road Festival, Salisbury, West Sussex, UK 

September
3rd – Brixton Electric, London, UK

* supporting Arcade Fire
^ support from Sylvan Esso
” supporting The National 
± support from The Seshen 

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Video: Lewis Watson – “Stay”

Lewis Watson is set to release his long-awaited debut album The Morning in the US on June 17th. Demonstrating Lewis’ powers as a songwriter, The Morning combines fully-realised reworkings of select songs from his early EPs with plethora of new material – including instant grat track “Halo,” “Stay” and much more. These new songs take Lewis’ stripped-back, guitar-and-voice roots to a new level of richer, more textured soundscapes.

In 2012, Lewis Watson self-released his debut EP It’s Got Four Sad Songs On It BTW after establishing a devoted online fan-base. It topped the iTunes singer-songwriter chart on the first day of release, outselling the likes of Adele, Madonna and Ed Sheeran in the process, and landed the then nineteen-year-old singer-songwriter a deal with Warner Bros. Records.

In addition to critical acclaim, all five of his EPs to date have hit the Top 10 at iTunes, each building upon the sales of the previous release. Meanwhile, his online following is phenomenal: 5 million YouTube plays; 100,000 likes at Facebook; 5 million streams at Spotify; and 70,000 Twitter followers.

Fans who purchase The Morning iTunes pre-order, available now, will receive an instant download of new album track “Halo”.

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Video: Blue Foundation – “Describe”

Shot in Denmark by filmmakers Cecile Evert and Simon Lundsgaard, they were inspired by Blue Foundation’s lyric, “… I can describe it all for you, if you got the nerves/guts to look into my eyes.”

 
The filmmakers enlisted Martin and Louise, a couple in real life, as well as in the video. “We chose them because it was clear to us that they have a very unique relationship. We saw a certain chemistry between them. Their love for each other is very strong and unique, and we expected it to shine through the lens, which we think it did,” says Lundsgaard. He continues, “Sometimes you can be afraid of things that you can’t define or describe. But if you look beyond the surface you will find something you recognize in yourself. That is what this video is about.”
 
Brooklyn-based electronic dream-pop duo Blue Foundation is made up of producer/singer Tobias Wilner and multi-instrumentalist Bo Rande. Best known for their songs “Eyes on Fire,” which appeared in the Twilight saga and was certified double platinum in the US, and “Sweep,” from Michael Mann’s Miami Vice, the band released their album In My Mind, I Am Free on their own Dead People’s Choice Records last year. The release was followed up in January 2013 by remix album In My Mind I Am Reconstructed, which is available via iTunes and other digital retailers.

Over the past several years, Blue Foundation has expanded their audience, embracing both the underground and the alternative mainstream. Along with the Twilight Saga and Miami Vice, the band’s music has been featured in TV series The O.C., So You Think You Can DanceCSI: Miami, and more. 

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Check ‘Em Out: Dwight & Nicole

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Dwight & Nicole, an American roots band formed by recording artists Dwight Ritcher and Nicole Nelson, will be self-releasing their new album, Shine On, on April 22, 2014Shine On puts some impressive talent on display:  gorgeous vocals, developed songwriting skills, and masterful playing were all captured live at Boston’s Rear Window Studio. The delivery is often exciting, always multi-dimensional, and never run-of-the-mill. Dwight & Nicole express deep emotion effortlessly on every track of Shine On.  This will be their first major release, heavily funded by their devoted fans via music-oriented crowd-sourcing site PledgeMusic.

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Their performances have inspired comparisons to some of the greats — Etta James and John Lee Hooker, the Rolling Stones and the Staple Singers — but it is their own fresh blend of spirited blues, rock, and gospel that will land them a spot among the celebrated music makers. Following their critically acclaimed independent release !Signs, the Boston Globe called them, “a tour de force,” and named them among the “25 Most Stylish of the Year.”  They have garnered four Boston Phoenix award nominations, six Boston Music Award nominations and Nelson just nabbed a BMA for “Female Vocalist of The Year.”

