“dramatic and poignant” – NPR
“Setting Sun create an Arcade Fire urgency, creating sweeping orchestrations, driving rhythms. Delicate, hushed vocals and well-crafted pop songs” – Pop Matters
“Incredibly well-crafted songs ” – USA Today
It’s been awhile since we’ve heard from Setting Sun. But, they’re back with a their fifth album called Be Here When You Get There out now (as of the 22nd) through Young Love Records.
Setting Sun’s songs are propelled by driving rhythms, tasteful acoustic guitar lines, graceful string orchestrations and frontman Gary Levitt’s intimate, earnest vocals. Jen Turner (Here We Go Magic, Exclamation Pony) plays bass on the record. Levitt was born in Queens, New York but started the band in San Francisco. Brooklyn is now home base and is where this new album was recorded.
Have a listen at a couple of songs from the new album. Unfortunately, this playlist does not have the 2 songs that I like from the album, “Idiot” and “Singularity”, which the latter has sort of a Gary Jules sound to it. All of the songs remind me a teensy bit of the Dandy Warhols, too.
Here ya go!
Here’s links to buy the album:
Bandcamp (This link will let you listen to the whole album, including the 2 songs I mentioned above.)
“Frontman Dylan Von Wagner has a voice that wavers between uncertainty and rock ‘n’ roll confidence, and he’s one of the few modern-day vocalists I have a hard time comparing to anyone else.” – USA Today’s Pop Candy
“Imaginary People’s lead vocalist, Dylan Von Wagner, has the kind of voice you don’t hear much anymore: there’s a vibrato to it, and an occasional yelp, and a good-natured snarl, all of which might put the listener in mind of Elvis or Jerry Lee Lewis.”–Interview Magazine
“Sounding like Eddie Veddar and Tiny Tim Harmonizing in a meat cooler, Dylan Von Wagner’s shivering warble grabs you straightaway.”–Rolling Stone
“Von Wagner is a commanding presence, expressive and elegantly bombastic”–Pitchfork
“…as much of a throwback as it is a dance party-starter.”–Nylon
The world we see in Imaginary People’s video for “Miles” is an honest day in New York City, but somehow slightly more fanciful. Perhaps it’s the carefully constructed cinematography, the 80’s boom box perched nostalgically on a shoulder or the radical and unapologetic dancing. As the main character leads us from symmetric backgrounds to a pulsing dance floor, we see how many ways this song can be boogied to.
Imaginary People have created a pure, unadulterated sound, utilizing Dylan Von Wagner’s surprisingly unique vocals, as well as a dance-happy synth and pulsing drums throughout. This track creates a vibe that could easily apply to a sweaty strobe lit dance floor or playing pool in a dimly lit pub. Half blues, half punk, half something completely their own, this video is a perfect match for a sound is as unique as this guy’s dance moves.
With his magnetic presence, it’s difficult to divert your eyes from dancer Menelik Puryear. Von Wagner explains to Pop Candy, “Menelik is dead serious about dancing; he literally danced for seven hours straight and has no problem shaking it in front of anyone.”
Miles is the b-side to the equally as energetic and danceable “Fever Nation,” which premiered earlier this summer.
DWNTWN signs with Jullian Records and will be releasing their new self-titled EP on April 29. This marks the first EP release through a label for the LA based indie-pop band.
In celebration of the announcement, DWNTWN debuted the first track, “Til Tomorrow” from above mentioned EP, on USA Today’s Pop Candy. “We need all the sunshine we can get right now, and DWNTWN has it in spades,”
French tastemaker label, Kitsuné, first put DWNTWN on the map in 2012 after they debuted the band’s first single “See My Eyes”, and in 2013 they included a collaboration track (with Giraffage and Jhameel), “Move Me” on another compilation album. Both songs reached #2 on Hype Machine’s popular chart.
DWNTWN first formed in 2010 when Jamie Leffler and Robert Cepeda, both dealing with bummer breakups (Jamie, from Robert’s brother!), spent their weekends getting drunk and writing depressing folk songs, which they recorded onto their iPhone. It wasn’t long before Jamie and Robert recovered from their heartbreak and transformed those early demos into full-fledged, indie-pop songs, which were all written and produced themselves.
While their last EP, The Red Room, was very synth heavy and reminiscent of the Drive soundtrack, their forthcoming EP has a lot more guitars and live instrumentation. Their new single “Til Tomorrow” feels more closely related to the Garden State soundtrack.
Over the years, the band has expanded live from a duo, into a trio, and now fills the stage as a foursome. Having just completed a successful LA residency with over 400 people in attendance each week, and having toured previously with some heavy hitters, Capital Cities and Gold Fields, DWNTWN is excited to get on the road again next month with El Ten Eleven.
Tour Dates with El Ten Eleven:
3.12 @ Strummers, Fresno, CA
3.13 @ Belly Up Tavern, Solana Beach, CA
3.14 @ Constellation Room, Santa Ana, CA
3.15 @ SLO Brew, San Luis Obispo, CA
photo: Rasha Deluliis
The Sleepwalkers have been quietly banging around in the attic for the better part of five years in Wisconsin’s Fox Valley region. Writing, rewriting, absorbing, touring and, every now and then, releasing a record.
From this, comes Lost My Mind In Stereo, the second full-length album from The Sleepwalkers (formerly Ian Olvera & The Sleepwalkers). Building on the framework of their 2010 release The Reckless Kind, the band hits full force with a lot of drums, a lot of guitars, and a lot of attitude on Lost My Mind In Stereo. A variety of keyboards augment the arrangements and help accentuate each hook, leaving you with a roadmap back to such influences as The Band, Sam Cooke and The Replacements.
After the release of The Reckless Kind, The Sleepwalkers spent the better part of 2010-2012 supporting the record on the road locally, regionally and nationally. The band logged countless local shows, as well as several self-booked regional and national tours, including shows with White Rabbits, Ha Ha Tonka, The Henry Clay People, Dan Vapid & The Cheats, Paul Collins Beat, Prima Donna, The Melismatics, The Figgs, Miles Nielsen and more.
The Sleepwalkers’ Lost My Mind In Stereo will be available on CD & digital formats on April 8th via IJGFM Records.
LOST MY MIND IN STEREO TRACK LISTING:
1. My Best Was Never Good Enough
2. It’s a Good Day to Watch the World Go By
3. Come Around
4. Safe For the Ride
5. Primetime Syndication
6. Big Hoax
8. Talking Out of Turn
9. Bottom of the Hill
10. In a Station
11. In & Out
12. The Reckless Kind
“Lyrically, he often expresses those feelings of solitude, though, musically, the results may be best enjoyed in a room wall-to-wall with sweaty skin.”— USA Today “PopCandy”
Yuksek released the “Off The Wall” single in the US! Combining infectious dance-floor beats with catchy pop hooks, the French electro-pop composer creates a sound teeming with energy. The single includes four unique remixes of the pop gem including one from Brodinski which RCRD LBL called “a killer redux”. For another taste of the single, check out DJ Harvey’s synth-heavy remix, streaming here or grab the full package on Beatport.
Yuksek’s “Off The Wall” single includes a dreamy remix from Cubic Zirconia, full of heavy beats and ghostly echoing vocals. The Pelican Fly remix features a series of varying beats and time signatures, keeping listeners on their toes while it builds from a slow start to a quick, danceable beat, and then back again. His latest album, Living On The Edge Of Time, released February 14th on Ultra Records, received widespread praise from the likes of USA Today, Mashable & Time Magazine, among others.
Listen: Yuksek – “Off the Wall” (DJ Harvey Remix)