Tag Archives: Fleetwood Mac

New Music From The Afghan Whigs!

The Afghan Whigs announced their first studio album in five years How Do You Burn?, which is set for release on September 9th via Royal Cream/BMG. Also out now is the second song taken from the new album titled “The Getaway.”

The band will embark on an extensive tour in support of How Do You Burn? this fall in the United States and Europe, kicking off in Minneapolis on September 9th at the Fine Line and ending at the newly reopened KOKO in London on November 6th.  Tickets are on sale now for all fall shows.   

How Do You Burn?, their ninth album overall and following on from the brace of widely acclaimed records they’ve made previously since re-grouping in 2012, Do to the Beast (2014) and In Spades (2017). How Do You Burn? picks up the baton laid down by each of those records and runs it to the horizon. Work on it was begun in September 2020 – the COVID pandemic having forced Whigs frontman/songwriter Greg Dulli to abandon plans to tour his highly praised solo album, ‘Random Desire’ – and continued over the next 14 months. 

The global pandemic dictated also that the band record largely apart from, and in different locations to, each other: Dulli, his co-producer Christopher Thorn and drummer Patrick Keeler together in California; bassist John Curley, guitarist Jon Skibic and strings man Rick Nelson laying down and engineering their own parts in Cincinnati, New Jersey and New Orleans, respectively.  

“Once we got the system down, we started flying,” says Dulli. 

For his supporting cast, Dulli called upon several serial collaborators including the late Mark Lanegan, who was a regular in Dulli’s Twilight Singers, a partner in The Gutter Twins and a close friend.  Lanegan makes his Afghan Whigs debut singing backup vocals on two tracks.  “It was Mark who named the album,” Dulli remarked.

Susan Marshall, who sang on the Whigs album 1965, returns to the fray for “Catch A Colt,” one of the album’s standout tracks, loose-limbed like Some Girls-era Rolling Stones and with the liquid polyrhythms of Fleetwood Mac’s Tusk

The multi-talented Van Hunt, who toured with the Whigs in 2012 and guested on Do to the Beast, brings his stacked-up, wall-of-sound vocals to both the plunging, voodoo-blues of “Jyja” and the audacious “Take Me There”, transforming the latter, says Dulli, “into this feral gospel song. We sing really well together, but what Van does production-wise… it’s unrelenting.”

Then there’s Marcy Mays, lead vocalist on ‘My Curse’, the torch-song highlight of 1993’s seminal ‘Gentlemen’ album, reprising her role here on the celestial “Domino and Jimmy”, playing Stevie Nicks to Dulli’s Lindsey Buckingham. “I wrote that song with Marcy in mind,” says Dulli. “No-one sounds like her; she’s got an incredibly unique, emotional and evocative voice.”

The Afghan Whigs – Dulli, Curley, Nelson, Keeler and with Christopher Thorn now joining the band on guitar – will take How Do You Burn? out on the road beginning this spring.  Beyond that, says Dulli, their future is gloriously wide open.

How Do You Burn? Track List 

  1. I’ll Make You See God 
  2. The Getaway
  3. Catch A Colt 
  4. Jyja
  5. Please, Baby, Please
  6. A Line Of Shots 
  7. Domino and Jimmy
  8. Take Me There
  9. Concealer
  10. In Flames

U.S. MAY 2022 TOUR DATES  

05/11         Fort Lauderdale, FL Culture Room

05/12                Tampa, FL The Orpheum

05/13                Orlando, FL The Social 

05/14                Atlanta, GA Terminal West

05/15                Carrboro, NC Cat’s Cradle

05/17                Nashville, TN The Basement East

05/18                Louisville, KY Headliners Music Hall

05/20                St. Louis, MO   Delmar Hall

05/21                Milwaukee, WI   Turner Hall Ballroom

05/22                Indianapolis, IN   The Vogue

05/24                Pittsburgh, PA Mr. Smalls Theatre

05/25                Brooklyn, NY  Music Hall of Williamsburg 

06/01 Los Angeles, CA YouTube Theater

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Alfie Templeman – Forever Isn’t Long Enough

photo credit: Blackksocks

18 year old rising star Alfie Templeman has released his brand new mini-album Forever Isn’t Long Enough on Chess Club Records (MØ, Mumford and Sons, Jungle etc). Previous EP Happiness In Liquid Form followed Templeman’s trio of rapturously received EP’s – 2018’s Like An Animal, and 2019’s Sunday Morning Cereal and Don’t Go Wasting Time – in introducing the world to a prodigiously talented young musician, songwriter, producer, and performer. The Bedfordshire-born teen, self-taught on 10 different instruments, has enjoyed a meteoric rise and cemented his place as one of UK indie’s brightest lights.

