Category Archives: new albums

Video: Francisco the Man – “Progress”

Francisco the Man

“…indie in theory, but with big-tent ambitions, a little shoegaze, a lot of synth-pop, the faintest hint of danceable forms of punk.”  Pitchfork

“Francisco the Man articulate all their pent-up yearning and tension with layers of reverberating guitars (and now, synths) ranging from lush to squalling. If you’re looking for reference points, think Built to Spill canoodling at the beach with ’90s British shoegazers and contemporary electro-poppers.” Buzzbands LA

 “The right balance of ear-catching fervor with a looming electronic armor to separate itself from the throwaway pop milieu.” I Guess I’m Floating

 “The glistening, hook-filled guitar jam “Progress” is the first single and it packs a huge melodic punch.”Music for Ants

 “A catchy chorus that gets stuck in your head for the rest of the day, tight wave-guitars and an overall summery dancing vibe.” Subbacultcha

LA’s Francisco The Man recently announced the release of their debut album, Loose Ends, on Small Plates records this September 30th.  Check out the video for their song, “Progress” now!

It took roughly seven years, a teenage instrumental rock band, a debut EP, additions and subtractions, a roller rink and a near death experience to arrive at Francisco The Man. Following a two-year hiatus beginning in 2008, the band relocated from Riverside to Los Angeles, CA, bringing along a new addition, guitarist Brock Woolsey. With the help of Small Plates Records, they released two 7″s, In the Corners and Tiger.

 

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Free Download: The Last Bison – “Every Time”

The Last Bison
…The Last Bison make theatrical folk music that refuses to stand still and isn’t afraid to get loud.” – Wondering Sound

To capture the new sounds on The Last Bison’s upcoming album titled VA (out 9/30), the band spent many days and nights in an old A-frame cabin, on the outskirts of the Great Dismal Swamp near the band’s home in Chesapeake, VA. Out of this rustic cabin emerged a collection of music with booming organic drums and energy beyond anything from their previous work. The 11 songs on VA reveal a rejuvenated band relishing in their newfound freedom and returning to their independent roots.

Ben Hardesty, who is the primary songwriter and vocalist, also recorded the drum tracks on the new album.  Andrew Benfante, who has played a 1930s reed organ on previous works, adds piano to the layers, and Amos Housworth has expanded from cello to offering all the bass tracks on the project. Dan Hardesty alternates from banjo to mandolin to guitar, while he and Annah Housworth, who plays bells, provide the lush backing vocals. Teresa Totheroh’s violin is the thread that sows the myriad parts together.

Listen/download: The Last Bison – “Every Time”

Upcoming Tour Dates
9/26 – Richmond, VA – The Camel (tix)
9/30 – Pittsburgh, PA – Hard Rock Cafe (tix)
10/01 – Bloomington, IN – The Bishop (tix)
10/02 – Chicago, IL – Schubas Tavern (tix)
10/03 – Minneapolis, MN – 7th Street Entry (tix)
10/04 – Rock Island, IL – Rozz Tox (tix)
10/16 – New York, NY – Mercury Lounge (tix)
10/17 – Fairfield, CT – StageOne
10/18 – Philadelphia, PA – World Cafe Live (tix)
10/22 – Durham, NC – Motorco Music Hall (tix)
10/23 – Atlanta, GA – Vinyl (tix)
10/24 – Athens, GA – New Earth Music Hall (tix)
10/25 – Charlotte, NC – Visulite Theatre (tix)
11/06 – Vienna, VA – Jammin’ Java (tix)
11/07 – Charlottesville, VA – The Southern (tix)

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Check ‘Em Out: Streets of Laredo

streets of laredo

Brooklyn-based, New Zealanders’ Streets of Laredo have announced their first full-length album, Volume I & II on Dine Alone Records, out October 7th.  Destined to be a soundtrack for all things Fall, this album is a sing-a-long collision of jangling harmonies, stomping percussion, horns and guitars.  Take a listen to their debut track “Slow Train” below. The band also premiered a teaser trailer documenting life on the road; check it out here.

