There is a powerful agent, obedient, rapid, easy, which conforms to every use, and reigns supreme on board my ship. Everything is done by means of it. It lights it, warms it, and is the soul of my mechanical vessel. This agent is electricity. Everything by Electricity. — Jules Verne, 20000 leagues under the sea
The band Everything by Electricity’s sound is littered with the strains of alienation and longing for escape one would expect from childhoods spent gazing across cold barren landscapes deep behind the iron curtain.
Whilst lush pop beats strongly at its heart, dense waves of guitar, reverberating walls of noise and fragile melodies collide amidst sparkling neon-lit synths, dreamy vocals and ghostly shapes via the night sky; anchored tight by pulsing bass, throbbing drums and drum machines.
On moving from Siberia to London, Yulia (guitar, synths, vocals) quietly crafted a collection of demo material in her bedroom studio and expanded the live line-up with the addition of Daniel (bass guitar, synths) and Manoela (drums, pads).
Check out their track, “Last Day of the Sun” below:
On the heels of their acclaimed single “Like You” that charted Top 10 on HypeMachine and garnered praise from the likes of USA Today and i-D, EXES announce their debut EP The Art of Saying Goodbye set for release on October 7th.
Fronted by vocalist Allie McDonald and producer Mike Dorenzo, the duo reveal new single “Dear, Home”. Highlighted by electronic textures, the track features the work of Grammy Award winning violinist Charlie Bisharat whose credits include Beyonce’s Lemonade, Frank Ocean’s Blond, and many more. Speaking about the track’s inspiration, Allie comments:
“‘Dear, Home’ is a song for the homesick. It’s a song dedicated to the pieces of my heart I left back East. The parts of me still beating in that small town where I grew up. As a nostalgic-romantic, it is one of the most personal songs I’ve written.”
The Art of Saying Goodbye EP is an emotive six track collection packed with hypnotic beats, airy vocals, and wistful lyrics. Featuring singles “twentythousand” and “18” that garnered over 1M streams upon their release earlier this year, EXES fuse intimacy and intricacy to create a detail-oriented sort of pop.
“Brooklyn band using chopped-up movie music to create heavy-lidded dreampop” – The Guardian
“A combination of chillingly beautiful synth instrumental sound and introspective whispery vocals, with a lava lamp aesthetic.” – NYLON
New York neo-psyche band Corbu are streaming “Polygon Forest”, the first track from their forthcoming debut album. With its choral harmonies and tribal drumming over shimmering, glacial synths “Polygon Forest” is a glorious and uplifting trip, taken from their album Crayon Soul, out 5th August 2016 via 3 Beat (EU) & Big Picnic (US).
Recorded and produced by the band, Crayon Soul was mixed by Dave Fridmann (The Flaming Lips, Tame Impala, MGMT). A vivid exploration inspired in part by vocalist and multi-instrumentalist Jonathan Graves’ lucid dreams, Crayon Soul is a truly realised vision. “It’s a journey through a series of “gates”, or events that you pass through with the narrator,” says Graves of the album. “At each event, you change and shift into a new part of the story.”
Extremely visual, Corbu create captivating, kaleidoscopic visuals to accompany their music. Encouraging listeners to paint their own path through Corbu’s world, Crayon Soul includes a colouring book, as well as artwork inspired by each of the twelve songs.
Crayon Soul follows two acclaimed EPs, We Are Sound and Everything You Imagine Is Real, which garnered praise from the likes of NYLON, Stereogum, The Guardian, NME and more, as well as capturing the attention of Jessie Ware, who personally requested the band to remix her song “You & I (Forever)”.
“An ode to the Long Island town, “Islip” starts off with heavy-sounding bass before morphing into an upbeat, jangling number with hooky guitars and rolling drums. There’s a fuzzed-out Kiwipop surf vibe to it all as well, with just a hint of darkened eyeliner.” – Exclaim
Lazyeyes is a three-piece shoegaze / dream-pop band from Brooklyn, New York formed in the summer of 2012. The band released their debut self-titled EP the following January 2013 which was immediately heralded by The Deli Magazine as “Best Psych / Shoegaze band in New York”. After a sold-out record release show at legendary Williamsburg venue Glasslands, the Lazyeyes EP garnered widespread acclaim from numerous underground music bloggers. Best New Bands described their single “Wait” as, “an excellent example of the group’s ability to erupt at an expansive, pyrotechnic level all the while sharply delivering pop-laden hooks.”Purple Sneakers called the EP “a moody and anthemic record, equal parts shoegaze and dream pop.” Soon after, tracks from the EP were featured on BBC Radio, XM Radio & various other FM stations worldwide. The band was founded by guitarist / vocalist Jason Abrishami (The Twees), who was joined by Paul Volpe (Triple Cobra) on bass and Jeremy Sampson (Eastern Hollows) on drums. The band plans to tour behind their up & coming EP which they just releases the first track, “Islip” from. The band will be playing at Rough Trade in Williamsburg, Brooklyn on Friday September 26th.
Radio On is a brand new band based in London. They just put out their first track, “Don’t Wait” (listen below) and I am definitely liking it. It makes me think of high school…prom…things of that nature. Molly Ringwald would love it, too. Wild Honey Pie also debuted the track a few weeks ago. You can check that out, here.
I had a short interview (2 questions) with James from Radio On:
MA: Who all makes up Radio On and how did you come to be?
J: We are Adam, Alex, James and Sam. Some of us are from Lancaster and some of us are from Scotland and we met in London. Radio On started in late 2013.
MA: (After he told me that their name comes from a film they love) “If you don’t mind my asking, what is the film that your name comes from?”
J: The film Radio On is an incredible piece of work that a lot of people seem to have overlooked. It was one of the things we bonded over!
Today Noisey premieres Brooklyn-based electronic/dream pop duo Blue Foundation’s new short documentary “Broken Life.” The film follows Pepper, a charismatic homeless man living on the streets of California for the last 30 years, and is soundtracked by the band’s music. This past Monday, Blue Foundation and Noisey also premiered the music video for “Just a Hand” featuring a cameo from Pepper. The track is from their forthcoming album, In My Mind I Am Free, out May 22nd through their own imprint, Dead People’s Choice Records. The video is an excursion through the streets of Los Angeles and New York on skateboard. Best known for their songs “Eyes on Fire” (certified double platinum in the US) from the “Twilight Saga” and “Sweep” from Michael Mann’s “Miami Vice,” the band released their first 7″ via Moshi Moshi Records and their first, self-titled debut album was released shortly thereafter. Their songs have also appeared on the TV series “The O.C.,” “So You Think You Can Dance,” “CSI:Miami,” and “The Cleveland Show.”