Templeman’s latest single “Everybody’s Gonna Love Somebody” is currently on the B List at BBC Radio 1, following his fourth consecutive Hottest Record in the World with Annie Mac. Templeman has also shared the music video for mini-album track “Wait, I Lied”, directed by Thomas Davis.

Speaking about the new video Alfie says: “We filmed “Wait, I Lied” in a couple hours. The thing that I love about it is that the whole video was just ideas myself and Thomas came up with on the spot, it’s totally spontaneous, we didn’t plan anything and just went for it. I hope people appreciate my amazing dance moves, I think it’ll be my next career if this music thing doesn’t work out!!”

Alfie Templeman will also embark on a Spring 2022 headline tour – including his biggest show to date at London’s O2 Shepherds Bush Empire on Mar 16 – as well as supporting Declan McKenna in the UK and heading out on a maiden US headline tour, alongside shows with Chloe Moriondo later this year. Full list of live dates below. 

Featuring rapturous singles “Forever Isn’t Long Enough” and the aforementioned “Everybody’s Gonna Love Somebody”, the new mini-album is Templeman’s final and most substantial body of work before recording starts on his proper debut album. Templeman explains: “I wanted to make a refined and focused pop record – something more widescreen than an EP but more concise than a full-length album -with a feel somewhere between Fleetwood Mac’s Rumours and Tame Impala’s Currents. In making Forever Isn’t Long Enough I realised that I needed to slow down a little and work on things carefully. The songs took anywhere from one day to 4 months to 2 years to finish for this record, but I made sure each one was perfect and I’ve never been more proud of how they all came out.” 

With an impressive 106k Instagram followers since his first post in 2019, over 1 million monthly Spotify listeners, and a cumulative streaming figure of over 60 million,  Alfie Templeman has come a long way since the release of debut track “Like An Animal”. At one point in 2020, Templeman had three songs in the Music Moves Europe Talent Chart Top 20; was featured as the cover star of Dork Magazine; was included in the FIFA 21 soundtrack; in February, was H&M Artist of the Month in the UK, with accompanying store visuals and playlist support. Templeman was previously handpicked by Apple from a global shortlist of rising artists to front their #shotoniphone campaign and was chosen by YouTube Music to be a worldwide ‘Foundry Artist’ in 2020, following in the footsteps of artists such as Dua Lipa and Rosalia, featuring on 90-foot billboards in Times Square in NYC and Central LA.

See Alfie Templeman live in 2021/22:
July 22 | Truck Festival, Steventon 
July 29 | Kendal Calling Festival, Penrith 
Aug 12 | 110 Above Festival, Atherstone
Aug 25 | O2 Academy, Bournemouth (with Declan McKenna)
Aug 27-29 | Reading & Leeds Festival
Sep 3 | Neighbourhood Weekender Festival, Warrington
Sep 9 | O2 Academy, Leicester (with Declan McKenna)
Sep 18 | Brixton O2 Academy, London (with Declan McKenna)

Nov 23 | Bowery Ballroom, New York (with Chloe Moriondo)
Nov 24 | Brighton Music Hall, Boston (with Chloe Moriondo)
Nov 26 | Velvet Underground, Toronto (with Chloe Moriondo)
Nov 28 | The Crocodile, Seattle
Nov 29 | Holocene, Portland
Dec 1 | Rickshaw Stop, San Francisco
Dec 3 | The Roxy Theatre, Los Angeles
Dec 4 | Voodoo Room, San Diego


