British artist, songwriter and producer FØNX has today released his debut single ‘Can’t Get Enough’, which was produced by Grammy award-winner Tommaso Colliva (Muse).
FØNX explains, “’Can’t Get Enough’ came about whilst I was homeless and sofa surfing for a couple of months and after a very colorful twenty-four hours, I found myself writing initial ideas for the song”.
Drawing influence from the likes of Kanye West, Childish Gambino, Frank Ocean, D’Angelo, John Mayer and Tame Impala, FØNX delivers R’n’B-infused pop with jazz, funk and soul influences, merging catchy grooves, memorable hooks and intricate guitar licks with inspired lyrical content.
Coming from a musical background FØNX started learning guitar at the age of seven and was soon introduced to rap and hip hop, sparking his enthusiasm to start writing lyrics and create backing tracks from samples.
FØNX continued experimenting with music and film during a number of years of home-schooling and soon enrolled at the Brit School where he studied music.
Since leaving, FØNX has continued writing and producing his music at home, on trains, buses, in coffee shops and backstage before shows, constantly coming up with ideas for melodies and lyrics wherever he went. Playing the live circuit around London and the South East he has also performed at various festivals including Barn on The Farm, Cornbury Festival, Isle Of Wight Festival and Leefest.
the video for Fujiya & Miyagi’s track “Impossible Objects of Desire”. It is the 9th track off their recently released self-titled album. When talking about the video lead vocalist David Best said, “The song is a hymn to vinyl and the rush that music can provide,” offers vocalist David Best. “It loosely began as a homage to Bowie’s ‘Be My Wife’ Video, but then morphed into something else. The song is also about the physical and chemical reaction music has on the mind and body.”
order the self-titled LP here
Many musical projects approaching almost two decades of existence begin to show signs of stagnation or perhaps start to crook their neck as looking over their shoulder becomes a more common stance than focusing on the horizon. However, for the Brighton-based, genre-hopping, Fujiya & Miyagi the opposite can be said as they see in 2017 by wrapping up a unique year-long musical project that represents one of their most adventurous to date.
Two EPs join a third to make up this album, a carefully staged project that sees the group traverse disco, electro, pop, and the now synonymous 1970s Germany-inspired groove they so seamlessly ooze. Whilst the EPs all contain a distinct personality and fluidity of their own, the new dynamically focused position of the tracks as a full album embodies a long-term plan. “From the beginning, I have always thought of this as an album rather than three separate records, ” Singer David Best says.The now melded album is a vast one stylistically with influences and references that span from Arthur Russell to JG Ballard, yet the undercurrent that connects it all into one universal groove is one of honesty and joy, a surging sense of euphoria and hope that attempts to cut through the foggy world that welcomes its release. “On this album, I have tried lyrically to find the positives and not rely on my factory setting of a general contempt for the world around me.” Best says.
The positivity and propulsive energy of the record is not only carried by its natural rhythm, lyrics, and sparkling melodies but is also a reaction. “The album is a really strong resistance to societies compulsion to suck the energy out of everything. It’s a really good thing to provide an antidote to all the scary stuff that is going on, even if it’s just for 5 minutes.” Best says although the album proves to be more than a five-minute distraction and more like a 45min escape.
Fujiya & Miyagi – S/T tracklist
01. Magnesium Flares
02. Serotonin Rushes
04. To The Last Beat of My Heart
05. Extended Dance Mix
06. Outstripping (The Speed of Light)
08. Freudian Slips
09. Impossible Objects of Desire
10. Synthetic Symphonies
In the spring of 2016, old friends Jamie Ley and Philip Morris spent a day in a pub on top of Muswell Hill in north London chatting about their love of great pop music. After going back to Phil’s house to play piano, something clicked and they decided to create a new musical project that focused solely on melodies. When they met drummer Aaron Colton at a New Year’s Eve party, the group was finally complete and Pace was born. A stint recording with renowned producer Bernard Butler soon followed. Having been featured on BBC Radio 6 Music, BBC Radio 2 and a Spotify Top 50 Viral Artist this year, the future looks bright for the alt-pop three piece.
‘Through Your Fingers’ is a Motown inspired melody ready for the summer. It’s a song about meeting someone you really like, but not having the courage to ask them out. Or when you meet a person who turns your world upside down, but you decide to act cool and risk losing them. The longer you wait, the harder it gets. The song is a kind of mantra – you’ve got to act quickly on things before they slip away. Don’t be scared to tell someone how you feel, otherwise you could lose them forever. — Pace
Tre Coast, an 18 year old North Carolina native, has been playing the piano since the age of seven, and recording music in his own bedroom since he was 13. He’s known for combining elements of pop, R&B and electronic music with well-told stories that capture the feelings anyone and everyone can relate to. Tre Coast found early success online, garnering over 25 million of views and streams of his music.
Of this song, he says:
I wrote “I Can’t Let You Go” about an on again, off again relationship I was in for three years. She would lie, cheat and make things difficult at all times, but I continued to go back to her. That’s what “I Can’t Let You Go” is truly about. Being so attached to someone that you can’t move on from. You can’t let them go. I’ve been able to move on since writing this song, but it’s still a reminder to never go back to that relationship.
Check out the track below:
The face and voice of The Gold Setting is Liza Colby. Channeling sensual 1960s soul, 1990s R&B, and Tina Turner-esque swagger, The Gold Setting boasts a fluid cast of all-stars including multi-instrumentalist/composer/arranger Todd Simon (Ghostface Killah, Sharon Jones, Lily Allen), Grammy-nominated Adam Berg (Decoders), and songwriter/producer/musician Richard Rudolph (Stevie Wonder, Minnie Riperton, A Tribe Called Quest, 2Pac, Chaka Kahn, En Vogue).
