“[All Hail the Silence] showcases the synergies between BT’s polished production style and Burns’ pop-conscious songwriting.” -Billboard
Grammy-nominated producer BT and triple platinum singer-songwriter Christian Burns’ new supergroup, All Hail The Silence, will open for legendary synthpop group Erasure on The Violet Flame North American tour starting 9/26.
“Vince Clarke of Erasure has been a major musical influence on Christian and me,” says BT. “We’re thrilled to introduce All Hail The Silence to Erasure’s audience and can’t wait to join them on tour.”
Long-time friends and artistic collaborators many times over, the announcement joins the unveiling of BT and Christian’s single, “Paralyzed,” which was released on Enhanced Recordings 8/25.
Inspired by 80’s New Wave bands like Depeche Mode, Yaz, and The Human League, All Hail The Silence gives BT and Christian the freedom to showcase a different side of themselves artistically and focus on the live music element of their performances. The songs on their upcoming album are being recorded in a basement in Baltimore using step sequencers and modular/analog synthesizers, straight to tape, without the aid of a computer.
“We’re excited for the fans who have supported us throughout the years to join us on this new journey,” says Christian.
Keep an ear to the ground for new music by All Hail The Silence and check to see if they’ll be coming to a city near you on The Violet Flame Tour starting 9/26.
All Hail The Silence // Erasure
Fall Tour Dates
9/26 – Atlantic City, NJ – Borgata, The Music Box
9/27 – Boston, MA – House of Blues
9/28 – Pittsburgh, PA – Carnegie Music Hall of Homestead
9/30 – Toronto, CAN – Danforth Music Hall
10/1 – Detroit, MI – Royal Oak Music Theatre
10/3 – Chicago, IL – Chicago Theatre
10/4 – Chicago, IL – Chicago Theatre
10/5 – Milwaukee, WI – Pabst Theatre
10/8 – Nashville, TN – War Memorial Auditorium
ABOUT ALL HAIL THE SILENCE
All Hail The Silence is the collaboration between BT and Christian Burns. The duo will be releasing a fully-analog album in early 2015.
“Discovery is the supposed raison d’etre of these fests and CMW 2014 delivered with the best buzz band in recent memory, Operators, an electronic rock group so good that first night I went and saw them again the next two nights, too.” – Huffington Post
“The trio’s first, utterly blazing midnight set at the Dollar on Thursday left a representative sample of Toronto’s music-industry intelligentsia – label reps, promoters, festival programmers, publicists, bloggers, critics and jaded scenesters in general – tizzying about in a froth of unanimous excitement this writer has rarely witnessed in his two decades on the job.” – Toronto Star
“Featuring gurgling electronics occasionally reminiscent of early Unicorns, blasts of synths and steady drums, the new material brought Boeckner’s pop tendencies into full view” – Exclaim
“even in the keyboard-driven Handsome Furs, we’ve never heard Boeckner’s howling growl set against such a sleek digital background.” – Stereogum
“Boeckner emphatically swoons about “one true love” over an ’80s-indebted backdrop of shimmering synths and booming bass. Infectious and danceable, “True” is New Wave for 2014.” – Consequence of Sound
Operators is Dan Boeckner’s (Wolf Parade, Handsome Furs, Divine Fits) brand new analog/electronic/dance project, and we are excited to announce the release of their debut offering, EP1: an upbeat, aggressively melodic collection of synth driven pop songs. The EP will be out this Tuesday, August 5th, and they have released the first track from the EP “True”.
Dan Boeckner has shown his diverse musical taste over the years; consequently, his decision to focus his attention on a new, electronic dance project shouldn’t be surprising as it feels like nothing more than a natural progression from the first synth he bought for the debut Wolf Parade EP, to the primarily stark, digital sounds of Handsome Furs, and now the organic, melted, deeply dance driven Operators. Recorded at Montreal’s Hotel2Tango, the five track EP1 features “True” and four other new tracks, functioning as the band’s defacto mission statement.
Even before releasing any music, Operators played a handful of shows showcasing all previously unheard songs. This included Toronto Music Week in June, where the band (who had released no music and posted no information about themselves online) sold out a three night residency at the Silver Dollar Room. Huffington Post remarked the band was “an electronic rock group so good that first night I went and saw them again the next two nights, too.” Noisey was there too, saying “The performance wasn’t just energetic, it was frenetic…Operators’ music is all hooks-it’s dance pop. It’s direct, it’s immediately accessible…”
The band’s proper North American live debuts will happen courtesy of a largely sold out tour starting August 7 supporting Baltimore’s Future Islands, followed by headline performances of their own. On Monday, tune in to KEXP.org to watch Operators’ live in studio session at 1pm PST, before their headline set at Barboza that night.