Founded by close-knit family members Daniel, Dave and Sarah Jane Gibson and inspired by the fervor and madness of the 70’s folk-rock circuit, Streets of Laredo was born out of trying to escape the mundane everyday working life. Older brother Dave tells the story, “Both Dan and I had done the hard yards in bands in New Zealand but we were worn out and a little lost by it all. And broke. I was running this t-shirt company and Dan walks in one day to tell me that he’s finished with music and he’s gonna go get a real job. All of a sudden my ‘big brother’ instinct kicks in and rather than see this young songwriter throw it all away, I gave him a job doing t-shirt orders, and we started working on demos and writing songs together, pretty much day and night from then on in.”

Refining their sound and songs one holiday weekend at a beach house on the New Zealand coast, the Gibsons started to fashion a sound that was equal parts folk storytelling and psychedelic madness.  With just one home-town show under their belt, a handful of demos and a whole lot of hope, they took the plunge and decided to move halfway around the world. Fast forward to the summer of 2012 and Streets of Laredo in a rehearsal space in Brooklyn NY with a guitar, a drum-machine and no money, trying to figure out what comes next.

Quickly adding fellow countryman Thom Darlow and local Brooklynites Sean McMahon and Andrew McGovern to the mix, this now rambling, multi-instrumental, seven-piece started to craft a dance-inducing mix of vocal hooks, beats and wild sounds that saw the New York music scene embrace them as their own – building a firm reputation in the music halls of Brooklyn and the Lower East Side for playing danceable, crazy songs that kept fans coming back for more – not to mention seeing the band feted as a must-see act at both CMJ and SXSW.

A quick trip back to New Zealand saw the band record the bones of ‘Volume I & II’ – ten songs inspired by their old life in NZ and their new life in NYC – in an old converted Auckland theatre where, courtesy of friendships and favors, they locked down that distinctive Streets of Laredo sound.

Like Bob Dylan running late to a Ramones concert or Paul Simon getting blind drunk with Grizzly Bear, however you describe them the resulting songs and sound have had an instant effect on fans and critics alike.  Stay tuned for an upcoming US tour announcement!

sol

Listen: Streets of Laredo – “Slow Train”

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Newest Love: Andrew McMahon In The Wilderness – “Cecilia and the Satellite”

Andrew McMahon in the Wilderness

Andrew McMahon in the Wilderness has shared the cover art for his upcoming self-titled album, which will be released on Vanguard Records on October 14, 2014. The striking image was created by Jimmy Marble. AMITW’s first single, “Cecilia and the Satellite,” is already getting strong airplay across radio formats and is available now on iTunesAmazon and Spotify.

Andrew is currently on tour with Matt Nathanson and Gavin DeGraw and will be performing tonight at Central Park’s Summer Stage. For other tour dates, updates and more information visit: http://www.andrewmcmahon.com/

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Newest Love: High Ends

Photo Credit: Mandy-Lyn

Photo Credit: Mandy-Lyn

” …more akin to American weirdos of various unseemliness from Ariel Pink to Jim James, tapping into a bygone era of retro-futurism and resulting in something so out-of-time that it sounds timeless.” Pitchfork

” …retro-futuristic sound that’s hard to pin down but easy to enjoy — similar in spirit to fellow Vancouver resident Dan Bejar’s Destroyer.” Stereogum

“…  a futuristic, psychedelic rock track that has put us in a trance.” Refinery29

The new solo project High Ends from Yukon Blonde frontman Jeffrey Innes is titled Super Class and will be released October 7th via Dine Alone Records. Having previously revealed lush album cut “The Weight” and the psych-rock single “Intoxicated,” NYLON has revealed the video for infectious album track “Downtown” today. Filled with irresistible, ‘80s-inspired analogue synths & an infectious refrain, the video is an artistic interpretation about relationships and detachment in the modern age.

Innes explains, “Downtown” is a song I wrote about internet dating. It’s actually more about a conversation I had with a friend regarding dating in general. She was finding internet dating hard to escape because less and less people try to meet people the old way now. She explained that in the old days she felt like a club was like a jungle and people behaved like animals. She used to hate being gawked at and treated like an object, but the internet thing doesn’t feel like anything at all. I feel like the video interpretation that Sabre has made for the song somewhat fits the modern feel of what it’s like to be single and detached from the new way of dating. The girl goes Downtown and still ends up by herself. It looks like she has a clear mind though, which is always nice.