In September of 2012, Nicole appeared on NBC’s #1 hit show “The Voice,” knocking out all four coaches and winning the hearts of millions with her rendition of Leonard Cohen’s “Hallelujah.” The song was a hit of its own, rising to #26 on the iTunes Pop chart, and propelling a wave of nationwide appreciation for Nelson’s home grown style. The bright lights of network TV also shed much deserved light on her band—New England’s best kept secret Dwight & Nicole—helping the group to shatter through the glass ceiling that most self-promoting indie artists are up against today.

Their music has already been featured on TV shows such as “Nikita” on CW, “The Forgotten” on ABC, “Missing” on Lifetime, and “The Cleaner” on A&E.  Dwight & Nicole starred in the documentary film “Where’s The Music At?” They have performed live at countless world class venues and festivals around the world including Montreal Jazz Festival, Tanglewood, Life Is Good Festival, Symphony Hall, The Somerville Theatre, The Tennessee Theater, The Paradise, The Higher Ground, and The Blue Note in NYC.

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Dwight & Nicole have shared the stage with many other great artists including BB King, Buddy Guy, Dave Brubeck, Dr. Maya Angelou, Ray Lamontagne, Los Lobos, Alison Krauss, Martin Sexton, Levon Helm, Norah Jones, Dr. John, Natalie Cole, Winton Marsalis, The Avett Brothers, Raphael Saadiq, Michael Franti and Spearhead, Carly Simon, The Funk Brothers, Maceo Parker, Chuck Berry, Jimmy Buffet, Biz Markie, Little Richard, Angelique Kidjo, Preservation Hall Jazz Band, Irma Thomas, and Jerry Lee Lewis.

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Newest Love: Tapioca and the Flea

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Los Angeles electro-pop outfit Tapioca and the Flea (TATF) have premiered the brand-new video for their new single “Take It Slow”, which premiered last week and is available on iTunes. The video shot by ENDS (creative collaboration between director duo Daniel Iglesias Jr. & Zack Sekuler), who is also responsible for The Neighbourhood’s “Sweater Weather” and “Afraid”, chronicles the highs and the lows of a chaotic relationship. “Take It Slow,” which was produced by Crystal Castles’ Ethan Kath, is TATF’s contribution to Red Bull Sound Select’s forthcoming Limited Edition Split 7″, to be released as free gift with purchase on Record Store Day (April 19) at all participating retailers in the US. 

PopMatters had this to say about the track, “Just don’t let the title fool you, since “Take It Slow” is a brisk, catchy synth-driven number, a combination of old-fashioned pop-minded songwriting and a state-of-the-art vibe.” TATF will bring their high energy show to Los Angeles’s Amoeba Music (6400 Sunset Blvd, Los Angeles, CA 90028) for an in-store performance this Saturday, April 19th at 6 PM.

Tapioca and the Flea began as a bedroom project of Samuel Jacob-Lopez, Jr. As the son of a Puerto Rican DJ and salsa dancer, the LA-based artist fell in love with rhythm at an early age. Growing up skateboarding to the sounds of artists like Syd Barret, Radiohead and Dr. Dre, Tapioca and the Flea, found its own eclectic blend of psych, indie rock, and electronic music. In 2011, he recruited three of his best friends – drummer Matt McClanahan, guitarist Ronnie Watson and bassist/keyboardist Frank Alva – and the full electro-pop band was fleshed out. Tapioca and the Flea gained momentum in their native L.A. on the strength of their psychedelic dance tracks “Mellotron” and “Home” and have opened for such acts as CSS and Young the Giant. The band has won praise and support from OC Weekly, who nominated them for Best New Artist of 2014 and The Owl Mag, who described their music as “the soundtrack to the world’s coolest underwater dance.”

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Check ‘Em Out: FAIRCHILD

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FAIRCHILD will digitally release their debut Burning Feet EP worldwide on Friday April 25th through Canvas Sounds. Produced & mixed by Catherine Marks (Foals, Howling Bells, Wolf Alice), the EP will also feature a KNDR remix of “Dancer”. In anticipation of the release, the band have just put out a new music video for the title track “Burning Feet” directed by their drummer James Haigh.

Although being their debut EP, the band have been around since 2005. Going through several line-up & name changes before re-launching themselves as FAIRCHILD at the beginning of 2013. During this time, they have toured through Japan, Hong Kong, Singapore, China and supported the likes of Neon Indian, Kids of 88, Parachute Youth, Red Riders, Parades, Cassette Kids, Canyons, Pigeon, Battleships, The Khanz, Cub Sport & Northeast Party House.