Operators on tour:
8/2 — Happy Valley, OR — Pickathon
8/3 — Happy Valley, OR — Pickathon
8/4 — Seattle, WA — Barboza
8/7 — Brooklyn, NY — House of Vans*
8/8 — Milvale, PA — Mr. Small’s Theatre*
8/9 — Indianapolis, IN — The Vogue*
8/10 — Milwaukee, WI — Turner Hall*
8/11 — Sioux Falls, SD — Icon Lounge*
8/12 — Fort Collins, CO — Aggie Theater*
8/13 — Salt Lake City, UT — Kilby Court
8/15 — Boise, ID — Egyptian Theatre*
8/16 — Portland, OR — Doug Fir Lounge*
8/18 — Sacramento, CA — Harlow’s*
8/19 — Fresno, CA — Star Palace at Warnors Theatre*
8/20 — Los Angeles, CA — The Fonda Theatre*
8/21 — Los Angeles, CA — The Fonda Theatre*
8/22 — San Diego, CA — Irenic*
8/24 — Phoenix, AZ — The Crescent ballroom
8/25 — Tucson, AZ — 191 Toole*
8/27 — Denver, CO — Gothic Theatre*
8/28 — Omaha, NE — The Waiting Room*
8/29 — Des Moines, IA — Wooly’s*
8/30 — Chicago, IL — Schuba’s^
8/31 — Columbus, OH — The Big Bang*
9/2 — Montreal, QC — La Tulipe*
9/3 — South Burlington, VT — Higher Ground Ballroom*
9/4 — Portland, ME — Port City Music Hall*
9/7 — Toronto, ON — Horseshoe Tavern
9/13 — Hamilton, ON — James Street North Supercrawl
Jimmy & The Mirrors, Adelaide’s always-grinning, colour loving 6 piece release new single “Hailstorm”. The song delves into relatively new territory for the band, further exploring the soul and blues influences in their recent writing.
Mostly stemming from their intent to “have fun over being cool,” Jimmy & The Mirrors have built a reputation as a unique presence on the Adelaide scene. Comparing their vibe to “your dad in the 70s”, the band don the quirkiest, loudest shirts they can find, whack on smears of colorful facepaint and throw flower parties around their gigs.
With word of the band spreading thanks to their infamous flower parties and support slots for everyone from Flume and Art Vs Science through to Jonathan Boulet and Clairy Browne & The Bangin’ Rackettes, the band have also spent a fair bit of time on the road. Jimmy & The Mirrors have brought their charisma to punters all over, playing in coastal towns, pubs in the desert and the streets of Berlin as well as wineries, snowfields and inner city cocktail lounges.
Despite what the name may suggest, Jimmy & The Mirrors is a collaborative effort with songwriting shared among all six members. Bound together by a deep appreciation for music, they currently share members with Jesse Davidson, Timberwolf, Kaurna Cronin, Brokers and the Banjo Jackson Trio while also moonlighting as a cover band under a different name.
A classic tale of sudden love lost, “Hailstorm” is “pretty much the biggest departure from the sound that people are beginning to know us for” tells Jimmy Meegan. The single is out now through Mirador Records as the band edge closer to unveiling a new EP later in the year.
“…a terrific new band whose 70s-tinged rock, sung with rasping intensity by white soul wonder Nic Snyder,
reminds you of some of the best stuff from the pre-punk era…” – The Guardian
“…hints of that Girls-like ’60s revival, indistinct gestures of surf rock, and touches of grainy, lo-fi acoustics….” –Consequence of Sound
Pittsburgh’s genre-defying band 1,2,3 has returned after a two year hiatus, and will be releasing their sophomore double album Big Weather through their newly-founded label American Hermitage on May 27th. The band rolled out “Porch Swing Song” a few days ago, which is the third song they’ve shared from Big Weather (their first two singles “Big Weather Pt. 1” and “Leave Me In The Sky With The Lawnchair” are both still available to stream, see below). Combining classic rock with the best elements of lo-fi soul, punk, garage and even classical music sampling, this is the first new music 1,2,3 has released since their critically-acclaimed debut album New Heaven (2011).