The Gold Setting has announced their debut Volume and Tone EP set for release on April 7th and have revealed the infectious first single “Being Without You”.
In 2015, Liza was presented with a “golden moment” – a perfect pocket of time where she had a chance to head to Los Angeles and collaborate with Todd Simon who then enlisted Adam Berg. Despite having no songs and never having worked together, Liza impulsively popped the question to do a show, and Todd and Adam signed on for the adventure. The trio had 12 days to spin yarns into gold. Immediately, sessions began at Manifest Music (Adam Berg’s studio) in Santa Monica. Liza soon found herself creating with a full house of iconic collaborators and musicians spanning genres and generations.
The result manifested in the form of the Volume and Tone EP – a four track collection that melds vintage instrumentation, bold electro-pop textures, and rugged beats with timeless Motown-tinged songcraft. Organic yet electrified, the tracks were recorded using a blend of old school 50s/60s techniques and modern technology, bringing out the authentic tones of the instruments yet delivering an explosive sound.
photo credit: Adéle Askelöf
Lucas Nord is a 24 year old producer and singer from Stockholm that’s already got a number one single — “Run On Love” featuring Tove Lo in 2013 (see video below). Now he’s got another one coming with his second album Company, called “Do About It” with Naomi Pilgrim. The song includes pop, R &B and house all rolled up into a burrito.
Speaking about the track Lucas said: “When I came up with the idea of having a feature on this record Naomi instantly came to mind. She has that soulful touch I’m always looking for. We have known each other for a while and have discussed doing some kinda collab in the past so when this came up I think we both felt it was the right time to do it. I’m very, very excited for it to finally come out.”
The High Learys are a four piece inspired rock band from Perth, Western Australia consisting of Jamie Turner (lead vocals/bass), Michael Nutt (keys/vocals), Matt Williams (guitar) and Mitchell J Benson (drums). Forming in 2011, they have released one album, and a number of singles. In 2013 the band went over to Europe to play shows in Germany, France, Italy, Spain and England. In August 2014 the band went back into Poons Head Studios to record their next single “Clear My Mind” with producer Rob Grant. It was then released on 7″ vinyl through Soundflat Records in late October. Shortly after it’s release the single was used in both a Bose Headphones and Sportscraft commercial.
During November and December 2014 the band embarked on a second European tour, playing shows in Germany, Spain and England. Their single “Clear My Mind” charted at No. 1 in the AMRAP charts in 2014. the band have released multiple records and have two European Tours under their belt, 2016 finds them causing quite a stir overseas as well as on their home soil.
“Cabinet” by THE HIGH LEARYS will be released 25th of March 2016 — listen to it now, right here!
The making of new single, “Cabinet”, was the first time the band had ventured into recording entirely by themselves. Produced and engineered by the band’s keyboard player Mike Nutt and recorded over the summer of early 2015 at various houses and studios. The finishing touches where added at Blackbird Studios with Dave Parkin.
“We’d been talking for a while about recording ourselves so we decided to knuckle down and give it go. We found that doing it this way gave us a lot more creative control in our recording process and enabled us to take our time with tracking to make sure it was exactly how we all wanted it to sound,” says the band.
“Cabinet” explores the insecurities of a young mind. Someone who feels lost in their ways, but at the same time shares the burdens of adolescents with their other half.
“Cabinet” by THE HIGH LEARYS will be released 25th of March 2016 — listen to it now, right here!
TRAVEL TO SOUTHEAST ASIA WITH GEMINI IN THE STUNNING NEW “TIME TO SHARE” VIDEO
Earlier this month, I posted a link to listen to Gemini’s (Thomas Slinger) new single “Time To Share”, a vivid, verdant electronic pop infused track with intercontinental influence. Now, the UK electronic artist debuts the stunning visual to accompany the track. Shot by Slinger himself during a 3-month voyage across South East Asia, what follows is a mesmerising and transportive video.
Speaking about the video, Slinger explains:
“Given the current political climate of the world – I wanted to share that there are many incredible people, beautiful untouched landscapes and so many positive things happening. Time To Share was filmed over 3 months – My girlfriend and I went on a life changing experience that took place across South East Asia. We climbed volcanoes, explored ancient civilisations, met the kindest people and cared for gentle giants. Each and every moment was magical. It took all of my strength to produce this video but I’m looking forward to shooting more and I’m so proud to finally share it.”
Kelly McMichael, aka RENDERS, pours her sensitive heart into this debut single, “I Am Gone”. Asserting herself in the discourse of pop music, Renders is a love letter to herself and the state of moving on.
Check out the track, described on SoundCloud as “sounds like Solange and Robyn making out in Washed Out’s studio.”
LOVE the intro. The song was produced by Mark Andrade of the band Paradise Animals (which you should also check out HERE).
Listen: Mike Dignam – “Addict”
Following his last hit single “Hurt”, Mike Dignam delivers another dark and sophisticated track off his upcoming album Fight to Forgive. “Addict” showcases Dingman’s talent to tie raw feeling and heavy lyrics into a soulful pop hit. Dignam allows his skills and hard work to shine through in “Addict”. Using the simplicity of drums, bass, guitar, and the haunting vocals of his distinctive voice, to create and own a sound that sets him apart from the average singer-songwriter. Dignam uses his impeccable vocals to carry a forcefulness and yearning within his lyrics, resulting in a song that is full of vulnerability and devotion.