“Stockholm, Sweden’s PRIEST is a must-hear. A must-add to your #musicradar.”
“It’d be easy to slap the synthwave tag on Priest in light of that genre’s recent explosion in popularity, but Priest sound a whole lot more like the bands that influenced synthwave, the ’80s progenitors of goth, new wave and analogue synth-driven electronic music.”
– Metal Sucks
Today, Priest drops their full-length debut New Flesh. Like a Delorean DMC-12 it will take you back to the colorful future of the 80´s. The illusions presented contains everything from symmetric star prisms, a burning escape from the darkness or to break out of your inner prison. Bit by bit, fragments of a puzzle of success story is taking shape. With a mechanical sound, futuristic melodies and a masterful voice, they´ve seduced listeners all over the planet since their first single in March came out. The Swedish electronic scene is now hotter than forgeable metal.
The album is produced by Alpha (ex Ghost) and features a performace by Airghoul (ex Ghost). The recording is mixed by Niklas Berglöf (Slagsmålsklubben, Dead Soul) and is mastered by Magnus Lindberg. New Flesh contains 10 tracks that sounds like when 1982 imagine how 2019 should sound like.
Check out the whole album via Spotify now!
Priest announces their debut album New Flesh. The album is set for release on the 17th of November on Lövely Records. The Stockholm based band have during the spring released praised singles as “The Cross”, “Reloader” and “The Pit”. Album producer Simon Söderberg (Alpha/ ex Ghost member) has worked with the band to perfect their sound. There is modern touch with a retro vibe over the entire album. New Flesh contains a total of ten tracks that that brings 2017 back to the 80´s.
New Flesh will be released on all digital platforms and as physical CDs and LPs. The album is available as a bundle including CD, LP, Priest Logo Metal Pin and a cover art Tote bag. The LPs are available on black and purple colored vinyl. Everything can be orded from: http://freighttrain.se/
1 – The Pit
2 – Vaudeville
3 – History in Black
4 – Populist
5 – The Cross
6 – Private Eye
7 – Nightmare Hotel
8 – Virus
9 – Call My Name
10 – Reloader
This vintage 80’s inspired animated clip for The Legends’ “Summer In The City” (Living Is For Somebody Else)” will transport you back to those (preferably air-conditioned) Atari-style days of yesteryear.
The video, which premiered as part of an in-depth interview with Paste Magazine, is the perfect antidote to pre-summer blues.
The track is taken from The Legends Nightshift, LP out now on Labrador Records: Spotify / iTunes / Bandcamp
This fall, Nashville-based songwriter Jake McMullen will release a new EP that follows his critically-acclaimed Always
EP. Yesterday, USA Today
premiered his single “Giving Up” and called it a “startling ballad that is equal parts Bon Iver and Bruce Hornsby, name-checking the 1980s but still sounding fresh.”
“‘Giving Up’ was produced by Micah Tawlks and myself. This song served as a very liberating experience for me while working on it as I felt like I really didn’t put any limits on what I could or couldn’t try. It has acted almost as a catalyst for the mindset I now have when making music,” said McMullen about the track. “Going with what feels right and not thinking too much about things. Everybody involved was also essential to making it what it became — Dabney Morris (drums), Molly Parden(vocals), Steve McKellar (bass), Kevin Dailey (guitar). Excited to finally be able to share it with everyone.”
Filed under Awesome, listen
The SS Yatch Rock set its proverbial sail afloat through Melbourne this month and on board were power synth duos of Gypsy & the Cat and Client Liaison. The creative time out led to time in the recording studio together and collaborative single “Evolution” was conceived.
“Evolution” weaves those giant musical hooks that first announced Gypsy & the Cat around the performance funky flair of Client Liaison. The combination allows for both the attraction and the edge when they chant “I am the life that defies evolution!”, a true joint-venture, perfectly paired.
The influential blog Neon Gold
premiered the single today saying “In the ultimate Down Under double down, Gypsy & The Cat
and our new live heroes, Client Liaison
, have joined forces on their debut collaboration in the form of “Evolution”. Taking the best parts of both groups, the track is peak ’80s bliss, springing forward with all the sunny side up synths and glimmering gold coast melodies we’ve come to expect from the two luminaries.”
Client Liaison are otherwise both in the studio and on the road having just played key shows in the US this month and booked both Splendour in the Grass and Listen Out festivals into their immediate tour diary. Gypsy & the Cat are in the studio finishing their third album for release in the upcoming summer 2015.
“[All Hail the Silence] showcases the synergies between BT’s polished production style and Burns’ pop-conscious songwriting.”
Grammy-nominated producer BT and triple platinum singer-songwriter Christian Burns’ new supergroup, All Hail The Silence, will open for legendary synthpop group Erasure on The Violet Flame North American tour starting 9/26.
“Vince Clarke of Erasure has been a major musical influence on Christian and me,” says BT. “We’re thrilled to introduce All Hail The Silence to Erasure’s audience and can’t wait to join them on tour.”
Long-time friends and artistic collaborators many times over, the announcement joins the unveiling of BT and Christian’s single, “Paralyzed,” which was released on Enhanced Recordings 8/25.
Inspired by 80’s New Wave bands like Depeche Mode, Yaz, and The Human League, All Hail The Silence gives BT and Christian the freedom to showcase a different side of themselves artistically and focus on the live music element of their performances. The songs on their upcoming album are being recorded in a basement in Baltimore using step sequencers and modular/analog synthesizers, straight to tape, without the aid of a computer.