1,2,3 had a turbulent few years since the release of New Heaven. Lead singer/guitarist/songwriter Nicolas Snyder quit the band at the end of 2012, burnt out after touring on the heels of their debut and writing/recording the follow-up for over a year. Several months later, after a few nights of drunken persuasion, he re-convened with the rest of the band and coaxed them back, wanting to finish what they had started. Snyder had been inspired by 70’s dystopian movies, combined with a pattern of strange weather and its resulting destruction (a tornado ripped through his aunt’s house in Pennsylvania… something that shouldn’t happen in PA), along with the tsunami that devastated Japan two weeks later.
The band began recording storms through a screen door in the house they were renting on the outskirts of Pittsburgh, which often flooded, halting production. While recording, the band listened to nothing but local oldies radio stations. Big Weather was recorded entirely on primitive gear, using nothing but creaky old guitars, a bass, and things to bang on. Eventually some classical vinyl sampling was brought in to conjure certain feelings, and add new textures to the short stories and spoken word interludes. The lyrics had all the usual lovelorn, loneliness and death-questioning the band had previously written about, but this time it was more vivid, usually recorded during or after storms.
In the words of Snyder, “it’s more interesting to be lonely in the eye of the hurricane than it is to be in a bedroom. This album is undoubtedly ridden with flaws, but so are its creators, and the circumstances under which it was created… and in that regard, this album feels very special to me.”
The band will be playing their album release show in Pittsburgh on May 30th at Brillobox!
1. Big Weather Pt. 1
2. Leave Me In The Sky With The Lawnchair
3. Pontoon Song
4. Waiting For The Horsemen
5. Mile High Grass
6. Bus To Babylon
7. Refusal Bop
8. Shapes of Wrath
9. Fear_Pure Elevation
10. Rebuilding
11. Stone Haus
12. Porch Swing Song
13. Big Black Car
14. Big Weather Pt. 2
15. In The House of The Locust
16. When The Levee Broke at The County Fair
17. Strawberry
18. Faith Hill
19. Where We Lived
20. Sick of the End
After almost 15 years of friendship, guitarist, songwriter and producer Keaton Simons (Gnarls Barkley,Snoop Dogg, Tre Hardson of The Pharcyde) and experimental drummer, songwriter and producer Deantoni Parks (The Mars Volta, Bosnian Rainbows, T-Bone Burnett, John Cale of The Velvet Underground) have finally come together to form their newest project, Best Revenge.
“Brother Blue” kicks off with the peculiar menace of a 80s film score. It soon devolves into a sneering rockabilly track, lacerating the listener with both a swaggering guitar and bold, vocal machismo. The lyrics convey wisdom through hurt, and Parks’ drums throb with the pulse of reckoning. This is an accessible song with an authentic blues rock mentality… You don’t hear a new track like this often. — INDIE SHUFFLE
Best Revenge mixes modern and old school sounds for a down-home dirty, raw rock ‘n roll vibe with a modern, technological spin. Keaton sings and plays guitar (including electric and acoustic guitars, as well as baritone and fretless), and Deantoni plays drums while he simultaneously live samples Keaton’s voice andplays it on the keyboard through a series of computerized effects – note: there are no loops in Best Revenge. The result is thoughtful music that excites and feels damn good. With a massive sound coming from just the two artists, this new project calls upon the adage “seeing is believing.”
Deemed “a triple threat” by his hometown’s Los Angeles Times, Keaton Simons has been captivating audiences for years with his raw, gritty voice, soul-baring songwriting, and incomparable, sought-after electric and acoustic guitar work. He’s been brought on as a guitarist, as well as bassist, singer, writer and musical director for such notable acts as Gnarls Barkley, Snoop Dogg, and Tre Hardson of The Pharcyde. With his own solo project, Keaton has co-produced and released records on major labels, licensed hundreds of songs for TV and film, toured nationally and internationally, and performed on The Tonight Show with Jay Leno, The Ellen DeGeneres Show, The Late Late Show with Craig Ferguson and Last Call with Carson Daly.
Hailing form Newnan, Georgia, Deantoni Parks is a new wave/avant-garde experimental drummer, songwriter, actor and record producer. He has written, toured and collaborated with T-Bone Burnett, Bosnian Rainbows, The Mars Volta, Meshell Ndegeocello, John Cale of The Velvet Underground, Yoko Ono, Moby, Basement Jaxx, and Cody Chesnutt. Additionally, Deantoni wrote and played drums for the Grand Theft Auto 5 original soundtrack, and is co-founder of Dark Angels alongside producer and keyboardist Nicci Kasper, as well as a member of KUDU.