The ten-song LP was recorded with producer Colin Stewart (Dan Mangan, The New Pornographers) at his Vancouver Island facility. During the sessions, Gold & Youth drummer Jeff Mitchelmore handled percussion, Louise Burns and The New Pornographers’ Kathryn Calder contributed backing vocals, and Ladyhawk’s Darcy Hancock laid down guitar. Fans not able to wait until album release can grab the 2-track single featuring “Downtown” and “Intoxicated” available now.
High Ends
Super Class Tracklist
1) Downtown
2) The Weight
3) Intoxicated
4) I’m Gonna Keep On Dancing
5) Cappuccino
6) The Believer
7) River Cruise
8) Ocean Song
9) Feel/Sleep/Aliens
10) Working Man’s Blues

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Listen: The Knocks – “Classic” (feat. Powers)

the knocks classic

Listen: The Knocks – “Classic” (feat. Powers)

“…a straight up summer smash, the kind of dance track that hangs in an era-less vacuum; the kind of tune makes you feel like you’re in a movie montage, that begins in the hazy magic hour and splices together every amazing moment till dawn.” VICE’s Noisey
“…the pair lands a sound timeless enough to conjure, via those perky guitar licks, catchiness ranging from modern Daft Punk, to old-school Sugar Ray, to that Len song, ‘Steal My Sunshine.’”
SPIN

NYC’s The Knocks are a distinctly 21st century duo, declared by NME as one of the “20 hottest producers in music” & by The Guardian as “cred-pop’s answers to The Neptunes.” Now one of the most buzzed-about duos on the electronic circuit, the blog world darlings recently announced the release of their debut full-length album, Endisco – set to drop October 7th. Endisco will feature collaborations with a wide range of superstar talent, including St. Lucia, Wes Miles (Ra Ra Riot), Adeline Michele (Escort), X Ambassadors, Sneaky Sound System & more.

Endisco album single “Classic” ft. Powers is a funk-infused dance anthem punctuated with The Knocks’ signature party-starting guitar loops, infectious keys & sultry vocals- the consummate summer anthem.

Having spent the last three years jet-setting around the globe for DJ gig, sharing stages with Grouplove, M.I.A., Chromeo & others, the duo will be on the road once again this summer- taking their ecstatic live show to college towns across the country as well as stints at New York’s Full Moon & Montreal’s ÎleSoniq festivals.

The Knocks consists of B-Roc & J-Patt, who moved in together after dropping out of music school in NYC. J-Patt’s background in soul & funk, and B-Roc’s years spent immersed in trip-hop & hip-hop beats, has allowed them to quickly ascend the production ranks. Initially gaining recognition for their remixes for artists including HAIM, Santigold, Foster the People, Two Door Cinema Club, Ellie Goulding & more, they eventually found themselves experimenting with sounds of their own. The guys didn’t think much would come of a nearly five-minute track they’d been building, all tense beats & tingling synths: “it kind of started out as a joke,” stated B-Roc. “But people were liking that more than the stuff we produced for other people. It felt right.” The duo quickly discovered a newfound freedom in creating their own songs: “it’s better because it’s our own, and we can do whatever we want with it,” explained J-Patt.

The Knocks

Endisco tracklist:

1. Endisco
2. Classic ft. Powers
3. Comfortable ft. X Ambassadors
4. Dancing With The DJ
5. The One ft. Sneaky Sound System
6. Collect My Love ft. Rozzi Crane
7. Magic
8. Modern Hearts ft. St. Lucia
9. Again ft. Mitzi
10. Flow ft. Adeline Michele
11. Hit The Spot
12. Savior ft. Wes Miles (Ra Ra Riot)

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Stream Intergalactix’s Debut EP!

unnamed

Recently I posted about my newest love, Intergalactix. Now, you can stream their debut EP, IWSOM before it’s out on the 12th!

Stream: Intergalactix – IWSOM (via Red Bull Music)

“Tuesday” was my favorite previously (mostly because it was their only song I’d heard), but now my new favorite is “The New Sound”!