Mar 2 | The Cluny, Newcastle
Mar 3 | Saint Luke’s, Glasgow
Mar 4| Brudenell Social Club, Leeds
Mar 5 | Gorilla, Manchester
Mar 8 | Leadmill, Sheffield
Mar 9 | Rescue Rooms, Nottingham
Mar 10 | O2 Institute, Birmingham
Mar 11 | Thekla, Bristol
Mar 12 | Patterns, Brighton
Mar 16 | O2 Shepherds Bush Empire, London
Mar 18 | The Academy, Dublin
 

Alfie Templeman – Forever Isn’t Long Enough – tracklisting:
1. Shady
2. Forever Isn’t Long Enough
3. Hideaway 
4. Wait, I Lied 
5. Everybody’s Gonna Love Somebody 
6. Film Scene Daydream 
7. To You 
8. One More Day (feat. April)

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Alfie Templeman – “Everybody’s Gonna Love Somebody”

18 year old rising star Alfie Templeman has shared his brand new single “Everybody’s Gonna Love Somebody”, and has announced details of his new mini-album Forever Isn’t Long Enough – out on 7 May via Chess Club Records. The track premiered as Annie Mac’s Hottest Record In The World on BBC Radio 1 – his fourth consecutive Hottest Record. Forever Isn’t Long Enough, which serves as Templeman’s final and most substantial body of work before recording starts on his debut album proper, is available for pre-order HERE


“Everybody’s Gonna Love Somebody” is Alfie Templeman’s first single since riotous bop “Forever Isn’t Long Enough” arrived back in September 2020; Templeman has since been included in an amazing run of 2021 tips lists, including the BBC Sound Of 2021, Radio X Great X-Pectations, MTV, Amazon Music, Vevo, The Sun, Sunday Mirror, The Independent, The Telegraph, The Official Charts UK, Wonderland Magazine, Huffington Post, and more. 

The new single – written, performed, and produced entirely by Templeman in his bedroom – takes inspiration from classic groove-laden 80s pop, with sultry sax lines weaving their way between popping guitar rhythms. The Bedfordshire teen explains: “I first wrote and recorded “Everybody’s Gonna Love Somebody” back in 2017 when I was 14 years old and it’s been ingrained in my memory ever since. I’d always go back to it and try to re-record it but I could never quite get it right – then I went on a Tears For Fears binge and realized that it needed that “Everybody Wants To Rule The World” kind of production. I got back in the studio, changed a few lyrics, and cut it in a couple of hours. It’s probably my favourite song on the new record.

Adding about the mini-album: Forever Isn’t Long Enough is the most polished collection of songs I’ve ever made. I wanted to make a refined pop record somewhere between Fleetwood Mac’s Rumours and Tame Impala’s Currents. Making Forever Isn’t Long Enough made me realise that I needed to slow down a little and work on things more carefully. Songs could take anywhere from a day to 4 months to 2 years on this record, but I made sure each one was perfect and I’ve never been more proud of how they all came out.”

With an impressive 105k Instagram followers since his first post in 2019, over 1 million monthly Spotify listeners, and a cumulative streaming figure of over 50 million, Aflie Templeman has come a long way since the release of debut track “Like An Animal”. At one point in 2020, Templeman had three songs in the Music Moves Europe Talent Chart Top 20; was featured as the cover star of Dork Magazine; was included in the FIFA 21 soundtrack; in February, was H&M Artist of the Month in the UK, with accompanying store visuals and playlist support. Templeman was previously handpicked by Apple from a global shortlist of rising artists to front their #shotoniphone campaign and was chosen by YouTube Music to be a worldwide ‘Foundry Artist’ in 2020, following in the footsteps of artists such as Dua Lipa and Rosalia, featuring on 90-foot billboards in Times Square in NYC and Central LA.

Alfie Templeman – Forever Isn’t Long Enough mini-album – out May 7th 2021 on Chess Club Records

1. Shady
2. Forever Isn’t Long Enough
3. Hideaway 
4. Wait, I Lied 
5. Everybody’s Gonna Love Somebody 
6. Film Scene Daydream 
7. To You 
8. One More Day (feat. April)

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New Music From Holy Ghost!

