Monthly Archives: April 2014

Check ‘Em Out: Midnight Faces

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Listen: Midnight Faces – “This Time”

The Fire Is Gone is the second album by Los Angeles-based duo Midnight Faces, comprised of vocalist Philip Stancil and composer Matthew Doty of Saxon Shore, the pioneering instrumental post-rock band founded by Doty and Josh Tillman aka Father John Misty.

Scheduled for release on May 13th, the album is the follow-up to 2013’s debut Midnight Faces release Fornication, which despite Doty’s astute reminder that “‘Indie’ and ‘80’s’ are not genres,” reminded folks fondly enough of those sounds to draw the attention of MTV Buzzworthy and MTV Hive along with popular and influential music discovery websites such as Under The RadarMy Old Kentucky BlogEarmilk, and Baeblemusic among others.

To better understand what The Fire Is Gone is, please understand what it isn’t: No fancy producers, no big name special guests, no one wearing robot costumes, no all-analog studio, and no songs recorded live to tape.

“We made this album by ourselves and for ourselves,” Doty says. “We made it in my apartment on a computer one track at a time. If you dig the tunes, cool. If you don’t, that’s cool, too.”  Fair enough, but there’s a damn good chance you’ll be landing in the camp of the former.

Still, Doty asserts, “Just what L.A. needs –another fucking 80’s new wave band, right?” Well, no. But when the songs are as good as what Midnight Faces is cranking out, perhaps the listener should be the ultimate judge of that? In fact, The Fire Is Gone is an even more evolved take on the sound that Doty and Stancil already had pretty damn near perfect.

“We laid the drum and bass line fairly quickly, but were unsure where to go next for a while,” Doty explains of “This Time,” the latest track from The Fire Is Gone recently premiered via The Onion A.V. Club. “And when I say a while, I mean like 30 minutes.  I think we took a break to go watch ‘Shark Tank’ or something.  Uhh, I mean have a beer and a cigarette.  When we came back, Phil started whistling with a bunch of reverb on it.  It just seemed to hit the spot.”

Midnight Faces Live

05/01 Hollywood, CA @ Spare Room @ Hollywood Roosevelt Hotel
05/10 San Francisco, CA @ Milk Bar w/ We Will Be Lions, Owenstone
05/13 San Diego, CA @ Soda Bar w/ New Young Pony Club, We Are Sirens
05/21 Los Angeles, CA @ Bootleg Theater Record Release Show

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Tracklist:

  1. Wake Me
  2. Over Again (STREAM)
  3. Shadows
  4. Hold Tight
  5. This Time (STREAM)
  6. Give It Up
  7. Animal
  8. The Fire Is Gone

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Video: Drive-By Truckers – “Made Up English Oceans”

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Writing independently, Drive-By Truckers’ Mike Cooley and Patterson Hood penned songs that dovetailed brilliantly with each other on English Oceans, the Athens, Georgia-based band’s 12th release and highest Billboard debut to date at #16.

Hood says, “Every song on this record connects with another song. I noticed Cooley’s got a line in ‘Primer Coat’ about ‘apron strings,’ and I have the exact same image in one of my songs, ‘Hanging On.’ It goes on and on and on like that on this record, and that’s a pretty good sign for things, particularly given how different our temperaments are and our styles of writing are.”

DBT’s ever-keen political edge can also be seen on the release. Cooley’s “Made Up English Oceans” derives from his interest in the career of Lee Atwater, the Republican operative who was active in the Reagan and Bush campaigns of the ‘80s. “He was the guy that Karl Rove and all of the modern dirty tricksters looked to – he was one of the granddaddies of it all. That song is from his point of view, fictionally of course. It’s him making his pitch, telling what he understands about young, Southern men.” Courtesy of GQ, watch HERE as a good girl goes bad with the Bible by her side in the song’s new video, directed by Joshua Black Wilson (The Black Keys, My Morning Jacket, Willie Nelson).