 

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Listen: Operators (On Tour with Future Islands)

EP 1

“Discovery is the supposed raison d’etre of these fests and CMW 2014 delivered with the best buzz band in recent memory, Operators, an electronic rock group so good that first night I went and saw them again the next two nights, too.” – Huffington Post

 “The trio’s first, utterly blazing midnight set at the Dollar on Thursday left a representative sample of Toronto’s music-industry intelligentsia – label reps, promoters, festival programmers, publicists, bloggers, critics and jaded scenesters in general – tizzying about in a froth of unanimous excitement this writer has rarely witnessed in his two decades on the job.” – Toronto Star

 “Featuring gurgling electronics occasionally reminiscent of early Unicorns, blasts of synths and steady drums, the new material brought Boeckner’s pop tendencies into full view” – Exclaim

 “even in the keyboard-driven Handsome Furs, we’ve never heard Boeckner’s howling growl set against such a sleek digital background.” – Stereogum

 “Boeckner emphatically swoons about “one true love” over an ’80s-indebted backdrop of shimmering synths and booming bass. Infectious and danceable, “True” is New Wave for 2014.” – Consequence of Sound

operators

Operators is Dan Boeckner’s (Wolf Parade, Handsome Furs, Divine Fits) brand new analog/electronic/dance project, and we are excited to announce the release of their debut offering, EP1: an upbeat, aggressively melodic collection of synth driven pop songs. The EP will be out this Tuesday, August 5th, and they have released the first track from the EP “True”.

 Listen: Operators – “True”

Dan Boeckner has shown his diverse musical taste over the years; consequently, his decision to focus his attention on a new, electronic dance project shouldn’t be surprising as it feels like nothing more than a natural progression from the first synth he bought for the debut Wolf Parade EP, to the primarily stark, digital sounds of Handsome Furs, and now the organic, melted, deeply dance driven Operators.  Recorded at Montreal’s Hotel2Tango, the five track EP1 features “True” and four other new tracks, functioning as the band’s defacto mission statement.

Even before releasing any music, Operators played a handful of shows showcasing all previously unheard songs. This included Toronto Music Week in June, where the band (who had released no music and posted no information about themselves online) sold out a three night residency at the Silver Dollar Room.  Huffington Post remarked the band was “an electronic rock group so good that first night I went and saw them again the next two nights, too.” Noisey was there too, saying “The performance wasn’t just energetic, it was frenetic…Operators’ music is all hooks-it’s dance pop. It’s direct, it’s immediately accessible…”

The band’s proper North American live debuts will happen courtesy of a largely sold out tour starting August 7 supporting Baltimore’s Future Islands, followed by headline performances of their own. On Monday, tune in to KEXP.org to watch Operators’ live in studio session at 1pm PST, before their headline set at Barboza that night.

 Operators on tour:

  • 8/2 — Happy Valley, OR — Pickathon
  • 8/3 — Happy Valley, OR — Pickathon
  • 8/4 — Seattle, WA — Barboza
  • 8/7 — Brooklyn, NY — House of Vans*
  • 8/8 — Milvale, PA — Mr. Small’s Theatre*
  • 8/9 — Indianapolis, IN — The Vogue*
  • 8/10 — Milwaukee, WI — Turner Hall*
  • 8/11 — Sioux Falls, SD — Icon Lounge*
  • 8/12 — Fort Collins, CO — Aggie Theater*
  • 8/13 — Salt Lake City, UT — Kilby Court
  • 8/15 — Boise, ID — Egyptian Theatre*
  • 8/16 — Portland, OR — Doug Fir Lounge*
  • 8/18 — Sacramento, CA — Harlow’s*
  • 8/19 — Fresno, CA — Star Palace at Warnors Theatre*
  • 8/20 — Los Angeles, CA — The Fonda Theatre*
  • 8/21 — Los Angeles, CA — The Fonda Theatre*
  • 8/22 — San Diego, CA — Irenic*
  • 8/24 — Phoenix, AZ — The Crescent ballroom
  • 8/25 — Tucson, AZ — 191 Toole*
  • 8/27 — Denver, CO — Gothic Theatre*
  • 8/28 — Omaha, NE — The Waiting Room*
  • 8/29 — Des Moines, IA — Wooly’s*
  • 8/30 — Chicago, IL — Schuba’s^
  • 8/31 — Columbus, OH — The Big Bang*
  • 9/2 — Montreal, QC — La Tulipe*
  • 9/3 — South Burlington, VT — Higher Ground Ballroom*
  • 9/4 — Portland, ME — Port City Music Hall*
  • 9/7 — Toronto, ON — Horseshoe Tavern
  • 9/13 — Hamilton, ON — James Street North Supercrawl
  • 10/23 — Halifix, NS — The Marquee Club