After meeting almost 15 years ago through jazz/funk trio Soulive, Keaton Simons and Deantoni Parks have not only been close friends, but true admirers of each other’s respective work. Best Revenge is the first of what they hope will be many collaborative projects. Fans will have the opportunity to catch them live in Austin, Texas this week at SXSW. (See schedule below.)
LIVE AT SXSW //
FRI 3/14 @ Austin Ale House – 3PM
301 W 6th Street, All Ages, No Cover
FRI 3/14 @ Listening Room At Winflo – 6:30PM
1315 W 6th Street, All Ages, No Cover
SAT 3/15 @ Quantum Collective Southwest Invasion, Whole Foods Rooftop – 7PM
525 N Lamar Blvd, All Ages, No Cover http://qc2014.eventbrite.com
Semi Precious Weapons is a band founded by singer and Berklee College of Music grad Justin Traner. Though starting off as a punk band in NYC, their sound has evolved and they’ve toured the world with Lady Gaga and most recently Kesha. Now, they’re based in LA and have a new album coming out in April. The new album, Aviation, was produced by Tricky Stewart. Keep your eye out, and in the meantime check out the video above for “Aviation High.”
The Sleepwalkers have been quietly banging around in the attic for the better part of five years in Wisconsin’s Fox Valley region. Writing, rewriting, absorbing, touring and, every now and then, releasing a record.
From this, comes Lost My Mind In Stereo, the second full-length album from The Sleepwalkers (formerly Ian Olvera & The Sleepwalkers). Building on the framework of their 2010 release The Reckless Kind, the band hits full force with a lot of drums, a lot of guitars, and a lot of attitude on Lost My Mind In Stereo. A variety of keyboards augment the arrangements and help accentuate each hook, leaving you with a roadmap back to such influences as The Band, Sam Cooke and The Replacements.
After the release of The Reckless Kind, The Sleepwalkers spent the better part of 2010-2012 supporting the record on the road locally, regionally and nationally. The band logged countless local shows, as well as several self-booked regional and national tours, including shows with White Rabbits, Ha Ha Tonka, The Henry Clay People, Dan Vapid & The Cheats, Paul Collins Beat, Prima Donna, The Melismatics, The Figgs, Miles Nielsen and more.
The Sleepwalkers’ Lost My Mind In Stereo will be available on CD & digital formats on April 8th via IJGFM Records.
Mazzy Star recently announced the worldwide release of their eagerly anticipated fourth studio album, Seasons Of Your Day on September 24th. In support of the new album, Mazzy Star are taking to the road for a full North American tour of multiple cities including Los Angeles on November 7th, Toronto on November 16th, and Montreal on November 17th .
Co-written by Hope Sandoval and David Roback, Seasons Of Your Day was recorded in California and Norway. The album features performances by all the original members of Mazzy Star along with special guests including ColmO’Ciosoig (My Bloody Valentine) and a special appearance by the late, legendary Bert Jansch. The album was produced by David Roback and Hope Sandoval and will be released on their own label, Rhymes Of An Hour Records, and distributed through INgrooves and Fontana North.
Seasons Of Your Day is Mazzy Star’s fourth studio LP, preceded by She Hangs Brightly (1990), So Tonight That I Might See (1993) and Among My Swan (1996). Seasons Of Your Day is the second release on Rhymes Of An Hour Records and follows the single “Common Burn / Lay Myself Down” (2011).
The Weight Of Your Love, Editors’ fourth studio album, is, according to lead singer and songwriter Tom Smith, “a band record, a musical record, a rock record… with a foot in that alt-rock / Americana world.”
The Weight Of Your Love is the first Editors album to feature new members Justin Lockey and Elliott Williams, following the departure of founding member Chris Urbanowicz in 2012. Inspired by Scott Litt’s work with REM amongst others, and built around a live performance approach to recording, the album was recorded in Nashville at Blackbird Studio by producer Jacquire King (Tom Waits, Norah Jones, Of Monsters And Men, Kings Of Leon) and mixed by Craig Silvey (Arctic Monkeys, The Horrors, Arcade Fire, Bon Iver). It also features extra production from Clint Mansell (Grammy award winning ‘Black Swan’ soundtrack) on “Nothing”, rescored from the original to become what Tom and Ed Lay both describe as the “centerpiece” of the album.