“We’re excited for the fans who have supported us throughout the years to join us on this new journey,” says Christian.
Keep an ear to the ground for new music by All Hail The Silence and check to see if they’ll be coming to a city near you on The Violet Flame Tour starting 9/26.
All Hail The Silence // Erasure
Fall Tour Dates
9/26 – Atlantic City, NJ – Borgata, The Music Box
9/27 – Boston, MA – House of Blues
9/28 – Pittsburgh, PA – Carnegie Music Hall of Homestead
9/30 – Toronto, CAN – Danforth Music Hall
10/1 – Detroit, MI – Royal Oak Music Theatre
10/3 – Chicago, IL – Chicago Theatre
10/4 – Chicago, IL – Chicago Theatre
10/5 – Milwaukee, WI – Pabst Theatre
10/8 – Nashville, TN – War Memorial Auditorium
ABOUT ALL HAIL THE SILENCE
All Hail The Silence is the collaboration between BT and Christian Burns. The duo will be releasing a fully-analog album in early 2015.
“By far one of Size’s finest moments of the year so far.” – Dancing Astronaut
“All the ingredients for a chart climbing hit.” – EDM Sauce
“A dance floor killer.” – Knack For Tracks
“(A) spectacular creation.” – Noise Porn
“It was a must we post this summer smash.” – Daily Beat
“One of the most anticipated singles to be released on Size… a sure shot anthem.” – The Bangin Beats
Just days after “Strong” was released onto Beatport, soaring up the official Progressive Charts as we speak, French house duo Arno Cost and Norman Doray finally unleash the official video in all its 1980’s man-made fabric glory.
Set against a backdrop of bowling balls, perms and long-legged fan-girls, after throwing shade during the pre-match interviews rivals Arno and Norman head down to the lanes to go strike for strike in a pitched battle to determine just who is the strongest out of the two.
Radio On is a brand new band based in London. They just put out their first track, “Don’t Wait” (listen below) and I am definitely liking it. It makes me think of high school…prom…things of that nature. Molly Ringwald would love it, too. Wild Honey Pie also debuted the track a few weeks ago. You can check that out, here.
I had a short interview (2 questions) with James from Radio On:
MA: Who all makes up Radio On and how did you come to be?
J: We are Adam, Alex, James and Sam. Some of us are from Lancaster and some of us are from Scotland and we met in London. Radio On started in late 2013.
MA: (After he told me that their name comes from a film they love) “If you don’t mind my asking, what is the film that your name comes from?”
J: The film Radio On is an incredible piece of work that a lot of people seem to have overlooked. It was one of the things we bonded over!
On the track, “Ivy League Circus,” the velvety, 80’s R&B style vocals glide over an elastic, electro-funk groove. The clip was directed by The Wilderness, who also helmed videos for Passion Pit, The Juan MacLean, Antipop Consortium, and Spank Rock.
He has produced songs on both Das Racist mixtapes (“Shorty Said” and “Puerto Rican Cousins”), an official remix of Twin Shadow’s “I Can’t Wait,” and the track “Spring Fever” for battle rap king Iron Solomon.
Gordon has also won the adorations of everyone from indie darlings BRAHMS (who remixed Voidwell’s “Ivy League Circus”) to pop music masterminds like Grammy-winning producer Mark Ronson (who declared “I love this shit. I play it on my radio show, in my house AND in my sets.”) Mayer Hawthorne, another fan, even invited Gordon to open his tour this past Fall along with The Heavy. His first full length debut album will be out later this year.
You can grab a free download of the original AND BRAHMS remix of “Ivy League Circus” over at Stereogum: click here!
Click to watch the video for new track "If You Want It"
We’ve all swooned over OMD’s hit “If You Leave” (at least, if you’re normal you have); well now Andy McCluskey and Paul Humphrey are back for the first time in 15 years with new album History of Modern.
In these electro-friendly times, OMD’s influence has become ubiquitous. The XX, Brandon Flowers of The Killers, and LCD Soundsystem’s James Murphy have cited OMD as an inspiration, while the likes of La Roux, Cold Cave and The Horrors show traces of OMD’s DNA. Andy notes that today OMD is perceived to have its place in the “pantheon of relevant popular music history”, something which seemed unthinkable during the Britpop era.
Upbeat and bristling with ideas, History of Modern was mixed by Arctic Monkeys/Foals engineer Mike Crossey, and offers a slightly rawer kind of pleasure to the serene melancholy of OMD’s early-’80s moments. In a nice touch, the record’s sleeve was designed by Peter Saville, who was responsible for the iconic artwork of those first OMD albums. Saville was the in-house designer at Factory Records, the label that released OMD’s debut single “Electricity“ in 1979. For many, History of Modern will be their first experience of OMD, and one hopes their curiosity will lead them to other oldie but goodies.
“I suppose the nice thing is that, just like in the early days, we made this record simply because we fancied making a record,” says McCluskey. “There was no pressure to make a record in order to sell records and sustain a career. It was like making a first album again.”
- New Babies: New Toys
- If You Want It
- History of Modern (Part I)
- History of Modern (Part II)
- New Holy Ground
- The Future, The Past, And Forever After
- Sister Marie Says
- Bondage of Fate
- The Right Side
- Save Me (featuring Aretha Franklin)
Spin has released a great article and you can check out another new OMD song, “New Babies: New Toys,” by clicking here.