* with Future Islands

^ with Tweens

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New Album: Setting Sun – Be Here When You Get There

settingsun

“dramatic and poignant”  –  NPR

“Setting Sun create an Arcade Fire urgency, creating sweeping orchestrations, driving rhythms.  Delicate, hushed vocals and well-crafted pop songs” – Pop Matters

“Incredibly well-crafted songs ” – USA Today

It’s been awhile since we’ve heard from Setting Sun. But, they’re back with a their fifth album called Be Here When You Get There out now (as of the 22nd) through Young Love Records.

Setting Sun’s songs are propelled by driving rhythms, tasteful acoustic guitar lines, graceful string orchestrations and frontman Gary Levitt’s intimate, earnest vocals.  Jen Turner (Here We Go Magic, Exclamation Pony) plays bass on the record. Levitt was born in Queens, New York but started the band in San Francisco. Brooklyn is now home base and is where this new album was recorded.

Have a listen at a couple of songs from the new album. Unfortunately, this playlist does not have the 2 songs that I like from the album, “Idiot” and “Singularity”, which the latter has sort of a Gary Jules sound to it. All of the songs remind me a teensy bit of the Dandy Warhols, too.

Here ya go!

Listen: Setting Sun – Be Here When You Get There

Here’s links to buy the album:

Bandcamp (This link will let you listen to the whole album, including the 2 songs I mentioned above.)

iTunes

 

 

 

 

 

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Check ‘Em Out: The Point

unnamed (3)
“…the kind of chilled-out indie pop that makes you open your eyes a little wider, O’Neill’s meandering vocals anchored by an 80s-inflected beat” BlackBook 

Brooklyn-based synth pop duo The Point share second single “Procrastination” from their forthcoming follow-up EP South Second due out August 12th. The new EP includes previously released track  “Fuck Money” as well as a cover of beloved Big Star classic “Thirteen”. The Point is the newly formed project of couple Michael O’Neill (JD Samson & MEN, Ladybug Transistor) and Sammy Tunis (formerly of The Lisps) who have translated their personal relationship – past, present and future –  into one of eclectic artistic collaboration. O’Neill says of the new track :

As a perfectionist, I constantly feel like I should be working or doing something “productive”.  But being so hard on myself is so overwhelming, it often leads to doing nothing at all.  In turn, I have felt creatively stifled, wasting countless hours feeling insecure, anti-social and bored.

One day, I went on a walk with no intended destination. Instead of staying home and staring blankly into a computer, i got up and suddenly left, walking around aimlessly for about 2 hours. In that time, I had a simple purpose – to put one foot in front of the other and enjoy myself and my surroundings.  I came home from that walk and immediately wrote this song.

The new collection of tracks follows the late spring release of their debut Somes Sound EP which explored electronic folk soundscapes and lilting narratives about failed relationships.

The Point was formed in the summer of 2013 when O’Neill and Tunis left New York City and temporarily moved to Maine, where a collection of ethereal songs emerged from the intimacy and isolation of city exile. They spent September on Mt. Desert Island, where they stayed in a friend’s home and recorded a demo in a barn over-looking the ocean.

The first of a series of three EPs, Somes Sound (named for a body of water on Mt. Desert Island) is, in Tunis’ words, “break-up songs we probably should have written years ago.” With a nostalgic and haunting 80s feel, these songs speak to a forgotten need for closure and a reckoning with the past, and they set the stage for the next two EPs, which deal with the present and future.

For those in the New York area The Point plays August 21st @ Mercury Lounge w/ Midnight Masses

thepoint

Listen: The Point – “Procrastination”

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