Photo: Harry McNally

Crafting each sound from scratch with unapologetic, exacting precision, Holy Ghost!’s penchant for in-the-studio perfectionism has delivered hit after hit to the dancefloor. This analog approach to “electronic” music heavily informs the band’s third album Work coming June 21, 2019 on West End Records.

Available for pre-order todayWork features the brand new song “Escape From Los Angeles”(out today) plus previously released songs Anxious” and “Epton On Broadway (Part I & Part II)”. It follows the group’s two previous albums, 2013’s Dynamics and 2011’s eponymous debut (both via DFA) and isfirst full-length LP to come out on the iconic West End Records label in more than 30-years!

A return to the heady ethos that drove Holy Ghost!’s earliest releases, Work sees New York City natives Alex Frankel and Nick Millhiser revisit the freedom from expectations that suffused their 2011 self-titled debut full-length. It was a situation that stemmed partly from circumstances: They dismantled their basement Brooklyn studio and moved to a small room that a few musician friends were renting above a doctor’s office (incidentally the same address where they mixed Holy Ghost!). Due to space limitations, they pared their extensive gear collection down to just two synths, a Yamaha CS80 and a Mini Moog. “Not necessarily the bare necessities, but what would make for the most interesting limited palette,” says Millhiser. “David Bowie didn’t have every fucking synthesizer on earth to make Low. He had two. And that’s one of my favorite synth records of all time.”

The 12-song collection features the buoyant but bittersweet, “Do This” which interweaves ambient chatter from a studio session with a Nile Rodgers-esque guitar, “Nicky Buckingham’s” Fleetwood Mac-inspired riffs and swelling strings are eerily danceable, whereas “Heaven Knows What” – the band’s slowest track to date – showcases an emotional depth and range only hinted at in past releases. Featuring the talents of musical peers including Sinkane’s Ahmed Gallab, Juan Maclean and LCD Soundsystem’s Nancy Whang, Rob Moose (Bon Iver, Paul Simon, David Bowie) and Alex Epton (Neon Indian, David Byrne), Work transcends its physical constraints to capture a spectrum of vibes that remain true to Holy Ghost!’s reverence for the art and craft of dance music.

Work Tracklist:

Epton on Broadway Part I

Epton on Broadway Part II

Anxious

Heaven Knows What

Nicky Buckingham

Do This

One For Pete

My Happy House

Heaven Forbid

Soon

Slow Burn

Escape From Los Angeles

 

Upcoming Holy Ghost! Live Shows:

04-26 San Francisco, CA – The Independent

04-27 Los Angeles, CA – Globe Theatre

05-03 Washington, DC – U Street Music Hall

05-09 Guadalajara, México – Corona Capital at Autódromo Hermanos Rodríguez

06-21 New York, NY – Bowery Ballroom (Album Release Show)

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Must Listen: Communist Daughter – “Balboa Bridge”

cd

“Together, they present a more down-to-earth Arcade Fire and a more gripping Of Monsters and Men while nicely filling the void left by The Civil Wars’ breakup” – Chicago Sun Times

After songwriting comparisons to Bruce Springsteen (“Hold Back”), Nirvana, and Fleetwood Mac (“Roll a Stone”), Communist Daughter is debuting another single from the upcoming sophomore album: the misleadingly upbeat “Balboa Bridge.” The gorgeous instrumental melodies and vocal harmonies are comforting at first take, but demand another listen to reveal another meaning.

Frontman Johnny Solomon explains the inspiration behind the song: “There’s this gorgeous park in the middle of San Diego, and there’s a bridge right in the middle of it that runs over the highway. My mom told me that when she was younger, they used to call that Suicide Bridge. I remember the times when I was thinking of that option, and how far away that bridge was from me. All I could think about was that it was this place, so far away from that basement in Wisconsin where I was getting high; it was this magical place in my mind where I wouldn’t feel the way I did anymore.”