Lyrically focused on “love songs that don’t adhere to the traditional love song type” according to lead singer Tom Smith, The Weight Of Your Love features lots of firsts for the band, not the least of which is Tom’s falsetto on “What Is This Thing Called Love”. Horns make an appearance for the first time on an Editors record, and Elliott’s amazing new vocal contributions serve as a beautifully melodic counterpoint to Tom’s, as best displayed on “Formaldehyde”. “The Phone Book”, meanwhile, seemed to need nothing more than an acoustic guitar. “I have a deep love of those big rock records that are straightforward,” notes Tom, “and we really embraced that throughout this album.”
The Weight Of Your Love is the follow up to Editors two consecutive Number One UK Albums: An End Has A Start (2007) and In This Light And On This Evening (2009). Their debut album, The Back Room (2005) has sold over half a million copies in the UK. The Weight Of Your Love will be released by Play It Again Sam / [PIAS] America on July 2nd digitally, and July 9th on CD, double CD (with bonus tracks), & double 180g vinyl.
The first single, “A Ton of Love”, will be released digitally on June 18th – watch the video for “A Ton of Love” below.
And here’s my forever FAVE song from Editors (from their 2005 debut album, The Back Room):
Supported:Datarock, Devo, Air, The Horrors, Florence and the Machine, The Charlatans, Electric Six, Juliette Lewis, Steve Aoki and many more.
Rolling Stone has shared UK’s Scanners’s title track “Mexico”, the band explains the song: “We wrote the song ‘Mexico’ after we toured a few times driving across the U.S. desert. It’s pretty mind blowing if you’re from the U.K. because there is nothing like it there at all. The heat, the space, it’s like another planet. All the time we would be driving near the border and stopping in places like El Paso, but we never made it into Mexico itself,” The Scanners Matthew Mole tells Rolling Stone. “So I suppose it always had some strange romantic appeal to us. I suppose that’s why we were so conscious of being ‘so far from home’.”
Scanners released their Mexico EP with Dim Mak Records on March 5th, right before coming to SXSW. Their brand new tracks “Mexico”, “Control” and “Charmed Life” are their latest in their sound that Vice describes as “perfecting a laser-fried blend of dance-punk and leaving beer-soaked UK club night in their wake.” Later this year, the band’s Love Is Symmetry album will come out on Dim Mak Records. Submarine was their second album, released in 2010. After the DIY approach to the first album, Scanners had decided to work with experienced producer Stephen Hague (New Order, Blur, Erasure) for the second. Recorded in part at Real World Studios and mixed in Stephen Hague’s shed, the second album’s higher production values made it popular with TV programmers. In fact, it is through TV shows such as Entourage, One Tree Hill, The Big C, Skins and more that Scanners’ music has managed to reach a wider audience. “Salvation” the first single found many new fans thanks to its use in Gossip Girl, and “Lowlife” from the films Endgame and Mama’s Boy.
In 2011, after lots more touring and much soul searching Tom decided give up his drumstool. This was eventually taken over by French sticksmith Kilian, who joined in time to record on the third album Love is Symmetry. For their third album Scanners decided to go back to recording and producing themselves. Sarah and Mat have also been kept busy by the arrival of their son Flynn who was born in January 2012.
Scanners’ story starts at a rehearsal studio in Camden Town London in 2005. Sarah and Mat had loads of songs they had been working on together whilst playing guitar in other people’s bands. When they met Amina and Tom it seemed the natural step to go and record these tracks, and so the first Scanners album Violence is Golden was born. It was a homemade affair, recorded in bedrooms and rehearsal rooms, but it still started to attract some attention. Through a strange set of circumstances Steve Aoki, head of LA label Dim Mak Records (Bloc Party, The Rakes, Gossip) heard one of the tracks and was hooked. On a visit to London he met up with the band and he promised to put out the record. So in 2006 Violence is Golden was released to much critical acclaim from sources as varied as the LA Times, Aversion and Perez Hilton. They played their second single “Lowlife” on NBC’s Carson Daly Show, the performance introduced by Ice Cube. They toured the West Coast and supported bands like Datarock, The Horrors, Forward Russia and The Rakes. The success from the album in America led to releases and tours in the UK and Europe.