Cooley and Hood’s brace of character-based songs depict a neatly interlocking gallery of relationships, often in dissolution and discord. Reflecting on the renewed high level of collaboration between the band’s two principals, English Oceans marks an unprecedented event: the recording of a Hood song, “Til He’s Dead or Rises,” with Cooley assuming the lead vocal.

Cooley says, “I remember Patterson was getting frustrated trying to sing it. He was doing fine, but it seemed like there was something he wanted to do that wasn’t coming. I was in the control room thinking, ‘I could probably sing this’ — though it wasn’t like I was saying, ‘Oh, I can sing this a lot better than that.’ I was thinking, ‘This sounds like something I could sing.’ Right after that, he walks into the control room and says, ‘You want to trying singing this? It sounds more like you than me.’ I said, ‘Yeah, I was just thinking that.’”

Looking at the accomplishments of English Oceans from the perspective of DBT’s nearly three-decade history, both Cooley and Hood decline to hedge their bets on the quality of their latest work.

“You’re always hesitant to say, ‘Oh, this is the best record we’ve ever made,’” Cooley says, “because you always want to. And sometimes you say it, and sometimes you’re right, and sometimes you think, ‘Well, maybe I jumped the gun on that a little bit, I got excited.’ But I think this just might be the best record we’ve ever made.”

Hood concurs enthusiastically: “It’s my favorite thing that we’ve ever done. I’m proud of our catalog – we always try to make as good a record as we can make. Sometimes things just work. This time, we made kind of a magical record. I’ve always felt that Decoration Day was our best record, and this is the first one that I think is a better record than that was. Every piece of the puzzle fit.”

To personally give witness to Drive-By Truckers best album yet, head below to check out their upcoming May tour dates with a retooled lineup which boasts a leaner and even more powerful live show. In addition to Cooley and Hood, Brad Morgan is on drums, Jay Gonzalez is on keys and guitars and Matt Patton from The Dexateens rounds out the current line-up on the bass.

Check out the video here

Tour Dates

5/1 – Austin, TX – Stubbs*
5/2 – New Orleans, LA – Civic Theatre^
5/3 – New Orleans, LA – Civic Theatre^
6/1 – Houston, TX – Free Press Festival
6/3 – Tampa, FL – Tampa Theater#
6/4 – Ft. Lauderdale, FL – Culture Room#
6/6 – Ponte Vedra, FL – Pontre Vedra Music Hall#
6/7 – Myrtle Beach, SC – House of Blues#
6/10 – Norfolk, VA – The Norva#
6/11 – Lancaster, PA – Chameleon Club#
6/12 – State College, PA – Levels#
6/13 – Lexington, KY – Busters#
6/14 – Manchester, TN – Bonnaroo
6/20 – Winston-Salem, NC – Ziggys
6/21 – Charleston, WV – FestivALL
6/26 – Baltimore, MD – Rams Head Live
6/27 – Asbury Park, NJ – Stone Pony Summerstage (w/ The Hold Steady)
6/28 – Huntington, NY – The Paramount (w/ The Hold Steady)
6/29 – Hampton Beach, NH – Hampton Beach Casino Ballroom (w/ Deer Tick)
7/1 – Portland, ME – Port City Music Hall
7/2 – Burlington, VT – Higher Ground
7/4 – Waterloo, Canada – Starlight Club
7/5 – Toronto, Canada – Turf Fest
7/6 – Ottawa, Canada – Ottawa Bluesfest
7/18 – Maryville, TN – The Shed
7/19 – Cincinnati, OH – Buckle Up Music Festival

% = Shovels & Rope
* = JD McPherson
^ = Benjamin Booker
# = Water Liars

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Video: WATERS – “Got To My Head” + Geographer Remix!

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San Francisco’s WATERS has premiered the video for their exuberant debut single “Got To My Head.” Directed by photographer Dan Monick, the video is low-budget but high-energy, hearkening back to some of frontman Van Pierszalowski’s all-time favorite videos, like Green Day’s “Longview” and Weezer’s “Say It Ain’t So.”