October 21st will see the release of their highly anticipated sophomore album The Cracks That Built The Wall as well as a string of tour dates through the Midwest supporting the album – see below:

TOUR DATES:
10/12 – Sioux Falls SD – Icon Lounge
10/14 – Omaha NE – O’Leavers
10/15 – Des Moines IA – Vaudeville Mews
10/16 – Lincoln NE – Duffy’s
10/21 – Minneapolis – Electric Fetus In Store
11/3- Nashville TN – Hi Watt
11/4 Dayton OH – Blind Bobs
11/5 Florence AL – 116 E. Mobile
11/7 Lexington KY – The Burl
11/8 Madison – The Frequency
11/9 Iowa City – Yacht Club
11/10 UW Platteville – Platteville, WI
11/11 Minneapolis – First Avenue

PRE-ORDER THE ALBUM HERE

PRE-ORDER THE ALBUM HERE

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Highly Anticipated: The Hood Internet

Chicago DJ duo, The Hood Internet, featuring STV SLV and ABX, are releasing their debut album of original material, FEAT with Decon on September 18, 2012.  The Hood Internet are infamous for their mixtapes featuring blends of a wide array of artists including the late Whitney Houston, Justice, Fleetwood Mac, Jay-Z and more. Their foray into production work has found them collaborating on new songs with hyped rappers and artists from across the nation that range from Chicago artist Show You Suck to Black Moth Super Rainbow’s Tobacco. This release marks The Hood Internet’s first completely original, sample-free album with vocal and instrumental collaborations highlighting different artists including erudite rapping by Psalm One on ‘More Fun’, synth-pop trio Class Actress alongside Canadian rapper Cadence Weapon on the chimerical ‘Critical Captions’ and the infectious track ‘Won’t Fuck Us Over’ featuring the raw energy of Chicago group BBU.

Since the inaugural release of their first, critically acclaimed mixtape in 2007, their rise to glory has steadily landed them performances at festivals like Lollapalooza, Bonnaroo, SXSW, CMJ, Pitchfork’s #Offline, Mad Decent Block Party, and The Roots Picnic.  When they aren’t busy playing huge festivals or touring the country,  they’re releasing upwards of 500 mixes on their website, leading to millions of free downloads since their start in 2007.  The Hood Internet will be going on a west coast run with Psalm One and Tanya Morgan in July and August.  A national tour will take place in September and October, coinciding with the album’s release.

FEAT TRACK LISTING:

  1. Critical Captions (ft Class Actress, Cadence Weapon)
  2. One For The Record Books (ft AC Newman, Sims)
  3. More Fun (ft Psalm One, TOBAXXO)
  4. Nothing Should Be A Surprise (ft Isaiah Toothtaker, Show You Suck)
  5. Exonerated (ft Zambri, Hooray For Earth, Junior Pande)
  6. Won’t Fuck Us Over (ft BBU, Annie Hart)
  7. Do You Give Up Now? (ft Donwill, My Gold Mask, Junior Pande)
  8. Our Finest China (ft The Rosebuds, Astronautalis)
  9. Uzi Water Gun (ft Millionyoung, Kenan Bell, The Chain Gang Of 1974)
  10. These Things Are Nice (ft Kid Static, Slow Witch, Kleenex Girl Wonder)

UPCOMING TOUR DATES:

  • SAT JUN 22 – Beauty Ballroom, Austin TX
  • WED JUL 25 – Wild Buffalo, Bellingham WA*
  • THU JUL 26 – Chop Suey, Seattle WA*
  • FRI JUL 27 – Mississippi Studios, Portland OR*
  • TUE JUL 31 – Catalyst Atrium, Santa Cruz CA*
  • WED AUG 1 – The Independent, San Francisco CA*
  • THU AUG 2 – Detroit Bar, Costa Mesa CA*
  • FRI AUG 3 – The Central, Santa Monica CA*
  • SAT AUG 4 – Casbah, San Diego CA*
  • THU AUG 9 – U Street Music Hall, Washington DC
  • SAT AUG 11 – Brooklyn Bowl, Brooklyn NY

* with Psalm One and Tanya Morgan

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Chief – “Breaking Walls”

This song is absolutely AMAZING. It pulls you in from the beginning (which reminded me of Fleetwood Mac) and it keeps you listening with it’s sunny & sad-at-the-same-time melody. Chief released their album Modern Rituals last month, and you can check out the album over at Amie Street and download “Breaking Walls” for free.

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