“Similarities to Two Door Cinema Club and Swim Deep” – It’s All Indie

“The contemporary indie pop references are there for modern listeners to lap up – the African guitar riffs, the disco rhythms and the singalong choruses all mark Burning Feet, Dancer and Figure It Out as songs that the kids will absolutely love.” – TODAYonline

“DIY indie pop band from Oz that music lovers in the United States need to hear because we think they’re pretty amazing” – Indie Rock Cafe

“Sounds like Foals, Bloc Party, The Temper Trap” – Indie Shuffle

“Filled with layers of catchy melodies and vibrant polyphonic textures, this tune will take you back to Summer-holiday music festival; think Last Dinosaurs meets Neon Indian. Songwriting aside, the production value of this track is flawless.” – adamNOTeve

Upcoming Shows

Metricon Stadium, Gold Coast (Gold Coast Suns AFL Match) – April 12th

The Loft, Gold Coast (Oneway Street Unofficial AFTER Party) – April 26th

Baltic Avenue, Toronto (Canadian Music Week) – May 6th

Horseshoe Tavern, Toronto (Canadian Music Week) – May 10th

Cake Shop, New York – May 12th

Rendezvous, Seattle – May 14th

Silverlake Lounge, Los Angeles – May 16th

Hard Rock Cafe, Singapore – May 22nd

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Newest Love: Walking Shapes

Epic” – SPIN

… a strange sort of calm we can’t deny.” – Earmilk

… a bass-heavy, atmospheric rock aesthetic and frenetic live shows that draw comparisons to Radiohead and Alt-J.” – BPM

The new video “Winter fell” from Walking Shapes reflects the state of emotional flux, feeling overwhelmed and is depicted by two masked dancers in a confined space.

“The song ‘Winter fell’ came about during a ‘polar vortex,’” singer Nathaniel Hoho tells Village Voice, who deems the tune “much warmer than its subject matter.” It’s a song about being forced to take a break, reflecting and coming to terms with one’s inner demons, while simultaneously embracing the good things and people in life.

Heralded by publications such as SPIN and Earmilk, Walking Shapes was formed by way of mountains, and through the tides of the city. Their fierce and eclectic debut Taka Come On channels their love to their home New York City. Featuring Nathaniel Hoho on vocals and guitar; 
Jesse Kotansky on guitar, violin, vocals
; Jake Generalli on keys, vocals; 
Dan Krysa on bass and vocals; and 
Christopher Heinz on drums, Walking Shapes meld driving guitars, intricate arrangements and visually evocative songwriting into stunning audio refractions on New York’s sonic landscape.

Debut album Taka Come On out next week!

Catch Walking Shapes’ Riveting Live Shows this Spring: 

4/3: Los Angeles, CA @ The Satellite
4/4: Los Angeles, CA @ House of Blues
4/5: Ponoma. CA @ Acerogami
4/6: San Francisco, CA @ Brick @ Mortar Music Hall
4/7: Los Angeles, CA @ Bardot
4/8: Phoenix, AZ @ Crescent Room
4/12: Dallas, TX @ The Prophet Bar
4/13: Fayetteville, AR @ Smoke and Barrel
4/14: Oklahoma City, OK @ VZD’s
4/19: Nashville, TN @ High Watt
4/21: Charlottesville, VA @ The Southern
4/23: Asbury Park, NJ @ The Saint
4/24: New York, NY @ Bowery Electric
4/25: New York, NY @ DROM

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Newest Love: Morning Harvey

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Check out this new video from Australian band, Morning Harvey.

Filmed in the Noosa Hinterland in regional Queensland and directed by Nic Mckenzie from Deep Sea Arcade, the clip features cameo’s from some of fellow Brisbane bands, including The Belligerents, The Furrs and The Jungle Giants.

When filming the band had to learn how to play and sing backwards, the clip was then reversed and pace manipulated to give the slowed down, psyched out effect. A mesmerising clip to match the blissed out jams, laced with euphoric girls and surrounded in lush Australian bushland.

“Girl Euphoria (Come Back To Me)” has been making waves at Australian alt radio and is the follow up single to the 2013 Well for Wishes EP.

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