“So we only had $1500 to make this video. Fortunately, my favorite videos of all time look like they could have been made for half of that,” says Pierszalowski. “I wanted the video to showcase the energy of our song, and take me back to the adolescent rage and fantasies embodied in those old 90s alt rock videos. I wanted there to be a single shot that tries to contain all the manic energy I feel when I perform ‘Got To My Head’ live.”

Last week Earmilk premiered a remix of “Got To My Head” by WATERS’ fellow Bay Area artist Geographer.

After finishing school and coming off of years on the road supporting his former band (Port O’Brien) Van Pierszalowski, the creative force behind WATERS, decided to live and work in San Francisco spending some time standing still for the first time in ages. The calm gave way to creative restlessness and the result was a new band and a new sound in the form of WATERS. WATERS’ “Got To My Head” is informed by an era of alternative music where frenetic energy, pop hooks and a focused lyrical narrative could drive any young kid to start playing guitar. While currently working on a full album of songs with the same immediacy as “Got To My Head,” WATERS has announced a handful of West Coast shows and dates to come.

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Video: tUnE-yArDs – “Water Fountain”

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Nikki Nack – the new album from tUnE-yArDs – is out in just a few days!

Combining a plethora of different visual elements, from animation to puppetry, dancing, and even a science lesson, “Water Fountain” is a video every bit as colorful as tUnE-yArDs’ music.

Directed by Joel Kefali, he writes that “when Merril approached me wanting to make a video with a PeeWee’s Playhouse vibe I had to say yes. I’d had plenty of ideas for a kid’s show that had been waiting to see the light of day. I didn’t want to make a straight homage piece; there are moments of nostalgia in there but the video is our own modern, manic, collage of a kids show. Like many great kids shows I wanted to cram in as many ideas as possible and sneak in the occasional wink to the art world, contemporary and historic. The musical dynamic of ‘Water Fountain’ lends itself perfectly to the concept and I think this video is best viewed while consuming a big bowl of cereal. Then again, what isn’t?”

Nikki Nack will be released by 4AD on May 6th.

tUnE-yArDs Tour Dates:

May
1st – Bridgestone Arena, Nashville TN, US *
2nd – Aaron’s Ampitheatre, Atlanta GA, US *
5th – Masonic Lodge, Los Angeles CA, US – SOLD OUT
7th – Rough Trade Brooklyn, New York NY, US – SOLD OUT
12th – Village Underground, London, UK ^ – SOLD OUT
14th – Berghain, Berlin, Germany ^
15th – Nochtspeicher, Hamburg, Germany ^
16th – Les Nuits Botanique, Brussels, Belgium ^
18th – Bitterzoet, Amsterdam, Netherlands ^
19th – Cafe De La Danse, Paris, France ^
23rd – Les Schwab Ampitheater, Bend OR, US ” 
23rd-25th – Sasquatch Music Festival, The George WA, US
26th – Knitting Factory, Boise ID, US ^
27th – Urban Lounge, Salt Lake City UT, US ^
30th – Granada Theater, Dallas TX, US ^
31st – June 1st – Free Press Summer Festival, Houston TX, US 

June
3rd – Crescent Ballroom, Phoenix AZ, US ^
5th – Fonda Theatre, Los Angeles CA, US ^
6th – The Fillmore, San Francisco CA, US ^ – SOLD OUT
7th – The Fillmore, San Francisco CA, US ±
13th – 9:30 Club, Washington DC, US ^
15th – Union Transfer, Philadelphia PA, US ^
16th – Royale Nightclub, Boston MA, US ^
18th – 22nd – NXNE, Toronto ON, Canada
18th – La Tulipe, Montreal QC, Canada ^
19th – 22nd – Firefly Festival, Dover DE, US
22nd – Webster Hall, New York NY , US ^
23rd – Webster Hall, New York NY, US ^
25th  29th – Glastonbury Festival, Pilton, Somerset, UK 
26th – Concorde 2, Brighton, UK
30th – Gorilla, Manchester, UK

July
1st – Cockpit, Leeds, UK
2nd – Trinity, Bristol, UK
4th – Blissfields, Winchester, UK
5th – Rock Werchter, Werchter, Belgium
17th – First Avenue, Minneapolis MN, US
19th – Pitchfork Festival, Chicago IL, US

August
29th – 31st – End Of The Road Festival, Salisbury, West Sussex, UK 

September
3rd – Brixton Electric, London, UK

* supporting Arcade Fire
^ support from Sylvan Esso
” supporting The National 
± support from The Seshen 

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Newest Love: The Peach Kings – “Hold On”

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Listen: The Peach Kings – “Hold On”P

Following the announcement of their new EP, Mojo Thunder, LA-based duo The Peach Kings have shared new track “Hold On,” which The WILD Magazine calls “a lush journey [packed] into just over three minutes.” Featuring a deep, buzzing bass line and smoky, seductive female vocals, “Hold On” is available to stream & share via SoundcloudMojo Thunder, which features three additional tracks and a remix, will be released on June 3rd.

The Peach Kings is made up of Texas-born Paige McClain Wood and Silver Lake native Steven Trezevant Dies, whose dark yet playful sound is influenced by everyone from Nancy Sinatra & Roy Orbison to Led Zeppelin & The Cramps.

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Mojo Thunder EP track listing:
1. Mojo Thunder
2. Hold On
3. Say What
4. Be Around
5. Mojo Thunder (Kent Rockafeller remix)

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Listen: Okapi Sun

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“In an era defined by an encroaching feeling of malaise, this EDM cut avoids the genre’s growing pandering to bros and emotionally stilted upper middle class white girls… Okapi Sun have crafted an enjoyable, breezy listen with a seemingly minimalist depth and scope. Their background as classically trained musicians creates a fun interplay between true blue soulfulness and the id of partying.” — INDIE SHUFFLE

Phaedra Records announces the release of tribal dance-electronic pop duo Okapi Sun’s debut album Techno Prisoners. The album was produced by Ethan Allen (Black Rebel Motorcycle Club) and Grammy winner Neal H. Pogue (Janelle Monae, Outcast). It is now available exclusively through Phaedra Records’ website (here).  

Listen: Okapi Sun – “Judy Baby”

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Check ‘Em Out: The Adversary

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Listen: The Adversary – “Ritual Dream”

Together with the electronic mastermind of Bill Laswell (Blur, DJ Spooky, Pet Shop Boys) and beats maker Q of XOQ (Afrika Bambaataa, Erasure), The Adversary releases Chapter Two: Ritual Dream on June 24.
Developed in 2012 by Andre Mistier (formerly of Ism) and producer Angelo Montrone (Matisyahu, Los Lonely Boys), The Adversary is a conglomeration of the sound and pulse of tech house music with the emotional intensity, connection of live musicians, and well crafted songs.

Mixing live, organic performances with modern digital production and technology, The Adversary creates electronic dance/pop that can’t be delivered by a DJ behind turntables. The combination of lights, costumes, special effects and interactivity has become a consistent theme and mind-blowing experience for audience members. The Adversary’s visual effects are striking, featuring LED wings and costumes which interact with the music.

Since The Adversary’s live debut at Burning Man 2013, the band has seen crowds grow from 100 people to nearly a thousand. These fans eagerly anticipates for The Adversary’s Chapter Two: Ritual Dream, out in June!

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Interview + BRAND NEW: Radio On

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Radio On is a brand new band based in London. They just put out their first track, “Don’t Wait” (listen below) and I am definitely liking it. It makes me think of high school…prom…things of that nature. Molly Ringwald would love it, too. Wild Honey Pie also debuted the track a few weeks ago. You can check that out, here

I had a short interview (2 questions) with James from Radio On:

MA: Who all makes up Radio On and how did you come to be?
J: We are Adam, Alex, James and Sam. Some of us are from Lancaster and some of us are from Scotland and we met in London. Radio On started in late 2013. 

MA: (After he told me that their name comes from a film they love) “If you don’t mind my asking, what is the film that your name comes from?”
J: The film Radio On is an incredible piece of work that a lot of people seem to have overlooked. It was one of the things we bonded over!

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Video: Lewis Watson – “Stay”

Lewis Watson is set to release his long-awaited debut album The Morning in the US on June 17th. Demonstrating Lewis’ powers as a songwriter, The Morning combines fully-realised reworkings of select songs from his early EPs with plethora of new material – including instant grat track “Halo,” “Stay” and much more. These new songs take Lewis’ stripped-back, guitar-and-voice roots to a new level of richer, more textured soundscapes.

In 2012, Lewis Watson self-released his debut EP It’s Got Four Sad Songs On It BTW after establishing a devoted online fan-base. It topped the iTunes singer-songwriter chart on the first day of release, outselling the likes of Adele, Madonna and Ed Sheeran in the process, and landed the then nineteen-year-old singer-songwriter a deal with Warner Bros. Records.

In addition to critical acclaim, all five of his EPs to date have hit the Top 10 at iTunes, each building upon the sales of the previous release. Meanwhile, his online following is phenomenal: 5 million YouTube plays; 100,000 likes at Facebook; 5 million streams at Spotify; and 70,000 Twitter followers.

Fans who purchase The Morning iTunes pre-order, available now, will receive an instant download of new album track “Halo”.

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New Music From Camper Van Beethoven

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Listen (via Consequence of Sound): Camper Van Beethoven – “It Was Like That When We Got Here”

CAMPER VAN BEETHOVEN’S “EL CAMINO REAL TOUR” 2014
May 29 – Chop Suey – Seattle, WA
May 30 – The Hawthorne Theatre – Portland, OR
Jun 1 – Bottle Rock Festival – Napa, CA
Jun 3 – The Casbah – San Diego, CA
Jun 4 – Sainte Rocke – Hermosa Beach, CA

ADDITIONAL DATES:
May 23 – Friday LIVE! @ The Factory – Charlotte, NC
May 31 – Bottle Rock Festival – Napa, CA
Jun 6 – Circus Mexicus – JJ’s Cantina – Sonora, Mexico
Jun 28 – Red, White & Brews @ Nottingham Park – Avon, CO
Jul 8 – Neptune’s Park @ 31st Street – Virginia Beach, VA
Jul 10 – Brew Thru Summer @ Roanoke Island Festival Park – Manteo, NC
Aug 2 – Kokomo Summer Series @ Foster Park – Kokomo, IN
Aug 3 – Down By The Riverside @ Mayo Park – Rochester, MN
Aug 23 – Silver Cross Field – Joliet, IL

Indie rock stalwarts Camper Van Beethoven are back with El Camino Real, the companion studio album and follow up to their highly lauded La Costa Perdida. Whereas La Costa reflected the northern California “back to the country” side of the band with lush and trippy references to Jack Kerouac, Richard Brautigan, The Beach Boys and “Big Sur,” the songs on El Camino Real are firmly rooted in a grittier earth – one that lies beneath the southern half of the state and stretches all the way down to Baja California. Produced by the band and recorded in various studios and living rooms, El Camino Real’s harder sonic edges capture the sounds of an entirely different road trip from Bakersfield through the Inland Empire and beyond the border to Mexico. The lineup remains Victor Krummenacher, Greg Lisher, David Lowery, Jonathan Segel and Michael Urbano.

Music historians will note that despite the band’s extended residency in Santa Cruz and parts north, Camper Van Beethoven actually formed in Redlands, California—a semi-urban, multi-cultural polyglot landscape populated by a host of characters brought to life by the angular notes and dry observations of El Camino Real. Similarly, the songs “Camp Pendleton,” “Dockweiler Beach,” “I Live in LA” and “Sugartown” evoke a particular view of life in said regions.

Camper Van Beethoven’s El Camino Real will be released on June 3rd via 429 Records.

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EL CAMINO REAL TRACK LISTING:
1) The Ultimate Solution
2) It Was Like That When We Got Here
3) Classy Dames and Able Gents
4) Camp Pendleton
5) Dockweiler Beach
6) Sugartown
7) I Live in LA
8) Out Like a Lion
9) Goldbase
10) Darken Your Door
11) Grasshopper

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